100 Books Like The Running Game

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.

This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!  

The Crown of Stone series is an undiscovered gem in grim-dark fantasy, and Magic-Price is the book that kicked it off. Grim-dark fantasy isn’t often associated with lyrical writing, which made this book a rare find. It’s violent, contains profanity and a few scenes of erotica, and has a great anti-hero, but it’s also beautifully written with rich imagery, vivid descriptions, and a wrenching emotional fullness that stuck with me for days after closing the last page. I loved the flow and how all this luscious writing contrasted with the brutality of the characters and story. All that and a fabulous ending to the series too.

Nick should be considered royalty when it comes to the post-apocalypse. He has numerous series with vastly different settings, but all of them are a masterclass in characterisation and story craft. His books draw me in with slick action and characters I care about from the get-go. He tackles the real issues without rubbing it in the reader’s face, and his work makes you question what you would do if the world went sideways.

The Moon Hunters is a masterpiece of dystopian literature. Told through flashbacks, journal entries, and a nautical rescue, we follow Leilani through post-apocalyptic, post-plague island life in a society with inhumane laws and toxic religious conditioning. There’s forbidden romance, ruthless royalty, thrilling action, and jaw-dropping prose. Leilani is strong and willful, and society punishes her for her strength. With universal themes of love, loss, revolution, and retribution, Pavelle hooked me from the start and possessed me till the end. I adored the characters, the world enchanted me, and the prose bewitched me. It’s truly a dystopian jewel.

This is my favourite series by Michael Robertson; its world-building is so real that it’s scary because this dystopian world could really exist. The world has its defined structure and the characters within it are believable, even if not all likable. It’s a complex series and yet is simple in its reading; compelling at the very least.

The cover drew me in but I loved the worldbuilding in this book, both in the premise of what happened to our world (toxic oceans, anyone?) but also how characters now need to live and survive. And with great rising tension and twists, this was a book that left me reading much later in the night than I should have! 

I was drawn in by the 4 main characters – even when I wanted to slap them, I still wanted to know what was going to happen to them. And the way the society was set up really tore at my sense of ethics – a great thing to have in a dystopian book, I think…how does the new society sit with you?

I jumped in and hung on, and loved the ride.

This series is the epitome of change from a world order in chaos towards a solution to survive. The creativity explodes from every page, as you immerse yourself in a new environment full of amazing and wonderful characters, experiencing insane challenges, personal and professional, as well as moral and emotional. The whole evolution of the ‘silo’ world is seamlessly integration into the story, making it all seem so normal.

This series is absolutely the best ever! I never wanted it to end!

I love to be surprised. Poster Girl started a bit slow, but as the story unfolded, the web of connections made this dystopian book much more interesting than I thought it would be.

The story began after a revolution. Many considered patriots by the former government were either killed or imprisoned. As the new government tries to paint itself as the liberator from oppression, similarities between the new and old regimes are exposed.

As with any good dystopian story, it shows what people will do to survive in a dangerous and unfamiliar world and how they navigate relationships within a new set of social rules.  

I love how George Saunders creates really weird alternate realities, but doesn’t make a big deal about it.

In Liberation Day, we learn about the inner lives of people who seem to be enslaved by being “pinioned” to a wall after they’ve been programmed to perform as storytellers for their owners. Because we’re learning about this world from the pinioned narrator, we are not subjected to any lecturing or moralizing about the situation.

Instead, we hear about his romantic yearning for his owner’s wife, and that’s the tension around which the story is built. He only gives us the details that are necessary for us to understand his yearning, giving the reader just enough information to suss out the scenario in which he finds himself captive.