Here are 100 books that Africanfuturism fans have personally recommended if you like
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As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
Omenana to Infinity is an anthology of collected works formerly published in Omenana Magazine. The anthology is edited by Mazi Nwonwu and Chinelo Onwualu, like the magazine its stories are culled from. The duo also founded and edited the magazine which is the first African, exclusively speculative fiction magazine. It's important to me because it contains some of the earliest works of speculative short fiction by African writers I would read as an issue of a magazine and did a great lot in platforming speculative fiction writers on the continent.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes.
AfroSF is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
It's the first of its kind, the first installment in a line of Year's Best African Speculative Fiction anthologies meant to spotlight the works of African writers and writers of African descent. Year's Best anthologies have been a genre thing for over 5 decades. This is an important installment in the development of African speculative short fiction. It was published by the editor as well in a small press he founded, Jembefola Press. The anthology made him the first African editor to be a Hugo award best editor finalist and a Locus award best editor and best anthology finalist.
“You are bound to be wonderstruck.”—Lightspeed Magazine “A must-read.”—Locus Magazine “Highly recommended.”—The British Fantasy Society
The world's first ever “year’s best” anthology of African speculative fiction. Edited by Oghenechovwe Donald Ekpeki, The Year’s Best African Speculative Fiction collects twenty-nine stories by twenty-five writers, which the press describes as “some of the most exciting voices, old and new, from Africa and the diaspora, published in the 2020 year.”
The anthology includes stories from Somto O. Ihezue, Pemi Aguda, Russell Nichols, Tamara Jerée, Tlotlo Tsamaase, Sheree Renée Thomas, Tobias S. Buckell, Inegbenoise O. Osagie, Tobi Ogundiran,…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
Terra Incognita is an anthology of the Short Story Day Africa Prize. Published in 2015, it contains 19 speculative fiction stories charting the length and breadth of Africa. Its stories touch on folklore, colonialism, and a host of other topics. Published in 2015, it was one of the earlier anthologies along with the AfroSF anthology to check out, that heralded and inspired the new wave of anthologies coming out of the continent.
Terra incognita. Uncharted depths. Africa unknowable.
Nineteen new short speculative stories from the fringes and hidden worlds of Africa, from writers both emerged and undiscovered. From past lives to future lives, from modern myths to twisted histories, Terra Incognita exposes the parts of ourselves and our continent hidden beneath."
Terra Incognita is the second collection of short stories to be published by Short Story Day Africa. This carefully curated anthology is harvested from entries to the project’s annual short story competition, which in 2014 called for speculative fiction exploring an ancient cartographic term denoting uncharted territories, Terra Incognita. The collection…
I moved from Germany to Botswana when I was a fledgling translator and then on to South Africa 2 years later. I fell in love with this part of Africa that had a hand in making me the person I am today. Since I used to travel a lot, not all of my books are set in Southern Africa, but I have a passion for sharing my African stories with the world. My latest project is the Charlie Proudfoot murder mystery series, which is set in South Africa. Being a translator, I also translate books into German/English and four of them so far, are my own.
When I moved to Botswana, I wanted to learn more about the country, where I should live for more than 2 years. Somebody gave me books by Bessie Head and I learned so much by just reading these books. Maru was not the only book I’d read by Bessie Head, but it was one of the best books on Botswana.
Read worldwide for her wisdom, authenticity, and skillful prose, South African–born Bessie Head (1937–1986) offers a moving and magical tale of an orphaned girl, Margaret Cadmore, who goes to teach in a remote village in Botswana where her own people are kept as slaves. Her presence polarizes a community that does not see her people as human, and condemns her to the lonely life of an outcast. In the love story and intrigue that follows, Head brilliantly combines a portrait of loneliness with a rich affirmation of the mystery and spirituality of life. The core of this otherworldly, rhapsodic work…
I love the fantastic—madly, insatiably. Far too much, indeed, to limit myself to what the publishers label “fantasy”. Such labels don’t enlighten us, however much they condition us to predictable purchasing behavior. We’re better off ignoring them. We’re better off defining fantasy for ourselves. These five knockout novels are saturated with fantasy. It’s high time we fantasy lovers recognized our kin.
Do you like a good scare? Well, Stephen King is one kind of scary, but A Question of Power is something else altogether: a descent into a sunless valley writhing with monsters. We know that these monsters dwell in the mind of the main character, Elizabeth. But there’s no safety in knowing that, for we’re locked in with them. If we sometimes climb a tree and feel a fresh breeze on our faces, it’s with the knowledge that those tentacles can slither up and snatch us back into hell at a moment’s notice. And they do.
I didn’t start with what many consider the most important facts of this novel: that Elizabeth is a mixed-race woman born in South Africa and exiled to Botswana. And those are vital facts. But Elizabeth is also one luminous, suffering soul. Watching her fight her way out of that dark valley is a terrifying…
"It wasn't any kind of physical stamina that kept her going, but a vague, instinctive pattern of normal human decencies combined with the work she did, the people she met each day and the unfolding of a project with exciting inventive possibilities. But a person eventually becomes a replica of the inner demons he battles with. Any kind of demon is more powerful than normal human decencies, because such things do not exist for him." Bessie Head
In this fast-paced, semi-autobiographical novel, Head exposes the complicated life of Elizabeth, whose reality is intermingled with nightmarish dreams and hallucinations. Like the…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Botswana is not one of the sexy African countries; I sometimes joke in response to people who tell me, a writer from Botswana, that they have never before heard of any writers or literature from Botswana. By that, I mean that my small, landlocked country hardly ever makes international news and is often overshadowed by bigger, more populous countries on the continent. However, there has been a plethora of writing from Botswana published mostly within the African continent but also increasingly in the West. I think this list of books is a great introduction to anyone who is curious to know the country and its people.
