Here are 71 books that Safekeeping fans have personally recommended if you like
Safekeeping.
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I’m a physical therapist, certified yoga therapist, and Hakomi practitioner who has spent over twenty-five years helping people heal from physical and emotional pain through the integration of yoga, mindfulness and western medicine. My passion for this topic comes from my own transformation—moving through trauma and burnout into a life guided by mindfulness, movement, and compassion. I’ve seen again and again that presence is the medicine that changes everything. Writing and teaching about this path feels like offering others the same lifeline that once saved me.
Tara Brach gave me the language of compassion I didn’t know I was missing.
Her teachings on the “trance of unworthiness” opened a doorway to self-forgiveness that changed my life and my work as a therapist. I love her mix of humor, psychology, and mindfulness practice. Each chapter feels like sitting in meditation beside a friend who understands exactly how the human heart struggles—and how it can heal.
Whenever I am having a bad day, I listen to Tara’s podcasts as well, and it feels like she is speaking directly to me.
For many of us, feelings of deficiency are right around the corner. It doesn’t take much--just hearing of someone else’s accomplishments, being criticized, getting into an argument, making a mistake at work--to make us feel that we are not okay. Beginning to understand how our lives have become ensnared in this trance of unworthiness is our first step toward reconnecting with who we really are and what it means to live fully. —from Radical Acceptance
“Believing that something is wrong with us is a deep and tenacious suffering,” says Tara Brach at the start of this illuminating book. This suffering…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a physical therapist, certified yoga therapist, and Hakomi practitioner who has spent over twenty-five years helping people heal from physical and emotional pain through the integration of yoga, mindfulness and western medicine. My passion for this topic comes from my own transformation—moving through trauma and burnout into a life guided by mindfulness, movement, and compassion. I’ve seen again and again that presence is the medicine that changes everything. Writing and teaching about this path feels like offering others the same lifeline that once saved me.
This book met me in one of the darkest seasons of my life after my second divorce.
Pema Chödrön’s voice feels like a steady heartbeat—calm, wise, and utterly human. She doesn’t promise to remove pain; she invites us to stay present with it. Every page taught me that courage isn’t the absence of fear but the willingness to face it with open eyes and a soft heart.
I return to this book whenever I need to remember that groundlessness is not failure; it can be the greatest freedom.
Pema Choedroen reveals the vast potential for happiness, wisdom and courage even in the most painful circumstances.
Pema Choedroen teaches that there is a fundamental opportunity for happiness right within our reach, yet we usually miss it - ironically, while we are caught up in attempt to escape pain and suffering.
This accessible guide to compassionate living shows us how we can use painful emotions to cultivate wisdom, compassion and courage, ways of communication that lead to openness and true intimacy with others, practices for reversing our negative habitual patterns, methods for working with chaotic situations and ways to cultivate…
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).
Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up in a small agricultural town in California’s Sacramento Valley, and my parents didn’t even consider worrying if I was bored or lonely when I wasn’t at school. Consequently, I spent hours in a nearby vacant lot riddled with anthills watching the ants hustle back and forth and, occasionally, inserting myself in their lives with handfuls of sugar or sticks to block their paths. Pretty sure this is where my interest in science and nature began—and maybe even my interest in cooperation.
I follow Renkl’s wonderful writing in the New York Times about the nature in her own neighborhood (and occasionally Southern politics), and Late Migrations is a collection of essays in which she ties together the loss of family with the losses of beloved wildlife.
She wrote such a gorgeous last paragraph about living with grief. “And that’s how I learned the world would go on. An irreplaceable life had winked out in an instant, but outside my window the world was flaring up in celebration. Someone was hearing, ‘It’s benign.’ Someone was saying, ‘It’s a boy.’ Someone was throwing out her arms and crying, ‘Thank you! Thank you! Oh, thank you!’ I tear up every time I read those lines.
Named a "Best Book of the Year" by New Statesman, New York Public Library, Chicago Public Library, and Washington Independent Review of Books
Southern Book Prize Finalist
From New York Times contributing opinion writer Margaret Renkl comes an unusual, captivating portrait of a family-and of the cycles of joy and grief that inscribe human lives within the natural world.
Growing up in Alabama, Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents-her exuberant, creative mother; her steady,…
I’m a physical therapist, certified yoga therapist, and Hakomi practitioner who has spent over twenty-five years helping people heal from physical and emotional pain through the integration of yoga, mindfulness and western medicine. My passion for this topic comes from my own transformation—moving through trauma and burnout into a life guided by mindfulness, movement, and compassion. I’ve seen again and again that presence is the medicine that changes everything. Writing and teaching about this path feels like offering others the same lifeline that once saved me.
This was one of the first books on spirituality and psychology that I ever read.
It helped me integrate my two worlds—Western psychology and Eastern philosophy. Stephen Cope writes with the vulnerability of a seeker and the clarity of a teacher.
I loved how he connected the practice of yoga to the search for meaning and authenticity. His story validated the idea that our struggles and contradictions are not obstacles but gateways to discovering who we truly are.
