100 Books Like Who's Your Daddy

This book made my heart both soar and ache.

I follow Renkl’s wonderful writing in the New York Times about the nature in her own neighborhood (and occasionally Southern politics), and Late Migrations is a collection of essays in which she ties together the loss of family with the losses of beloved wildlife.

She wrote such a gorgeous last paragraph about living with grief. “And that’s how I learned the world would go on. An irreplaceable life had winked out in an instant, but outside my window the world was flaring up in celebration. Someone was hearing, ‘It’s benign.’ Someone was saying, ‘It’s a boy.’ Someone was throwing out her arms and crying, ‘Thank you! Thank you! Oh, thank you!’ I tear up every time I read those lines.

I fell in love with Abigail Thomas’s memoir, her wise voice and writing style.

Her brief vignettes capture the sacredness of ordinary moments: a dog on the couch, a shared meal, a loss remembered. She taught me that healing isn’t dramatic; it’s built quietly through presence and acceptance.

Reading Safekeeping feels like sitting with a friend who has lived, grieved, and found peace in the small details that hold a life together.  

“In an earlier life,” Miller writes, “I was a baker, in a bakery on a cobblestoned street.” It takes Miller just one single paragraph to tell this whole tale—how she proofed yeast, how she scraped her spoon, how she made loaves for children: “It was my only kindness.” In every successive chapter—most all of them short, many of them formally inventive—Miller deconstructs her life and soul—the roots of her unease, the startling incidents of loss, her learning to sleep, and her learning to live with the person she becomes. Miller is a stellar choreographer, knowing just where to place which expertly fashioned scene and knowing, always, what to leave out.

“Ever since the chemo leaked, your toes have had no feeling. So start there. This is the beginning. Eternal. Cold. A dizzying loss of balance.” These words, high on the first page of Kitchen’s mesmerizing book of pieces, announce what is to come—the mystery of living, the mystery of dying, and the transitory in-between. Kitchen is battling the cancer that will kill her. Her mind takes her back and forth, between her present day and her youth. Stories tug at her and she can’t quite find the center, and there is no room, or time, for extended passages. This is poetry as memoir-in-essays, and it will take your breath away. 

As a pastor’s kid, this light, lyrical book about a church community gathering awakens my earliest memories: the bells and banners, candles and choir, warm greetings, and toddler wiggles. This community offers something many of us lacked: “A church for all!” From the first image of a mixed-race queer family waking early for church to the assembling “Weak and healthy/ Neat and messy/ Poor and wealthy/ Plain and dressy” chatting and worshiping together—this brightly illustrated book captures a true spirit of inclusion. Like many queer people, I had to leave my first faith community. Later I was amazed to find houses of faith like this one. I even married a pastor. Young me couldn’t have imagined living out, opening a service with a book like A Church for All.

I've always loved a steamy MM romance, so the bogus boyfriend premise was an easy sell for me. However, as a foster mom turned adoptive mother, I'll forever have a special place in my heart for BIPOC navigating child protective services. Whether the narrative focused on Carlton's traumatized niece and the therapy she so desperately needed or the number of hoops that the LGBTQ+ community jumps through to even be considered for adoption, this story hit home on multiple fronts.

It was inspiring to watch Carlton and Deion navigate the many facets of queer culture, including their newfound fatherhood. Mainly because while stories like theirs happen every day, we don't see them nearly enough. Faux couple or not, Carlton and Deion were the safe space that Olivia needed and the mainstream representation that readers like myself consistently crave.

This book grew out of the labor of love both scholarly and personal. It brings together three generations of scholars and diverse, interdisciplinary approaches to this complex and still largely misunderstood and underappreciated Black queer writer and theorist of 20th-century US identity. Michele Elam’s introduction deftly reevaluates and situates Baldwin as a 20th-century master for contemporary readers here and now, while the essays collected here provide cutting-edge scholarship and much nuance and fresh insight. Theoretically rich and with several exquisitely written essays, it touches upon all of the major aspects of the writer’s fascinating life and works.

I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things. 

Aberrations in Black is not the only important early queer of color intervention in queer theory, but I find it the most rewarding.

Showing how signal works in the African-American literary tradition pose important challenges to social norms and to the sociological discourse of their times, Ferguson advances an intersectional critique that forefronts race and also attends to gender, sexuality, and class.

The book’s brilliant close readings, such as the reading Toni Morrison’s Sula in the context of The Moynihan Report particularly stand out. The book is a corrective to the apparent colorblindness of much of early queer theory.

I’ve been a big fan of James Tynion IV since his prolific run on Batman. He has a really strong understanding of how to write compelling characters while still exploring an interesting world.

In Wynd, he has created a wildly innovative world of magic creatures and political conflict. The love story is adorable and creates an interesting parallel to the exploration of Wynd’s character.