Books like A Patchwork Family — picked by fans

I am always looking out for talented young writers and this debut really struck me for its narrator’s very distinctive voice, both stylish and sad. An Indian Catcher in the Rye but with a protagonist more hampered by family and circumstances, capable of greater angst, and looking for authenticity in the strangest and loneliest of places. 

A most affecting historical novel set in 19th century Assam as the British colonialists sought to push deeper into the country. I’ve read so many accounts of the early encounters between native and foreigner but what makes this one rare is Blackburn’s careful and tender individualising of his characters so that they can both be ranged against each other and yet in some human and mysterious and ultimately tragic way also be friends. 

This is a marvellous novel about an area in the foothills of the eastern Himalayas that is not far from where I grew up. It’s a story about people and nature, how the relationship is at once very elemental for those who live off the land, as well as very convoluted and destructive because it’s driven by greed, politics, and fear. The narrator is a visitor to the region, looking to solve a mystery from his past, and this device of the curious outsider looking in works really well to make the whole place come to life. 

This slim novel I read in one sitting not because, in the way of conventional thrillers, one hopes for a decent resolution, but because the story is so devastating. Its very hopelessness somehow pulls one in. Pandey has written a very gentle account of the very brutal forces ranged against one couple who have committed what can be a crime in modern India – marrying outside one’s caste and religion. 

There are times when we think that we have successfully buried something in our past and it suddenly resurfaces and shocks us. But what if this ‘thing’ wreaks havoc with our lives and turns it topsy turvy? Only the Good Die Young is a taut and gripping sequel to Akash Verma’s thriller, You Never Know. The book unravels beautifully, quite like a web series playing out between the craftily stitched words.

Not all the struggles of Asians are with Western societies. There are also divisions and rivalries within Asia, including, sadly, between the two Asian giants: India and China. Kanti Bajpai’s book explains the complex, neurotic relationship between the two Asian powers well. Former Indian PM Manmohan Singh once wisely observed, “The world is large enough to accommodate the growth ambitions of both India and China.”

A decade after he said that China and India clashed again in the Himalayas in June 2020, plunging relations to a new low. The Asian century will be seriously crippled if China and India don’t find a long-term modus vivendi. Bajpai’s book will help both sides understand each other better. 

Born with a silver spoon, the protagonist of the story, Aratrika Reddy finds herself at the helm of affairs for a multi-million-dollar conglomerate at a very early age. The lack of experience is duly made up for by her enthusiasm and the zeal to leave a mark, until she finds herself at a crossroads where she has precisely eight hours to save her company from certain insolvency. With greed, treachery, and mistrust shaping the unexpected and exciting twists and turns in the plot, this one is a must-read. Especially for those looking for a glimpse into the winding corridors of power and the crafty and sly maneuvers that shape them. 

Miller’s work in village India – a world away from most of our experiences  – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.

Ruskin Bond is known more for his simple stories about everyday people in the Himalayan foothills (like a North Indian R.K. Narayan). He does throw in the odd story, which seems like a folktale with a surprising ending like A Face in the Night and The Eyes Have It. This livens up the collection more, as you don’t know when you will get one of the unexpected plot twists.

His books ooze with his love for his adopted country, and he writes with such tenderness about young characters that they are wholesome and fulfilling to read.

What I love most about him is that he is one of the most approachable and friendly authors. He spends hours sitting in his hometown’s main bookshop talking with readers and autographing their purchases. 

How would you deal with surviving a disastrous flood that swallows your childhood home? Krupa Ge does this by channeling her rage and anguish into a book. Writing about the devastating floods that hit her hometown Chennai, in southern India, in 2015, she deftly weaves her own experience of being stranded in the flood, worrying about her family, into the larger narrative of state apathy and culpability. At the core, this is a book about environmental injustice. The poorest in the city were the worst affected, losing family and all their possessions. And yet it was also the poor who showed extraordinary resilience and compassion: the fishermen who rescued stranded and recovered bodies or sanitation workers themselves affected but who turned up to clean the city.

Through meticulous research, the book unravels the causes of this man-made disaster, mincing no words in holding the state responsible for what it was… show more.