I love a classic tale of forbidden love, and this book explores love across class lines and across traditional Tswana values and modern values: a poor, uneducated boy who fled his family cattlepost and escaped to Gaborone, where he falls in love with the privately educated daughter of a retired diplomat.
What I love about this book, too, is how it provides a portrait of Gaborone at a certain time (the book was published in 1981) and the various people who made the city their home—upwardly mobile Batswana, political refugees from both Botswana and South Africa, diamond smugglers, officers from the colonial government and as the rural wide-eyed boy observes, “men wearing women’s attire and vice-versa…unbelievably high heels on both men and women.”
I’ve lived and worked intensely in the medical field for over two decades in many countries in Africa. I’ve seen global health programs from the academic, research, developmental, and humanitarian viewpoints of both Africans and Europeans. It’s a complicated mix of politics, good intentions, and, sometimes, egos. There’s much to be learned from both fiction and nonfiction about the complexity of it all.
This collection of six short stories, set in Botswana in the mid-1980s, was a finalist for the Pulitzer Prize in fiction in 1987. It made my list because Rush puts a variety of privileged, well off and well-educated expats—Boers, Europeans, and Americans—under a microscope and provides a real and exquisitely detailed view of the expat life in Botswana in that era—it doesn’t always look good. Clearly, the expat lives are in stark contrast to those of the Batswana's, and Rush is generally careful to stick with what he knows; in only one story is the POV character Batswanan. It’s easy to see Rush’s experience as a poet in this literary fiction and the story lines are unique.
Whether they are Americans, Brits, or a stubborn and suicidally moral Dutchman, Norman Rush's whites are not sure why they are in Botswana. Their uncertainty makes them do odd things. Driven half-mad by the barking of his neighbor's dogs, Carl dips timidly into native witchcraft—only to jump back out at the worst possible moment. Ione briskly pursues a career as a "seducer" ("A seductress was merely someone who was seductive and who might or might not be awarded a victory. But a seducer was a professional"), while her dentist husband fends off the generous advances of an African cook. Funny,…
I am a veterinarian who has worked extensively with African Wildlife in the heart of the African bush. I have also met African Sangoma’s, witch doctors. I have made a study of African mysticism and Ancestral communications and have participated in African mystic rituals, including the cleansing ritual called smudging or burning of herbs and utilizing the smoke for spiritual cleansing. In my books, I fuse my knowledge of African wildlife, African customs and rituals, and my innate ability to tell a good story and have brought forth the Jamie James series. They are quintessential African Adventures taking place in the heart of the African bush.
The Sunbird was Wilber Smith’s first book. It was one of the first books on Wild African Adventure that I read and has kindled in me a lifelong passion for Africa, African animals, and the love of wildlife. It was a reason that I became a veterinarian and that I wanted to work with African Wildlife. It is a mix of contemporary and historic African Fiction. It is memorable because it is a wonderful story that I would want to share around the fire in a camp somewhere in the heart of the African bush. I would want Wilbur Smith to tell me the story as we sit around the fire. It evokes all that is magical and wonderful about Africa, the continent I love and live on. The book taught me that the story is paramount. Not the skill of the author as a literary giant. I want to…
A photograph and a curse are the only clues Dr Ben Kazin has before he stumbles on the archaeological discovery. Beneath the red cliffs of Botswanaland a civilization has remained buried for millennia. But the magic of uncovering a lost culture is interrupted by the violence of terrorists, love, intrigue and the secrets of centuries.
I'm a writer and a mother. Prior to the birth of my son, I wrote mainly fiction but fiction grounded in reality. As my son grew up, I wanted to write stories for him but as soon as I had written a crocodile story, he had already outgrown it. The years seven until eleven are a magical time for reading and perhaps the age group I enjoy writing for most. As a single, older mother I found the most engaging narratives for myself and my son (who is not a reader although loves being read to) were those that were grounded in reality, particularly the setting and with challenging as well as challenged characters.
Similar to the Mac B books, this is a series about a character who likes to solve crimes/mysteries, and the characters and settings are realistic. Even more wonderful is that the setting is Botswana and it gives much insight into the country and people. I was fortunate enough to be able to read this with my son while travelling with him in Botswana. Perfect.
THE NO. 1 LADIES’ DETECTIVE AGENCY - Young Readers
Fans around the world adore the bestselling No. 1 Ladies’ Detective Agency series, the basis of the HBO TV show, and its proprietor Precious Ramotswe, Botswana’s premier lady detective. In this charming series, Mma Ramotswe navigates her cases and her personal life with wisdom, and good humor—not to mention help from her loyal assistant, Grace Makutsi, and the occasional cup of tea.
Have you ever said to yourself, Wouldn’t it be nice to be a detective?
This is the story of an African girl who says just that. Her name is…