Here are 12 books that Same Place, Same Things fans have personally recommended if you like
Same Place, Same Things.
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I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
From my review at the Southern Review of Books: Across each of these vulnerable essays, Park offers no definitive path forward. What each essay points to is unending change. This book is needed. Instead of sharing hard-and-fast edicts, the kind desired by those with a fundamentalist frame of mind, Park advocates for courage and conversation. When we, too, ask questions about life, death, parenting, the climate, God, and how to be a good human, she is generous enough to tell us a hard truth: there are no answers. But knowing, and even understanding, isn't the goal. The task, according to Park, is not to shrink away from this difficult time, but to engage with it, to do something to make it better, and to continue...without end.
For fans of Margaret Renkl and Lisa Wells’s Believers, World Without End circles the connections between climate change and faith in the fear and fascination of the end of the world.When Martha Park’s father announces he is retiring from the ministry after forty-two years, she moves home to Memphis to attend his United Methodist church for his last year in the pulpit. She hopes to encounter a more certain sense of herself as secular or religious. Instead, she becomes increasingly compelled by her uncertainty, and grows curious whether doubt itself could be a kind of faith that more closely echoes…
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.
What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up in the 1950s and loved getting the bejeezus scared out of me by monster movies my brother and I watched at a local theater or on TV. With a budding interest in writing, I began noting down monsters and scenes that caught my attention. In fact, it was from the TV series The Outer Limits, an episode entitled Zanti Misfits, that I later got the idea for the creatures in my book. I am currently reading books on the strange pelagic creatures that live at extreme ocean depths for a monster story with a nautical theme. I hope you find the books on my list as enjoyable and informative as I did.
There is no other book I have read that offers greater insights into the elements and structure of writing than this book. Written for screenplay writers, I find it an excellent source of guidance and support.
It offers a detailed, step by step review of story progression and structure, from the beginning of a scene/chapter through the build-up and to an ending too enticing to not turn the page. It has guided me just as it has Dominick Dunne, as quoted in Amazon’s review of the book: "In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" - Dominick Dunne, Novelist
Structure is Character. Characters are what they do. Story events impact the characters and the characters impact events. Actions and reactions create revelation and insight, opening the door to a meaningful emotional experience for the audience. Story is what elevates a film, a novel, a play, or teleplay, transforming a good work into a great one. Movie-making in particular is a collaborative endeavour - requiring great skill and talent by the entire cast, crew and creative team - but the screenwriter is the only original artist on a film. Everyone else - the actors, directors, cameramen, production designers, editors, special…
Requesting that I justify my credentials as a misfit, eh? Okay, then. I personally differ from almost everyone around me in many ways, but most notably with respect to faith, sexual arousal, and use of the intellect. I’ve always sought to cultivate and nourish my spiritual side, but faith-based Western religions never resonated with me—I instead cobbled together a discipline encompassing yoga, meditation, vegetarianism, and Ahimsa—which has served me for over half a century. From the earliest age, sexual arousal has involved scenarios where one person cedes power and the other wields it. And I have always obsessed about any bit of minutia my brain happened to seize upon.
In this classic, heart-wrenching novella, the misfit character is Lenny—a gigantic, strong, but intellectually challenged migrant worker in California in the 1930s. Despite being faithfully chaperoned by his lifelong friend George, who tries his best to keep Lenny out of trouble, it seems fated that trouble will inevitably find Lenny. And when it does, Lenny—who is in truth a huge, confused child in a world of rough, unforgiving men—pays the ultimate price.
This story resonates especially strongly with me because I had a younger brother, now deceased, who was severely intellectually challenged.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Drifters in search of work, George and his childlike friend Lennie have nothing in the world except…
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
This is another book to tackle the uncommon quirks of this region. Lejeune finds the backroads through this part of the world to tie legends, myths, and history together and then bind them to epochs in his own life.
I felt like I was right next to him the whole time, feeling confusion, appreciation, and awe as every dogleg on the bayou or rise over a chenier brought me on a journey inward as well. This is a book I’d like to read again while traveling.