Millions of Americans know yoga as a superb form of exercise and as a potent source of calm in our stress-filled lives. Far fewer are aware of the full promise of yoga as a 4,000-year-old practical path of liberation—a path that fits the needs of modern Western seekers with startling precision. Now Stephen Cope, a Western-trained psychotherapist who has lived and taught for more than ten years at the largest yoga center in America, offers this marvelously lively and irreverent "pilgrim's progress" for today's world. He demystifies the philosophy, psychology, and practice of yoga, and…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
Because my first introduction to bell hooks was through her scholarly writing, I wasn’t sure what to expect from this memoir. A few pages in, I was already dazzled, challenged, and addicted to her storytelling genius—I read it in one sitting and immediately began reading it again. The perfect memoir for those who are looking for unconventional storytelling, hooks uses techniques like point-of-view shifts to paint a realer-than-real-life portrait of her childhood in rural Kentucky.
Stitching together girlhood memories with the finest threads of innocence, feminist intellectual bell hooks presents a powerfully intimate account of growing up in the South. A memoir of ideas and perceptions, Bone Black shows the unfolding of female creativity and one strong-spirited child’s journey toward becoming a writer. She learns early on the roles women and men play in society, as well as the emotional vulnerability of children. She sheds new light on a society that beholds the joys of marriage for men and condemns anything more than silence for women. In this world, too, black is a woman’s color—worn…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
My connection to books about Iran goes beyond simple curiosity—it's personal. Reading these stories feels like going back to the streets and memories that shaped my childhood. The books I’ve chosen to highlight here offer powerful and moving portraits of Iranian life. They reflect the struggles and beauty of a country that has played a big role in my own journey, both personally and as a writer. Each one shows a different side of Iran, capturing voices and experiences that are often overlooked or misunderstood. Together, they offer a deeper understanding of what it means to be Iranian.
This memoir tells the true story of a literature professor in Iran who invited a small group of her former female students to secretly meet at her home and discuss banned Western books. Nafisi shares how, in a country where personal freedom was disappearing, these stories became a way for them to hold on to their voices and identities.
The book blends their real lives with the novels they read—like Lolita and The Great Gatsby—showing how fiction can offer hope and resistance, even in the darkest times. It's both a sharp look at life under an oppressive regime and a moving reminder of how powerful books can be.
When Azar Nafisi was fired from Tehran University (where she was teaching English literature) because she refused to wear a veil, she gathered a group of her female students and resumed her classes at home, privately and discreetly. There, a group of young women discussed, argued about and communed with Shakespeare, Jane Austen, Henry James, Nabokov and others in the canon of English writers. The surreal picture of reading "Lolita", weighing the sexuality of Jane Austen or the American authenticity of Gatsby in the severe aftermath of Iran's Islamic Revolution was not lost on either Nafisi or her students. The…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
The best memoirs, to me, are not only records of past events. They are also the record of a writer grappling with how best to tell the story. Jeannie Vanasco takes this idea to an entirely new level in this brilliant meta-memoir that not only chronicles a sexual assault she experienced in college, but also her present-day investigation into her rapist’s memories of the event, his motives, and his present-day thoughts about what happened. This book challenged me to think in new ways—not only about sexual assault, but also about the ways we remember it and write about it.
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature
Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person.
Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a…
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Arisa White grew up with the looming absence of her biological father—a man whose genes and behaviors haunt her. Finally White, an award-winning poet and teacher who was “born into a bracket of boys,” decides to visit this man in his far-away country to learn more about where she came from and who she may or may not be. The book moves chronologically. It swirls with poetry. It doesn’t always make for easy reading, but every line is well designed and, often, shattering. As a memoir-in-essays, it reaffirms the power of the crystalized scene and the intentional white space.
Literary Nonfiction. Poetry. Fiction. African & African American Studies. Women's Studies. LGBTQIA Studies. A lyrical, genre-bending coming-of-age tale featuring a queer, Black, Guyanese American woman who, while seeking to define her own place in the world, negotiates a difficult relationship with her father.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“In an earlier life,” Miller writes, “I was a baker, in a bakery on a cobblestoned street.” It takes Miller just one single paragraph to tell this whole tale—how she proofed yeast, how she scraped her spoon, how she made loaves for children: “It was my only kindness.” In every successive chapter—most all of them short, many of them formally inventive—Miller deconstructs her life and soul—the roots of her unease, the startling incidents of loss, her learning to sleep, and her learning to live with the person she becomes. Miller is a stellar choreographer, knowing just where to place which expertly fashioned scene and knowing, always, what to leave out.
How many lives do we create in one lifetime? In her latest collection of innovative, shape-shifting essays, Brenda Miller evolves through childhood, adolescence, and young adulthood to enter the wry maturity of middle age. Whether traveling from synagogue to sweat lodge, from the Arizona desert to a communal hot springs in California, she navigates the expectations placed on young girls and women at every turn. She finds guidance in her four major creeds (Judaism, Home Improvement, the Grateful Dead, and Rescue Dogs), while charting a course toward an authentic life. Each stage demands its own form, its own story, sometimes…
