Here are 100 books that Sea Change fans have personally recommended if you like
Sea Change.
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I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
I spent my summers during college doing odd jobs as a temp, but even readers who’ve never known anything but “the steadiness” at work will enjoy this mythical look at the gig economy.
The unnamed narrator, born from a long line of temps, takes pride in her ability to “accurately replace a person,” whether that’s a pirate, an assassin, or even the chairman of the board. This book is for anyone who’s ever wondered what it would take not just to survive their job but to transcend it.
In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.”
This riveting quest, at once hilarious and profound, will resonate with anyone who has ever done their best at work, even when the work is only temporary.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
When I picked up Tsumura’s first novel to be translated into English, I’d just given notice at my hectic corporate job. So when the burned-out narrator tells her employment agency she’s looking for an easy job that’s “ideally, something along the lines of sitting all day in a chair,” I could relate.
She searches for that elusive work-life balance at a series of strange positions, but when she lands a plum gig working in a small hut in a forest, the story’s disparate strands weave together into an emotionally satisfying whole.
"[A] 21st-century response to Herman Melville's 'Bartleby, the Scrivener.'"―NPR
"A revelation."―Time
A young woman walks into an employment agency and requests a job that has the following traits: it is close to her home, and it requires no reading, no writing, and ideally, very little thinking.
Her first gig--watching the hidden-camera feed of an author suspected of storing contraband goods--turns out to be inconvenient. (When can she go to the bathroom?) Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job--writing trivia for rice cracker packages; punching entry tickets…
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
Bunny is an American teenager in Azerbaijan. Her father is a diplomat. She grows up in a world where oil is everything, listening to the language of the adults around her as some want their share of the profits reaped by this energy source while (a few) others point out the inequities in this industry and its potential long-term effects on the world.
What is fascinating as well is how she herself becomes part of this same world when she is an adult, almost as if she cannot help but be subsumed by the vast structure of the oil industry.
“A masterpiece of misdirection.” ―Geraldine Brooks
“Mobility is a truly gripping coming-of-age story about navigating a world of corporate greed that’s both laugh-out-loud funny and politically incisive.” ―Jon Favreau, Jon Lovett, and Tommy Vietor
Bunny Glenn believes in climate change. But she also likes to get paid.
The year is 1998. The Soviet Union is dissolved, the Cold War is over, and Bunny Glenn is a lonely American teenager in Azerbaijan with her Foreign Service family. Through Bunny’s bemused eyes, we watch global interests flock to her temporary backyard for Caspian oil and pipeline access, hearing rumbles of the expansion…
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
Jess is a Black liberal from Nebraska starting her first post-college job at Goldman Sachs. Josh is her white, conservative coworker from Connecticut and former thorn in her side from undergrad.
Watching these two opposites attract during the Obama-Trump transition was the most fun I ever had (the banter is top-notch) and had me squirming with its hyper-realistic portrayal of America’s political polarization. Will Jess and Josh’s love survive, or will it suffer death by a thousand microaggressions? Everything’s Fine is a romance wrapped in an enigma.
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
Kincaid’s voice and style, bracing and autobiographical, almost obsessive, rocked my world.
Hearing the insistence of her voice helped me discover my own voice and to embrace it. I love the compulsive presence in her work and the "I," whose power of personality, sensibility, and voice rushes through me.
An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's shadow.
When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she makes rebellious friends and frequently challenges authority; and most frighteningly, her mother, seeing Annie as a 'young lady', ceases to be the…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
This book oozed into my life, much like the creatures it portrays, at a moment when I desperately needed to read a beautifully written novel about very ugly things. Van Meter holds nothing back and has a spaciousness in writing that gives ample room for one’s own anxieties/fears/weak spots/obsessions to layer over her lush metaphor.
What does the ill-timed, putrid whale carcass offshore represent—our relationship with our mother? Our $60,000 student loan balance? That one cabinet above the sink that we’re too short to reach that hasn’t been cleaned since he moved out? Dealer’s choice.
