Books like Sherlock Bones and the Natural History Mystery — picked by fans

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

Before I was an author-illustrator, I was an elementary school teacher for many years. One of my favorite things about teaching was reading to students and helping them find books they love. Seeing kids connect with books motivated me to write and illustrate books; the character Reggie is very much inspired by my young students! Humorous books with lots of pictures often get kids hooked on reading, which is why I’ve selected funny graphic novels for this list. There’s no shortage of great comics for kids, so I chose books I also would have loved as a kid–silly and sweet, starring animal characters with real, kid-like feelings.

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison. 

I inherited a love of puzzles from my mother, and we still share crossword clues, looking for answers. I also shared her love of reading mysteries and trying to solve crimes, from the Hardy Boys and Nancy Drew to Agatha Christie and Sue Grafton. So, when I started writing, it was only natural that I create my own literary puzzles. Add in an ingrained sense of justice–so often missed in society–and I love it when the bad guy (or gal) gets their comeuppance. I also love the mental workout I get when I need focused logic to puzzle out the ending before the final pages.

I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outside of society.

I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic. 

Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.

Nick Albert is British, but for close to 20-years, he has lived in a ramshackle farmhouse in the rural west of Ireland with his wife and several unruly but affectionate dogs. He's the author of the bestselling comedy memoir series, Fresh Eggs and Dog Beds, and the twisty thriller Hunting the Wrecking Crew. Nick is a voracious reader with an eclectic collection of books, and for a good reason. In a recent interview, he gave this advice to aspiring authors, "Before you write, read. Read a lot. Read what you enjoy. Read the kind of books you would like to write, but be sure to observe the author's craft as you read. Take note of how they mix dialogue with narration, how they paint their pictures, and how they guide your mind. Try to look beyond the words to understand how the story was constructed. Do all this and more before you put pen to paper."