Here are 100 books that Shoeless Joe fans have personally recommended if you like
Shoeless Joe.
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I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
This is a minor work in Roth’s illustrious career, but it is pure Roth - hilarious and outrageous - through and through. You can’t not love a novel that begins with an irreverent shot out to Moby Dick: Call me Smitty, is the novel’s first line, penned by a sportswriter and narrator Word Smith. Smitty’s story is the tragic career of the only Babylonian pitcher in major league history, a phenom named Gil Gamesh. (For those who are too far removed from your college classics courses, Gilgamesh is the great epic story of ancient Babylon.) Gil and his catcher concoct a plot to kill an umpire, Mike the Mouth, who never gives them an even break. The would-be murder weapon is a high fastball. Chaos ensues.
From the Pulitzer Prize–winning author of American Pastoral—a richly imagined novel featuring America’s only homeless big-league baseball team in history delivers “shameless comic extravagance…. Roth gleefully exploits our readiness to let baseball stand for America itself" (The New York Times).
Gil Gamesh, the only pitcher who ever literally tried to kill the umpire. The ex-con first baseman, John Baal, "The Babe Ruth of the Big House," who never hit a home run sober. If you've never heard of them—or of the homeless baseball team the Ruppert Mundys—it's because of the Communist plot, and the capitalist scandal, that expunged the entire…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
As a long-suffering fan of the Seattle Mariners, who have avoided success longer than any other North American sports team this century, how could I not love a novel whose central premise is what would happen if an elite professional sports team, the defending National League champs, fielded an entire line-up of players overwhelmed by clinical depression? This is the funniest sad book I’ve ever read. Well, maybe the second after Catch 22. All the characters play baseball, but the book is less about sport than it is about how humans survive a hostile world.
I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
Coover’s prescient novel pre-dates the explosion of sports fantasy leagues by at least a decade, but places an imaginary league at the center of his story. Anyone who has ever played in fantasy leagues knows their power. The fantasy can take over your life, which is precisely what happens to J. Henry Waugh. The protagonist is a mild-mannered accountant by day, but the owner-operated-madman-in-charge of his self-created league at night. Eventually, it overwhelms his real life. This is a novel about the dangers of living inside your own head.
As owner of every team in the league, Henry is flush with pride in a young rookie who is pitching a perfect game. When the pitcher completes the miracle game, Henry's life lights up. But then the rookie is killed by a freak accident, and this"death" affects Henry's life in ways unimaginable. In a blackly comic novel that takes the reader between the real world and fantasy, Robert Coover delves into the notions of chance and power.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
This is the fourth and last of Mark Harris’s Henry Wiggen novels. All four novels are narrated in a charming colloquial voice by Wiggen, a star lefthanded starting pitcher for the New York Mammoths. The books trace the all-star career of Wiggin, from his rookie year through to the end of a long career. The time frame of the novels is the 1950s through the 1960s, moving beyond the innocence of the beginning (when players still had off-season jobs to pay the rent – Wiggen sold insurance) to a kind of melancholy at the end. The novel chronicles the end of Wiggen’s excellent career, an end Wiggen, as the wistful title suggests, never saw coming until too late. It’s funny, sad, and heartfelt.
Henry Wiggen, the bedraggled six-foot-three, 195-pound, left-handed pitcher for the New York Mammoths, returns to narrate another novel in his inimitable manner. Fans who loved him in Bang the Drum Slowly, The Southpaw, and A Ticket for a Seamstitch (all Bison Books) will cheer his comeback. Wiggen is now thirty-nine, a fading veteran with a floating fastball, a finicky prostate, and other intimations of mortality. Released from the Mammoths after nineteen years, the twenty-seventh winningest pitcher in baseball history (tied at 247 victories with Joseph J. "Iron Man" McGinnity and John Powell), Wiggen is not ready to hang up his…
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
Kinsella was a master at blending two of my favorite things—fiction with supernatural elements in a realistic setting, and also baseball.
The title story was expanded into the novel Shoeless Joe, which later became the movie Field of Dreams, and I was fascinated by how the story changed in those three formats. Plus, the collection is packed with cool historical Americana fiction laced with uncanny happenings.
I come from a family of eaters. Food was often at the center of family stories and celebrations. I first became fascinated with apples while I was working on my Ph.D. in history, and my interest has since expanded to include all things related to food history. I’ve taught classes on food history, and a few years ago, I started collecting cookbooks. I blog about my cookbook collection and other historical food oddities on my website.
I think Sanora Babb is an underappreciated author. During the 1930s, Babb worked for the Farm Security Administration and was inspired to write a novel about Dust Bowl migrants. Unfortunately, her publishing contract was canceled when John Steinbeck published The Grapes of Wrath.
