Here are 100 books that S. S. Proleterka fans have personally recommended if you like
S. S. Proleterka.
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I’ve written about family for years, first in poems and then in nonfiction. I was estranged from my father at the time of his death from alcoholic cirrhosis, and I wrote a memoir to think through this relationship and the way we use narrative to make sense of our families. Everyone has secret histories, and they’re endlessly fascinating. For 15 years, I taught at Stanford University, where I began a course called Family Stories. People came to write their own fundamental, funny, difficult stories in the company of others. I still love teaching this kind of writing at my new college and in my private classes.
Our ghosts speak to us—especially the ghosts of our dead parents.
I’m captivated by Gordon’s double biography of this mother-daughter pair (in fact, I gobbled it up in a few sittings). Gordon’s telling of Wollstonecraft’s influence on Shelley’s life and thinking—beginning with the story of young Mary learning to read by tracing the words on her mother’s gravestone—is necessary for all of us who are interested in family legacy.
The book is so smart in revealing the lives of these two radical writers, and so soothing in its understanding of gripping storytelling, that I also listened to it as an audiobook on a cross-country road trip to see my own mother early in the COVID-19 pandemic. Without this book, I may never have made it through Nevada.
***AS READ ON BBC RADIO 4*** NATIONAL BOOK CRITICS CIRCLE AWARD WINNER
'A gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley. Gordon has reunited mother and daughter through biography, beautifully weaving their narratives for the first time.' Amanda Foreman
English feminist Mary Wollstonecraft and author Mary Shelley were mother and daughter, yet these two extraordinary women never knew one another. Nevertheless, their passionate and pioneering lives remained closely intertwined, their choices, dreams and tragedies eerily similar.
Both women became famous writers and wrote books that changed literary history,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve written about family for years, first in poems and then in nonfiction. I was estranged from my father at the time of his death from alcoholic cirrhosis, and I wrote a memoir to think through this relationship and the way we use narrative to make sense of our families. Everyone has secret histories, and they’re endlessly fascinating. For 15 years, I taught at Stanford University, where I began a course called Family Stories. People came to write their own fundamental, funny, difficult stories in the company of others. I still love teaching this kind of writing at my new college and in my private classes.
Bechdel uses her narrator as a vehicle for thinking (in this case, for thinking through a narrator’s complex relationship with her mother), using a constellation of sources from Donald Winnicott to Virginia Woolf to The Sound of Music. She perfects the illusion/truth central to this genre: that we’re witnessing the writer’s process of discovery in real time.
When I’m inside the book, I feel as though I’m inside Bechdel’s brain. I know this feeling is a testament to her craft, but I still couldn’t help thinking, when I finished the book, that Bechdel was my friend. I wanted to call her up to continue our conversation about our parents—even though we’ve never met.
An expansive, moving and captivating graphic memoir from the author of Fun Home.
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf.
I’ve written about family for years, first in poems and then in nonfiction. I was estranged from my father at the time of his death from alcoholic cirrhosis, and I wrote a memoir to think through this relationship and the way we use narrative to make sense of our families. Everyone has secret histories, and they’re endlessly fascinating. For 15 years, I taught at Stanford University, where I began a course called Family Stories. People came to write their own fundamental, funny, difficult stories in the company of others. I still love teaching this kind of writing at my new college and in my private classes.
By the time I reached Native Guard’s central crown of sonnets, Trethewey already had me with her blues poem and palindrome.
I love the formal-mindedness of this collection—also its authority and fearlessness. I admire the way Trethewey unites personal history (the speaker’s memories of childhood; her experience as a woman of color; her mother’s tragic death) and collective history (the unremembered Native Guard; systemic racism; the legacies of slavery and the Civil War).
Her poems help us ask the big questions together: what memories are held or erased by a community of people? How might collective grief inform private grief and vice versa? What happens if our stories are not remembered, and what work can writing do to help us not forget? And also: “Incident” is one of the best pantoums out there.
Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South. The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.? The racial legacy of the South touched Trethewey's…
Four sisters. Four buildings. Four visions of what women can—and need—to be, do, and have.
Jezebel is the youngest of the Bailey sisters. Yes, that Bailey of Barnum &— fame. Heiresses to multimillions of their father’s nouveau riche wealth, the four have been raised in direct antithesis to the fainting…
I’ve written about family for years, first in poems and then in nonfiction. I was estranged from my father at the time of his death from alcoholic cirrhosis, and I wrote a memoir to think through this relationship and the way we use narrative to make sense of our families. Everyone has secret histories, and they’re endlessly fascinating. For 15 years, I taught at Stanford University, where I began a course called Family Stories. People came to write their own fundamental, funny, difficult stories in the company of others. I still love teaching this kind of writing at my new college and in my private classes.
