Here are 100 books that Bone Black fans have personally recommended if you like
Bone Black.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).
Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My connection to books about Iran goes beyond simple curiosity—it's personal. Reading these stories feels like going back to the streets and memories that shaped my childhood. The books I’ve chosen to highlight here offer powerful and moving portraits of Iranian life. They reflect the struggles and beauty of a country that has played a big role in my own journey, both personally and as a writer. Each one shows a different side of Iran, capturing voices and experiences that are often overlooked or misunderstood. Together, they offer a deeper understanding of what it means to be Iranian.
This memoir tells the true story of a literature professor in Iran who invited a small group of her former female students to secretly meet at her home and discuss banned Western books. Nafisi shares how, in a country where personal freedom was disappearing, these stories became a way for them to hold on to their voices and identities.
The book blends their real lives with the novels they read—like Lolita and The Great Gatsby—showing how fiction can offer hope and resistance, even in the darkest times. It's both a sharp look at life under an oppressive regime and a moving reminder of how powerful books can be.
When Azar Nafisi was fired from Tehran University (where she was teaching English literature) because she refused to wear a veil, she gathered a group of her female students and resumed her classes at home, privately and discreetly. There, a group of young women discussed, argued about and communed with Shakespeare, Jane Austen, Henry James, Nabokov and others in the canon of English writers. The surreal picture of reading "Lolita", weighing the sexuality of Jane Austen or the American authenticity of Gatsby in the severe aftermath of Iran's Islamic Revolution was not lost on either Nafisi or her students. The…
I’m a physical therapist, certified yoga therapist, and Hakomi practitioner who has spent over twenty-five years helping people heal from physical and emotional pain through the integration of yoga, mindfulness and western medicine. My passion for this topic comes from my own transformation—moving through trauma and burnout into a life guided by mindfulness, movement, and compassion. I’ve seen again and again that presence is the medicine that changes everything. Writing and teaching about this path feels like offering others the same lifeline that once saved me.
I fell in love with Abigail Thomas’s memoir, her wise voice and writing style.
Her brief vignettes capture the sacredness of ordinary moments: a dog on the couch, a shared meal, a loss remembered. She taught me that healing isn’t dramatic; it’s built quietly through presence and acceptance.
Reading Safekeeping feels like sitting with a friend who has lived, grieved, and found peace in the small details that hold a life together.
A beautifully crafted and inviting account of one woman’s life, Safekeeping offers a sublimely different kind of autobiography. Setting aside a straightforward narrative in favor of brief passages of vivid prose, Abigail Thomas revisits the pivotal moments and the tiny incidents that have shaped her life: pregnancy at 18; single motherhood (of three!) by the age of 26; the joys and frustrations of three marriages; and the death of her second husband, who was her best friend. The stories made of these incidents are startling in their clarity and reassuring in their wisdom.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
The best memoirs, to me, are not only records of past events. They are also the record of a writer grappling with how best to tell the story. Jeannie Vanasco takes this idea to an entirely new level in this brilliant meta-memoir that not only chronicles a sexual assault she experienced in college, but also her present-day investigation into her rapist’s memories of the event, his motives, and his present-day thoughts about what happened. This book challenged me to think in new ways—not only about sexual assault, but also about the ways we remember it and write about it.
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature
Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person.
Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a…
I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.
This coming-of-age story is set in Depression-era South Carolina. My relatives in Oklahoma from that era also were driven out of the South by racism, segregation, and the threat of death. Adam, who was my mentor and colleague at Laney College in Oakland, California, was a young Black male facing lynching. He was too intelligent to survive in the South. He reminds me of my father, a Tuskegee airman who fought the good fight and left the South for good also.
A memoir of an African American childhood in the Jim Crow South
At age nineteen, A. D. Miller sat in a jail cell. His crime? He passed a white girl a note that read, "I would like to get to know you better." For this he was accused of attempted rape.
"Ticket to Exile" recounts Miller's coming-of-age in Depression-era Orangeburg, South Carolina. A closet rebel who successfully evades the worst strictures of a racially segregated small town, Miller reconstructs the sights, sounds, and social complexities of the pre-civil rights South. By the time he is forced into exile, we realize…
Visceral, transformative books have the capacity to improve lives. I am impassioned about books of oppression because of their ability to lend a voice to unspeakable, excruciating accounts of subjugation. Voices that might’ve otherwise went unheard or not as deeply understood as within the integral pages of a book to readers. Therefore, I believe it's important to recommend life-changing books to the youth to inform them of world oppression. As they, themselves, enter into responsibility and power. Whether it’s through brilliant, allegorical fiction or pivotal nonfiction, we can educate the future of humanity itself. Together, we can all foster a better world.