In Finding Myself Lost in Louisiana, author Keagan LeJeune brilliantly weaves the unusual folklore, landscape, and history of Louisiana along with his own family lineage that begins in 1760 to trace the trajectory of people's lives in the Bayou State. His account confronts the challenging environmental record evident in Louisiana's landscapes. LeJeune also celebrates and memorializes traditions of some underrepresented communities in Louisiana, communities that are vanishing or have vanished-communities including the author's own.
Each section in the memoir is a journey to a fascinating place, but it's also a search for LeJeune's own sense of belonging. The book is…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I loved this beautifully written book for its depiction of how the death penalty worked in the Jim Crow South. I loved the compassion shown by the characters, both black and white, and the attempt by Gaines to reveal the complexity of crime and punishment in an era that may not be so different from our own.
As a law clerk in the 1980s in the Deep South, I witnessed the legacy of the system that Gaines describes.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
South Louisianians are skeptical of anyone not from here who tries to write about us. We often end up as caricatures. But Mike Tidwell came from the outside and saw us anew.
In his book, he depicts the communities along our coastal areas and wetlands. I was shocked at how he could capture fishermen and traiteurs (faith healers) with such accuracy and respect.
And I can’t forget to mention how he bravely calls attention to one of America’s regions most endangered by climate change, which also happens to be the place I will always call home.
The Cajun coast of Louisiana is home to a way of life as unique, complex, and beautiful as the terrain itself. As award-winning travel writer Mike Tidwell journeys through the bayou, he introduces us to the food and the language, the shrimp fisherman, the Houma Indians, and the rich cultural history that makes it unlike any other place in the world. But seeing the skeletons of oak trees killed by the salinity of the groundwater, and whole cemeteries sinking into swampland and out of sight, Tidwell also explains why each introduction may be a farewell—as the storied Louisiana coast steadily…
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
When I grow up, I want to write like Tim Gautreaux.
I read this book about five years ago, and it was like I’d just started reading all over again. I felt seen. Gautreaux found the soul of South Louisiana, distilled it, and somehow made it make all the sense in the world. His characters breathe.
I closed the book and stayed in his fictional town of Crapaud. Anytime I am lonesome for my home state I just need to read any one of these stories.
ONE OF THE WALL STREET JOURNAL AND NPR'S BEST BOOKS OF 2017
Containing twelve new stories and nine classics from previous collections, Signals is Tim Gautreaux at his best. Effortlessly conjuring the heat and humidity of the author’s beloved South, these stories of men and women grappling with faith, small town life, and blue-collar work are alternately ridiculous and sublime. For both longtime fans and readers lucky enough to encounter him for the very first time, Signals cements Gautreaux’s place as an American master.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I grew up in the 1950s and loved getting the bejeezus scared out of me by monster movies my brother and I watched at a local theater or on TV. With a budding interest in writing, I began noting down monsters and scenes that caught my attention. In fact, it was from the TV series The Outer Limits, an episode entitled Zanti Misfits, that I later got the idea for the creatures in my book. I am currently reading books on the strange pelagic creatures that live at extreme ocean depths for a monster story with a nautical theme. I hope you find the books on my list as enjoyable and informative as I did.
This was recommended to me by a friend who knew I was writing a sci-fi story that takes place in South Louisiana, where my story is set. Gautreaux’s story is enjoyable, but it is the vivid descriptions of the logging camp and its surroundings that held my attention: the thick, almost suffocating damp air, the smells of decay, and the dark mocha of mud puddles that never seem to dry up.
Though my own story isn’t set specifically in a swamp, this gave me the punch I needed to describe the Louisiana town where my story is set.
Byron Aldridge, heir to a timber empire, returns from the First World War a changed man and finds refuge as a company policeman in a backwoods Louisiana sawmill. Soon his younger brother Randolph tracks him down, assuming charge of the mill in the hope of rescuing his former idol. But as the brothers try to understand each other and their wives contend with their own hopes and fears, it is Randolph who starts a feud with the Sicilians who control the whisky and girls, and the future grows fearsome for them all.
