100 Books Like She's with Me

I love everything Juliet Marillier writes. She is so good at using her knowledge of folklore to create magical stories in which the heroine must save the day. This book departs from her usual Celtic setting, taking us instead to Transylvania in the time of the Ottoman Empire and a reimagining of the Twelve Dancing Princesses.

The setting takes five sisters from a crumbling castle at the edge of the Wildwood to the Faerie Kingdom at the heart of that wood. I love how the Wildwood seems to tailor itself to the ages and personalities of the sisters. So, five-year-old Stela spends her time with cute and playful creatures, while elder sister Tatiana falls under the spell of Sorrow, one of the Night People. Protagonist Jena has her own love story with the talking frog Gogu.

How could I not love a book set in an alternate Renaissance Venice? When modern-day teenager Lucien “stravagates” in his sleep to Belezza, he discovers a world of gondolas and bridges, spies and alchemy. I love the way Venetian customs are ramped up to fantasy proportions—for example, the traditional “marriage with the sea” involves the ruling Duchessa actually plunging into the lagoon—or does it?

The book moves between the fantastical Bellezza and the “real world” of modern-day Britain, where Lucien is a teenage cancer patient. Lucien’s increasing illness in our world provides added jeopardy to the adventures in Belezza, where Lucien teams up with Ariana—a plucky girl who wants to become the city’s first female mandolier (gondolier)—to save Belezza from the machinations of Rinaldo di Chimici.

If your favorite song is “Look What We Made You Do” try Of Cages and Crowns by Brianna Crump.

Think Hunger Games but with more romance, and very much the vibe of “I got my but you’ll all get yours.” There’s revenge, survival, romance, and revenge and a rebellion brewing in the background, but I was surprised at how much this book surprised me.

Every time I thought I knew what was coming next, some new secret or shocking twist surprised me.

If your favorite song is “You Belong With Me” try I Hate You, Fuller James, by Kelley Anne Blount.

It’s very much the story of a nerdy awkward girl pining after the handsome jock, and is full of sweet moments. I love the similarities between it and 10 Things I Hate About You and the nods to other 90’s rom coms.

I’m a sucker for the enemies-to-lovers trope, and it was fun to watch a young female character fall in love but also learn to stand up for herself.

Everyone needs a little camp in their lives. This book is about the “OG” group of friends who get entangled in a hush-hush death and are hunted and haunted (literally!) by the secret. It even inspired an equally campy and fun-filled movie starring young Hollywood stars from the ’90s!

We literary types often forget that books are meant to entertain. I love being transported to an absurd world with high drama, rollercoaster twists and turns, and a central mystery so far out there that you’ll roll your eyes, laugh, and keep turning those pages with abandon.

This book is an awesome locked-room thriller about six teens who are invited to a dinner and find themselves trapped in a room with a bomb, a syringe filled with poison, and a note with instructions that they have to decide who among them to kill within the next hour or they’ll all be murdered.

There’s something about close-proximity thrillers that gets me every single time. As a person who is definitely not a big fan of enclosed spaces in real life, these types of books have me breathless.

This book shows that depression is real. We need to pay attention to others and let them know they are not alone. I think this message is so important. It cannot be overstated. I loved the way the two girls in this book helped each other through Emily Dickinson.

Though some readers thought it was a little two coincidental that both girls have the same English class, have the same initials, and both like Emily Dickinson, I didn’t find that a problem. I also thought it hooked readers to know that one of the girls is considering suicide, but we don’t know which one.

This book sucker-punched me. Trigger warning for child abuse, gaslighting, alcoholism, drug abuse, EDs, Incest, and self-harm. Told entirely in verse, this novel follows the lives of identical twins, Kaeleigh and Raeanne, the seemingly perfect all-American girls. But each sister is hiding a dark secret. Raeanne uses drugs, alcohol, and sex to replace the love her father lavishes on her sister. Neither sister is holding onto their dark secrets very well, and pretty soon one will have to save the other. But who will step up? This novel was my first experience reading a novel in verse, and I still marvel at the technical skill it must have taken and the bruise my heart sustained in the process. 

Roiling fog and shadows cloak the evil at the heart of this tale of hidden pasts and restrained magic.

Strange occurrences and vague prophecies push our cast of characters together, even if they would rather not be, creating an unsettling dynamic between the forces at work in the small town of Four Paths.

Violet doesn’t seem to fit in, but as a descendant of one of the founding families, it’s her destiny to confront what awakens in the woods, as well as her ties to a mysterious and dark legacy. In my opinion, this book is a perfect marriage of a Gothic novel and YA.

This historical novel also explores the lives of lesbians in the 1950s, but in a very different way: it is told in dual narratives, from the point of view of two teen girls growing up and coming out six decades apart. In 1955, eighteen-year-old Janet finds a series of books about women who love other women: lesbian pulp novels. Sixty-two years later, Abby is studying classic 1950s lesbian pulp fiction. It’s a cleverly constructed story and I love how the two stories are woven together.

From a queer history perspective, the book is well-researched and illuminates the danger and fear faced by so many queer people during the Lavender Scare, and the important role played by lesbian pulp novels in a time when young queer girls rarely saw others like themselves.