For young readers of poetry, this is an excellent read. It’s set in the Jim Crow and Civil Rights Eras, and it truly is an age-defining book. I loved the memoir aspect of it, and I found myself caring not only about each word in this book but every soul.
The compelling story of a young Black girl growing up in 1960-70s America - a multi-award winning New York Times bestseller and President Obama's 'O' Book Club pick.
Brown Girl Dreaming is the unforgettable story of Jacqueline Woodson's childhood, told in vivid and accessible blank verse. She shares what it was like to grow up as an African-American in the wake of the Civil Rights movement, never truly feeling at home, and discovering the first sparks of an incredible, lifelong gift for writing. It's packed with wonderful reflections on family and on place, in a way that will appeal to…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Growing up I noticed that a lot of my friends would avoid conversations about the stock market mainly because a lack of confidence or knowledge around how it works. I also saw a visible gap in financial literacy among kids that I volunteered with. The school system is doing the best they can, but we can’t rely on them to plant every seed within our kids. With the knowledge gained from friends and countless hours of research from taking classes on the stock market, I created a book that focused on teaching kids about all things stock related but also could be used as a tool of learning for all ages.
A Boy, a Budget and a Dream is easily one of my favorites because I related with the character first which made it so much easier to share with my son.
He is still too young to understand but it makes for a great bedtime story now. The book is easy to follow along and the illustrations are great. Jasmine does a great job in breaking down the connection between proper budgeting and having a plan to get what you want.
I write memoir. I didn’t set out to write memoir. But I’ve become convinced by the power of personal narrative, both on its own merits, and as a frame and lens through which to view the world—a way to take a reader by the hand before slipping into whatever other subject matter sings its siren call. And the memoirs I love best are always in conversation with something bigger, or beyond the self. As Annie Dillard wrote, “there’s nothing you can’t do with [literary nonfiction]. No subject matter is forbidden, no structure is proscribed. You get to make up your own form every time.” I like to see these works as doing just that.
Margo Jefferson is one of the smartest humans on the planet and her memoir reflects that. She tells her story as intertwined with the story of her first cultural context—the Black elite of the 1950s, and the crisis of identity she experienced with the rise of the Black Power movement of the 1960s. She brings her critic’s sharp intelligence and wit to bear in every paragraph, but doesn’t hold back any of her heart. It’s a terrifically moving book anda masterpiece of personal/cultural criticism, full of elegance and nuance.
The daughter of a successful paediatrician and a fashionable socialite, Margo Jefferson spent her childhood among Chicago's black elite. She calls this society 'Negroland': 'a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty'. With privilege came expectation. Reckoning with the strictures and demands of Negroland at crucial historical moments - the civil rights movement, the dawn of feminism, the fallacy of post-racial America - Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions.
We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
This inspired, award-winning study looks at how black and white households were reshaped in Virginia after the Civil War. It’s full of captivating stories: Black parents trying to wrest their children away from former enslavers; once-privileged White families having to send their boys or girls into the job market to compensate for the loss of enslaved laborers; or officials coping with masses of orphaned children. It also shows the different ways that adults used ideas of childhood for political ends, as well as how children themselves fared in the aftermath of war.
In Intimate Reconstructions, Catherine Jones considers how children shaped, and were shaped by, Virginia's Reconstruction. Jones argues that questions of how to define, treat, reform, or protect children were never far from the surface of public debate and private concern in post-Civil War Virginia. Through careful examination of governmental, institutional, and private records, the author traces the unpredictable paths black and white children traveled through this tumultuous period. Putting children at the center of the narrative reveals the unevenness of the transitions that defined Virginia in the wake of the Civil War: from slavery to freedom, from war to peace,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
My version of a gutsy life journey was to find work abroad, buy a one-way ticket, and not look back - one place after the next. Long ago, girls didn’t do this, but I did. A struggle and worth it. Great memoirs have a geographical and an inner journey. They make me laugh and cry, both. This is what I love to read, and it’s my aim as a writer. My books are love letters to these adventures, plus some joking around in order not to scream or weep at some of what’s out there. I’ve been a teacher, a film editor, a comedian, a librarian, and now a writer.
I was deeply affected by this, like she was confiding in me.
Whether her memories were tragic, ugly, hilarious, witty, classy, silly, poignant, or just plain practical, it was like we were sharing a glass of wine and she was telling me everything.
I loved that she sent me every feeling of the rainbow, and each was felt deeply. I love when a story makes me laugh and cry. It was inspiring and beautiful to spend some time with this poet, reminiscing about her early years, before she was the Maya we know now.
Also, I feel schooled in what it was like to be black in America at that time, and what a gutsy journey she was on. It was an important eye-opener, as well as a warm invitation.
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy,achievement and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover.