I may never have written nonfiction had I not read and taught these astonishing essays. (I first read this book nearly twenty years ago, and I still teach Beard’s essays.)
Beard makes me believe in the complete personhood of her young narrators (sometimes young enough to be sleeping in cribs), and their ability to be the vehicle through which she can remember and make visible a family’s truths, secrets, and hilarities.
Beard’s work gave me license to turn my own younger self into a character who, with her intuitive understanding of her own family, could do battle for me on the page.
The "utterly compelling, uncommonly beautiful" collection of personal essays (Newsweek) that established Jo Ann Beard as one of the leading writers of her generation.
Cousins, mothers, sisters, dolls, dogs, best friends: these are the fixed points in Jo Ann Beard's universe, the constants that remain when the boys of her youth -- and then men who replace them -- are gone. This widely praised collection of autobiographical essays summons back, with astonishing grace and power, moments of childhood epiphany as well as the cataclysms of adult life: betrayal, divorce, death. The Boys of My Youth heralded the arrival of an…
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
Pierre-Jakez picks up where Jean-Marie Déguignet left off. This book is essentially a continuation of the story, a 20th century account of peasant family life in an area not far from where Déguignet lived a century earlier—except this book celebrates and revels and respects Breton culture, life, people, music, food, history, etc. It was published in 1975 and is part of the world-wide movement of identity politics, when ethnic groups, genders, religions, and nationalities are discovering their roots, history, beauty, and genius.
This book is a paean to Breton life and culture, and Pierre-Jakez becomes a cultural icon and hero for writing it. By the end of his life (1914-95), he is honored throughout Brittany. I saw and heard (but couldn’t understand) him at the huge, (thousands of people) annual Festival de Cornouaille in Quimper, where he was the guest of honor.
"A marvelous chronicle of Breton lives and life, seen largely through the eyes of a child grown old, remembering how it used to be, in the years between the two world wars. The memoirs are magnificent. . . . The affectionate and touching portraits are not just of one family. . . . but of a whole people. . . . Like that faintly sweet, strong apple liqueur, this book should be savored slowly-set aside and picked up again, chapters read and re-read."-Neil Pickett, The New Republic "A rich and moving memoir. . . . We can see why this…
I became fascinated with France and the French as a child, and over the past 40 years I have spent as much time as I can here. I’ve been fortunate to be able to combine my dual passions—for France and for literature—in creating a series of classes for CUNY study abroad programs and for the Politics & Prose bookstore. Through this work, over the past 20+ years I have spent much of my time reading and teaching works of literature that explore France and the French people in depth. I now live in France, and I continue to find the French endlessly fascinating. I think I always will.
This book is a wonderful romp through the adventures and misadventures of a hapless American who speaks very little French (he describes himself as “functionally illiterate”) yet manages to charm his way into a very happy part-time life in a little village in Brittany. Greenside’s self-deprecating sense of humor as he recounts the many awkward situations he finds himself in as he settles into life in France and deals with a variety of everyday challenges is often laugh-out-loud funny. I also recommend the sequel to this book,(not quite) Mastering the Art of French Living, but you should definitely start with this one: the author’s unanticipated, unpredictable, joyful journey into a life in France, told from the very beginning, is too good to miss.
In a story that stands above the throngs of travel memoirs, full of gorgeous descriptions of Brittany and at times hysterical encounters with the locals, Mark Greenside describes his initially reluctant travels in this "heartwarming story" (San Francisco Chronicle) where he discovers a second life.
When Mark Greenside-a native New Yorker living in California, political lefty, writer, and lifelong skeptic-is dragged by his girlfriend to a tiny Celtic village in Brittany at the westernmost edge of France in Finistere, or what he describes as "the end of the world," his life begins to change.
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Anyone who wants to read a love story – all of us, surely – has to start with this story of young love set on the coast of the South of France in the early 20th century. Colette’s prose has been well matched by her translators and she’s simply a jewel of a writer and the first woman who really told the truth about love and sexuality.
The author captures that precious, painful moment when childhood retreats at the onslaught of dawning knowledge and desire. Philippe and Venca are childhood friends. In the days and nights of late summer on the Brittany coast, their deep-rooted love for each other loses its childhood simplicity.