“[A] kaleidoscopic narrative . . . Tenacious, wildly original, and full of insight.” —San Francisco Chronicle
“An alluring, atmospheric debut.” —People
A Belletrist Book Club Pick
A Most Anticipated Book of the Year: Entertainment Weekly • The Millions • Bustle A Best Book of the Year: NPR's Book Concierge
On the eve of Evangeline’s wedding on Winter Island, the groom may be lost at sea, a dead whale is trapped in the harbor, and Evie’s mostly absent mother has shown up out of the blue. From there, in this mesmerizing, provocative debut, the narrative flows back and forth through…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I read a lot of first-person books because I write a lot of 1st person books. I was a creative writing teacher for twenty years and I wanted my students to ‘own’ their material—to write about what they saw and felt and empathized with and loved and feared. These book recommendations below are only a handful of immensely brilliant books that have strong character/narrator voices that put you inside the skin of the narrator. These are the books that are recklessly beautiful and ruthlessly genuine-- and by example teach you how to write honestly and how to capture your own readers.
I knew Ted Weesner. We taught creative writing at Emerson College. This is Ted’s first book which still gives me chills because of how filmic the prose is—as in stepping into a film—only it is not only visual, it is visceral. You feel every part of this book and feel it deeply, sympathetically, and even though the main character is making mistakes his mistakes are your mistakes, his disappointments are your disappointments, his hopes are your hopes and thus his tragedy is yours to keep.
Hailed by The Boston Globe as "so poignant and beautifully written, so true and painful, that one can't read it without feeling the knife's cruel blade in the heart," The Car Thief was first published to enormous popularity, and sold over half a million copies. Alex Housman is a kid who at the age of sixteen has had fourteen cars, harbors many hurts, and seems to fade into his environment while raging inside. His father is an alcoholic, losing his grip on life even as he wants the best for his son. The Car Thief explores the love Alex and…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
This novel shows how the drive for material achievement and spiritual fulfillment can tear a family apart.
As an honors student in school, I related to nine-year-old Eliza’s climb up the ranks of a spelling bee and the pressures of academic success. I also related to her brother Aaron’s search for spirituality outside of Judaism. The book shows the pressures Jewish families like mine face in seeking success and meaning.
Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment.…
I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, I’ve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is a great book without a great title. It refers to Spinoza’s Ethics and speaks to the strength of emotions.
Philip Carey has it rough from the outset: he’s disabled, he’s an orphan, and the story traces his travails—bullying, neglect, career misfires, and romantic and other calamities—along with his triumphs. These include some of my very favorite topics (beauty and belonging) along with the questions of adolescence that never leave us.
You could never get away with a book like this now—a 600-page chronological coming-of-age with one POV and narrator, swelling with social commentary and philosophical musings? But it’s a classic for a reason, and it saved my life during the pandemic (I listened, whereas I usually read).
It’s an inspiration and a great ride if you can slow down and savor.
Selected by the Modern Library as one of the 100 best novels of all time
"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham," wrote Gore Vidal. "He was always so entirely there."
Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man's yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns…
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
I study wolves. For the past three decades, much of that interest has focused on understanding the ecology of wolves who inhabit a wilderness island in Lake Superior, North America. I also work to improve the relationship between humans and wolves–knowing very well that wolves are a symbol to so many of all that we love and fear about nature. As a distinguished professor at Michigan Technological University, I teach classes in population ecology and environmental ethics. What ties my interests together is the desire to gain insights from the commingling of science and ethics.
This book is fiction, infused with magical realism, and I am a scientist. Yet, this book definitely belongs on my list of best books about wild animals.
Superficially, it is about a boy, Dave, who regularly observes a pine marten, a kind of large weasel, in the lush forests of Oregon. I love this book because even the slightest chance of properly empathizing with a wild animal requires a powerful yet constrained imagination. Some of Dave’s attributions to Martin are self-projected, and some of his attributions are deeply true. Reliability in telling the difference is not always so simple.
This book never let me stop wondering, are the thoughts and life of a marten beyond my imagination?
Dave is fourteen years old, living with his family in a cabin on Oregon's Mount Hood (or as Dave prefers to call it, like the Native Americans once did, Wy'east). He is entering high school, adulthood on the horizon not far off in distance, and contemplating a future away from his mother, father, and his precocious younger sister. And Dave is not the only one approaching adulthood and its freedoms on Wy'east that summer. Martin, a pine marten (a small animal of the deep woods, of the otter/mink family), is leaving his own mother and siblings and setting off on…
