Books like The Nerd Herd — picked by fans

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

Before I was an author-illustrator, I was an elementary school teacher for many years. One of my favorite things about teaching was reading to students and helping them find books they love. Seeing kids connect with books motivated me to write and illustrate books; the character Reggie is very much inspired by my young students! Humorous books with lots of pictures often get kids hooked on reading, which is why I’ve selected funny graphic novels for this list. There’s no shortage of great comics for kids, so I chose books I also would have loved as a kid–silly and sweet, starring animal characters with real, kid-like feelings.

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

I love inventing inventions and experimenting with experiments–all in aid of blending science and story to inspire innovation and positive change. My career covers six countries, 15+ novels for primary-aged children, and jobs that include science journalism at CERN (home of the Large Hadron Collider), exploding things at Questacon (as part of a science circus), and collecting bins in the back of a ute (as a garbage analyst). I write for children because I believe (and it’s scientifically proven) that our children are the future. 

I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.

After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected. 

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.