Books like Shoeless Joe Jackson Comes to Iowa — picked by fans

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.

I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.

I’ve always liked to imagine how things might have been. In my thinking, a good historical novel is a story set inside the larger world of the time, like a nesting doll with a story inside a story. I look for accurate research, well-developed characters, a unique storyline, and dialogue that comes alive on the page. I expect the history to be a backdrop for a story of ordinary people living through extraordinary times. This is what I like to read and how I have written my novels set during the Civil War, Great Sioux Uprising of 1862, and the home front of World War 2.

I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.

My author friend, Mary, brought her great, great, great + grandfather’s journal to our writers' group and shared excerpts from the pages written in the 1800s. When her grandfather was window shopping in downtown London, he peered into the bookstore window. He yearned to own the books on display, but he couldn’t afford them on a minister’s income. Only the rich could purchase books. The journal excerpts brought the 1800s to life. I decided then to begin recording my life experiences to make our lives today real for the generations of tomorrow. I share my enthusiasm for telling life stories by presenting workshops on how to write life stories. 

As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males. 

I’m fascinated by the mind-body-spirit’s impact on our human experience. Especially the aspect of mind, because deep within us resides the shadow-self described by Carl Jung. Most of us spend our lives hiding this part, but it’s there, waiting to pounce. These are the stories I tell, and with my background in Health and Wellness and in Creative Writing, I write paranormal, supernatural, and horror stories containing the simple truths about our human experience. All are designed to bring out the shadow lurking within and expose it to the light. As a counterpoint to these dark tales, I write evocative poetry, uplifting children’s stories, and some educational books with my writing partner, Derek R. King.