Books like A Bride for Keeps — picked by fans

As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males. 

As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males. 

As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males. 

As both a writer and a reader, I love romance novels set in the late 1800s because many of the problems people faced back then are similar to the problems encountered today. For example, we worry about losing jobs to AI. Back then, workers worried about mechanization. Also, while researching a book, I was fascinated to learn that meetings, dating sites, games, and “text” messages were just as prevalent then as they are today, thanks to the Victorian Internet (aka the telegraph). Another reason I’m fascinated with the Old West is because it caused women to challenge traditional roles and enter into professions previously dominated by males. 

I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.

I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present. 

I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.

I’m fascinated by the mind-body-spirit’s impact on our human experience. Especially the aspect of mind, because deep within us resides the shadow-self described by Carl Jung. Most of us spend our lives hiding this part, but it’s there, waiting to pounce. These are the stories I tell, and with my background in Health and Wellness and in Creative Writing, I write paranormal, supernatural, and horror stories containing the simple truths about our human experience. All are designed to bring out the shadow lurking within and expose it to the light. As a counterpoint to these dark tales, I write evocative poetry, uplifting children’s stories, and some educational books with my writing partner, Derek R. King.  

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.

Because of the presence of my four beloved grandparents throughout my growing up years, (all four of my grandparents even attended my wedding), I’ve always enjoyed relationships with older people. My comfort with older people translates into my friendships where many of the women in my life are quite a bit older than me. These intergenerational relationships offer wisdom and experience that informs my own life. I hold an M.F.A. in Creative Writing and have written one novel for adults and one for middle-grade readers. My past jobs include being a television engineer, an adjunct professor, and a publishing professional.