When I was at one of the lowest points of my life, color saved me. I started my color journey over a decade ago with a pack of Pantone postcards and walks around my neighborhood, and now I have the privilege of writing about color full-time. It’s amazing what a change of perspective color can bring. I hope that the books on this list spark something within you to add more joy to your day to day. Because life is too short not to have fun—especially with color!
This is one of those books that you pick up in a bookstore and don’t want to put down because it’s just too beautiful. The pages are thoughtfully crafted, and the projects make you see just how chic DIY can be when you do it correctly.
I loved the hybrid of crafting with colorful facts and tips on how to use a specific color. The first time I read the book, I immediately wanted to start making and adding color everywhere!
What began as an Instagram hashtag and project collection (#CrafttheRainbow) that quickly went viral has become a showstopping book, offering a rainbow of completely new project ideas. Learn how to make playful party decorations, luscious flowers, amazing cards, and sophisticated wreaths, garlands, centerpieces, and more than you can imagine-all with nothing but the creative power of paper. Sought-after designer Brittany Watson Jepsen is known for the unusually imaginative and amazingly beautiful designs she creates for her website and host of clients (including Anthropologie). In Craft the Rainbow, Jepsen walks readers through the easy basics of transforming simple paper-including tissue, crepe,…
Mark Greenside has been a civil rights activist, Vietnam War protestor, anti-draft counselor, Vista Volunteer, union leader, and college professor. He holds B.S. and M.A. degrees from the University of Wisconsin and his stories have appeared in numerous journals and magazines. He presently lives in Alameda, California, where he continues to teach and be politically active, and Brittany, France, where he still can’t do anything without asking for help.
This is the first book of a fictionalized family history, starting with the omniscient narrator’s maternal grandparents and paternal aunt, who are all born in the late 1880s: the World War I generation. The story takes place near Nantes, which until 1956 was part of Brittany, but then was administratively moved to a new department, the Loire Atlantic—though most people in Nantes and Brittany continue to believe the Nantois are Breton. As with many things French, the issue is far from settled.
Rouaud creates character through vignettes—and they’re wonderful: grandpa smoking; grandpa driving; grandma complaining about grandpa smoking and driving; their car—the infamous, uncomfortable, 2CV, deux chevaux—in the rain, the wind, on hills, having to wipe the windshield by hand to see, clearing grandma’s side, not grandpa’s, whose vision is blocked by pouring rain, streaking mud, and cigarette smoke. The rain leaks through the windows, the vents, and…
Through a family chronicle - some three generations of a middle-class family living on the French Atlantic coast - Rouaud evokes the lingering heartache of a whole nation: the period is the interval between the two wars, but the slaughter of World War I dominates. Winner of the Prix Goncourt.
Natural Religion: A None's Journey of Religious Discovery
by
Davis Baird,
My grandfather, Earl Clement Davis (1876-1953) was a Unitarian minister from 1905-1953. Born a year after he died, I never knew him. But I inherited a trunk of his manuscripts. Growing up without any religion, I was surprised to discover in these century-old writings a compelling approach to religion, one…
My first experience with historical fiction was reading The Witch from the Sea by that iconic author, Victoria Holt. This sparked a 40-year-long love affair with that genre that’s still burning intensely. I’ve been immersed in such fiction for a lifetime and have read the works of virtually every great author in this genre. I started my own series in 2020 because I feared this type of no-fluff fiction was becoming obsolete. There were 17th Century English characters making noise in my head so I used my creative writing background to bring them to life on the pages of my books, under the pen name Jessica Russell.
This book pulled me in from page one and I could not stop reading. I have rarely found Historical fiction written in a way that makes you feel as if you are truly there. The era did not seem abstract and far away, but instead, I felt like I was in the room with the characters in every single scene. It was vivid, colorful, realistic, entertaining, and I could have never predicted all the things that would happen. Rarely can I find authors who write about Anne of Brittany or that time period, let alone do it well, but this one was a winner!
"A historically sharp and dramatically stirring love story."—Kirkus Reviews"
Gaston's blend of royalty, young love, and the French Renaissance is enchanting."—Publishers Weekly
When Anne of Brittany's father dies in 1488, she becomes Duchess of Brittany, her country's ruler at age eleven. For the next three years, the unmarried, orphaned duchess is pursued by suitors while Brittany is invaded by its larger, more powerful neighbor of France. With no other way out, at age fourteen she agrees to marry Charles VIII, King of France, to save her country. Better to be a queen than a prisoner...