As much as I love Steinbeck, I love Babb’s novel more. She paints a vivid picture of life in small-town Oklahoma through small, domestic details. I appreciated the range of characters across the economic spectrum. Her characters are strong, but they are also aware that they are cogs in a machine, caught in circumstances beyond their control. She manages to highlight the plight of farm workers while maintaining their dignity as human beings.
Sanora Babb's long-hidden novel Whose Names Are Unknown tells an intimate story of the High Plains farmers who fled drought dust storms during the Great Depression. Written with empathy for the farmers' plight, this powerful narrative is based upon the author's firsthand experience.
This clear-eyed and unsentimental story centers on the fictional Dunne family as they struggle to survive and endure while never losing faith in themselves. In the Oklahoma Panhandle, Milt, Julia, their two little girls, and Milt's father, Konkie, share a life of cramped circumstances in a one-room dugout with never enough to eat. Yet buried in the…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I started my career as an academic social scientist and seem set to end it as a gardener, small-scale farmer, and accidental ecological activist. I’ve learned a lot of things along the way from these different parts of my life that I channel in my writing. I don’t claim much expertise. In fact, I think claims to expert knowledge that can ‘solve’ modern problems are a big part of our modern problems. I’ve always been interested in how people and communities try to figure things out for themselves, often by picking up the pieces when big ideas have failed them. My writing arises out of that.
Almost everywhere, there’s a local agrarian tradition in which people ingeniously figured out how to build autonomous livelihoods on their local ecological base. And almost everywhere it’s been destroyed by modern economic forces, which not only import energy and capital non-resiliently from elsewhere, but also import scorn for older rural ways once admired for their tenacity.
With a historian’s eye for detail, a storyteller’s gift for narrative, and an intensely human empathy for ordinary lives, Steven Stoll tells this story in the case of Appalachia in the United States. But the implications go much wider, and are endlessly informative for thinking through the basis of local agrarian societies worldwide today.
Short-listed for the Phi Beta Kappa Ralph Waldo Emerson Book Award
In Ramp Hollow, Steven Stoll offers a fresh, provocative account of Appalachia, and why it matters. He begins with the earliest European settlers, whose desire for vast forests to hunt in was frustrated by absentee owners―including George Washington and other founders―who laid claim to the region. Even as Daniel Boone became famous as a backwoods hunter and guide, the economy he represented was already in peril. Within just a few decades, Appalachian hunters and farmers went from pioneers to pariahs, from heroes to hillbillies, in the national imagination, and…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
Sometimes people are given a horrible position at birth either by economics, environmental conditions, or bad luck. The Four Winds helped me understand some of the great migrations that have occurred in this country and the motivations that inspired the move.
I came to root for Elsa, the flawed main character, who sincerely did the best she could for her son. I felt her pain, agony, and frustration when a series of bad events happened along her journey.
It wasn’t an easy read, but a necessary one to understand resilience, courage, strength, and doing what you have to do when given no other choice.
"The Bestselling Hardcover Novel of the Year."--Publishers Weekly
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on…
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
Samson’s one and only novel, The Auctioneer is a wonderfully unnerving tale of how a community can find itself completely hollowed out in a matter of a single devil’s bargain. Predating Stephen King’s Needful Things, this book is a literary garotte that slowly closes around the reader’s throat. The paranoia is palpable in these pages, believe me.
One of the finest and best-selling horror novels of the 1970s returns at last to chill a new generation of readers
In the isolated farming community of Harlowe, New Hampshire, where life has changed little over the past several decades, John Moore and his wife Mim work the land that has been in his family for generations. But from the moment the charismatic Perly Dunsmore arrives in town and starts soliciting donations for his auctions, things begin slowly and insidiously to change in Harlowe. As the auctioneer carries out his terrible, inscrutable plan, the Moores and their neighbors will find…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’m fascinated by the mind-body-spirit’s impact on our human experience. Especially the aspect of mind, because deep within us resides the shadow-self described by Carl Jung. Most of us spend our lives hiding this part, but it’s there, waiting to pounce. These are the stories I tell, and with my background in Health and Wellness and in Creative Writing, I write paranormal, supernatural, and horror stories containing the simple truths about our human experience. All are designed to bring out the shadow lurking within and expose it to the light. As a counterpoint to these dark tales, I write evocative poetry, uplifting children’s stories, and some educational books with my writing partner, Derek R. King.
I love The Story of An Hour: Short Storyby Kate Chopin because this tale has a delicious plot twist and portrays irony at its finest. I resonate with the feminist message — the oppression and the realization of what the heart truly desires and the heartbreak of that being ripped away. Very emotive. I felt what the main character was feeling and didn’t see the ending coming. This is my favorite type of story and the kind I love to write.