Books like Serowe

I love a classic tale of forbidden love, and this book explores love across class lines and across traditional Tswana values and modern values: a poor, uneducated boy who fled his family cattlepost and escaped to Gaborone, where he falls in love with the privately educated daughter of a retired diplomat.

What I love about this book, too, is how it provides a portrait of Gaborone at a certain time (the book was published in 1981) and the various people who made the city their home—upwardly mobile Batswana, political refugees from both Botswana and South Africa, diamond smugglers, officers from the colonial government and as the rural wide-eyed boy observes, “men wearing women’s attire and vice-versa…unbelievably high heels on both men and women.” 

I love this humorous coming-of-age story narrated by a naïve yet academically smart girl who is juggling the various conflicting truths of her life—what she is taught in school, what she learns at home, what she learns from her friends and her siblings, what she is told about how life is and what she observes for herself. How is a person to reconcile all these truths?

By becoming the Queen of England, which is what Monei, the narrator, says she wants to become when she grows up since the Queen is the only woman, as far as Monei can tell, who can make decisions. This is one of the funniest books I have ever read. Dow brilliantly captures the perplexed voice of a growing girl and the idiom of Botswana life around Independence.

I love short stories for all the meaning, depth, substance, and sense of a full life they can reveal in a few short pages, and these short stories by Wame Molefhe do just that.

They are intimate and lovely, and in elegant prose, they reveal women in the thick of life, caught in treacherous circumstances, solitarily mourning extramarital lovers, mourning same-sex love they were not brave enough to pursue, mourning a best friend who might have had an affair with one’s husband thus exposing her to disease.

The characters' names recur in most of the stories, though each character is different, navigating a different set of circumstances. The effect is of intimacy, of encountering and re-encountering relatives or friends around the corner, at the supermarket, at a funeral, or a wedding. 

“In Africa, you want more, I think.” So goes the first line of this sprawling and complex novel by the American writer Norman Rush. The version of me who has had to read countless broad and sweeping generalisations about my country and my continent was alert upon first reading this line. Suspicious and vigilant; ready to slam the book closed at any nefarious stereotypes. But I confess that the narrator’s voice—the funny, wry, intellectual and calculating voice of an American anthropology student obsessed with a celebrated American anthropologist attempting to build a utopian matriarchal society in the Kgalagadi desert—swept my defenses aside. 

The book is expansive and comic, and also serious about relationships between men and women, courtship, love, social movements and Southern African politics. A sequence early in the book in which the narrator is reduced to weeping at the beauty of the Victoria Falls and lamenting her lack… show more.

Do you like a good scare? Well, Stephen King is one kind of scary, but A Question of Power is something else altogether: a descent into a sunless valley writhing with monsters. We know that these monsters dwell in the mind of the main character, Elizabeth. But there’s no safety in knowing that, for we’re locked in with them. If we sometimes climb a tree and feel a fresh breeze on our faces, it’s with the knowledge that those tentacles can slither up and snatch us back into hell at a moment’s notice. And they do. 

I didn’t start with what many consider the most important facts of this novel: that Elizabeth is a mixed-race woman born in South Africa and exiled to Botswana. And those are vital facts. But Elizabeth is also one luminous, suffering soul. Watching her fight her way out of that dark valley is a terrifying… show more.

When I moved to Botswana, I wanted to learn more about the country, where I should live for more than 2 years. Somebody gave me books by Bessie Head and I learned so much by just reading these books. Maru was not the only book I’d read by Bessie Head, but it was one of the best books on Botswana.

It contains work by some of the most brilliant speculative fiction writers on the continent and also expands on the title, Africanfuturism, in its Introduction by Nnedi Okorafor. She also happens to have a story in the book. Another of the stories in it, by Motswana writer Tlotlo Tsamaase won the 2021 Nommo award for short story and a number of works in it, like Egoli by Tendai Huchu also made recommended reading lists and Year's Best anthologies. The anthology itself was a finalist in the Locus award for best anthology.

Fiction is an excellent source of inspiration for leaders. This book is a prime example. The book is part of a series of books on the “No. 1 Ladies’ Detective Agency” in Botswana. The proprietor, Precious Ramotswe, uses a combination of wisdom, intelligence, and humor to solve crimes. Like leaders and entrepreneurs everywhere, she must handle a variety of challenges using limited resources. A special treat in reading these books is learning about daily life in Botswana. 

I was 30 years old - more than 30 years ago - with a high-flying career in the Information Technology industry when I first read this memorable non-fiction book about two young university students who went to study lions in the most remote parts of Botswana, Africa, with nothing much more than a backpack.

I remember chills running down my spine as I read of them sleeping under the stars just metres from wild lions, who had probably never seen a human being before. It was far from an easy life, but more than anything I wanted to know first-hand how that felt.

As a non-scientist it would be even more difficult for me – but after then visiting the African wilderness as a tourist I, too, decided that I wanted to be on the ground, fighting for the welfare of Africa’s endangered wildlife. 

I know Peter – we josh each other and trade funny insults on social media. I hate to say it, but he is a very funny guy. Safari guide memoirs are a dime a dozen in Africa, but this one stands out from the pack because it is both humorous and moving. Peter has a wonderful self-deprecating style and tells, hilariously, of some of his epic failures as a young Australian finding his way in the African bush. Peter loves Botswana, and his passion shines through in this book.