Here are 80 books that The Boys of My Youth fans have personally recommended if you like
The Boys of My Youth.
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I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
In this book, Alison Bechdel is obsessed with the triangular relationship between one’s parents, oneself, and literature, and, in my poetry, so am I.
Our parents are either puzzles we can solve or mysteries we cannot, but still we have to try. And in this book, again and again, Bechdel takes those insights and moments of beauty that literature offers, investigates her father’s life and death, and in this book (as well as the follow-up, Are You My Mother?), the meaning of her mother’s choices as well.
Now that I think of it, Fun Home is the story of how literature is always the child of what an author experiences in their life and what they read, the two brimming over into the impulse to make more words, understand more life.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
After 15 years as a screenwriter (and some heartbreaking near misses with the big screen), I turned my pen to novel writing, with an adaptation of a script I’d sold four times. My new book, Love and Fury: A Novel of Mary Wollstonecraft, is hot off the press this year and tells the story of one of the great writers and thinkers of the late 18th century, mother of Mary Shelley, and widely regarded as the mother of feminism. I’m drawn to larger-than-life, brilliant, charismatic, complicated figures whose own trajectories have altered our own. I’m now at work on a collection of short stories and an adaptation of Mr. Dickens and His Carol for the stage.
The giants of English biography (Janet Todd, Claire Tomalin, Lyndall Gordon) have written brilliant books about Wollstonecraft, but the one I went back to time and again (most dog-eared, underlined, annotated) was this dual biography of Mary Wollstonecraft and her daughter Mary Shelley. An absolute page-turner, it reads like a novel, bringing this extraordinary mother and daughter to vivid life in alternating chapters that reveal parallels in who they were, what they believed, and how they lived.
***AS READ ON BBC RADIO 4*** NATIONAL BOOK CRITICS CIRCLE AWARD WINNER
'A gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley. Gordon has reunited mother and daughter through biography, beautifully weaving their narratives for the first time.' Amanda Foreman
English feminist Mary Wollstonecraft and author Mary Shelley were mother and daughter, yet these two extraordinary women never knew one another. Nevertheless, their passionate and pioneering lives remained closely intertwined, their choices, dreams and tragedies eerily similar.
Both women became famous writers and wrote books that changed literary history,…
I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.
Fun Home is Alison Bechdel’s most famous work (and it is phenomenal), but this one captured my heart. While the former focuses on her father, here Bechdel turns her focus on her relationship with her mother, weaving in a lot of psychoanalysis and modernist literature.
Bechdel’s characteristic intricacy and attention to detail are on full display, and the frequent inclusion of dreams and their interpretation (a particular interest of mine) make the whole book feel almost surreal yet completely grounded.
An expansive, moving and captivating graphic memoir from the author of Fun Home.
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf.
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.
Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.
Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then…
Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South. The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.? The racial legacy of the South touched Trethewey's…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).
Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible.
Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.
A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan.
Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom…
I’m a novelist, essayist, and short story writer who finds domestic life as fascinating and complex as any board room battle or historical event. I love books about marriage and family because so few people are willing to talk honestly about them. Finding a great book is like meeting a new friend who is willing to tell you their secrets and then share hard-won advice.
It’s been nearly ten years since I first read this book and I can still remember what the characters were wearing in the first chapter. Now that’s visceral storytelling! The author’s ability to capture his intense obsession with his future wife is familiar, poignant, and heart-warming. Yglesias’ portrayal of the couple’s long and, at times, bumpy marriage, makes this one of the most complex and honest portrayals of a marriage that I have ever read. That this is also a book about cancer and death does nothing to diminish the feelings of hope and gratitude embodied on every page.
A Happy Marriage is both intimate and expansive: It is the story of Enrique Sabas and his wife, Margaret, a novel that alternates between the romantic misadventures of the first weeks of their courtship and the final months of Margaret's life as she says good-bye to her family, friends, and children -- and to Enrique. Spanning thirty years, this achingly honest story is about what it means for two people to spend a lifetime together -- and what makes a happy marriage.
Yglesias's career as a novelist began in 1970 when he wrote an autobiographical novel at sixteen, hailed…
"MacKenzie's Last Run is a highly recommended, emotionally compelling survival tale. It should be on the reading lists of readers ages 11 and up who look for stories of not just suspense, but revelation."
Winner of the 2022 Midwest Book Award for children's fiction, readers call it, "Heart-pounding, fast-paced, and…
I love novels that show female characters finding their way in life, and especially women who use writing to help themselves to grow and evolve. Finding my own voice through writing has been my way of staking my claim in the world. It hasn’t always been easy for us to tell our stories, but when we do, we’re made stronger and more complete. The protagonist of my novel The Literary Undoing of Victoria Swann fights hard to tell her own story. I know something about being held back by male-dominated expectations and Victoria’s situation could easily take place today. But when women writers finally find their voices, the works they create are of great value.
This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away. The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.
This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a…
THE WIFE is the story of the long and stormy marriage between a world-famous novelist, Joe Castleman, and his wife Joan and the secret they've kept for decades. The novel opens just as Joe is about to receive a prestigious international award, The Helsinki Prize, to honour his career as one of America's preeminent novelists of the Mailer-Bellow-Updike school. But this isn't a book for writers; it's a book for readers, for people who are interested in questions such as: Is there a 'male' voice and a 'female' voice? Do men and women see the world differently, and how? THE…
I’m a novelist, essayist, and short story writer who finds domestic life as fascinating and complex as any board room battle or historical event. I love books about marriage and family because so few people are willing to talk honestly about them. Finding a great book is like meeting a new friend who is willing to tell you their secrets and then share hard-won advice.
Don’t worry that this novel is part of a trilogy; it can easily be enjoyed on its own. The Man in the Wooden Hat tells the story of the courtship and marriage of a man referred to as “Old Filth” (stands for “failed in London, try Hong Kong”) and his wife, Betty. Gardam’s hilarious look at ex-pat life in Hong Kong and elsewhere is wildly entertaining and her minor characters are as quirky and surprising as Betty and Old Filth. PS: The surprising reveal at the end makes this portrait all the more delicious.
Second in the Old Filth trilogy. “An astute, subtle depiction of marriage . . . absolutely wonderful” (The Washington Post).
Acclaimed as Jane Gardam’s masterpiece, Old Filth is a lyrical novel that recalls the fully lived life of Sir Edward Feathers. The Man in the Wooden Hat is the history of his marriage told from the perspective of his wife, Betty, a character as vivid and enchanting as Filth himself.
They met in Hong Kong after the war. Betty had spent the duration in a Japanese internment camp. Filth was already a successful barrister, handsome, fast becoming rich, in need…
Marita Golden is an award-winning author of over twenty works of fiction and nonfiction. Her books include the novel The Wide Circumference of Love and the memoirs Migrations of the Heart, Saving Our Sons, and Don’t Play in the Sun One Woman’s Journey Through the Color Complex. She is the recipient of many awards including the Writers for Writers Award from Barnes & Noble and Poets and Writers, an award from the Authors Guild, and the Fiction Award for her novel After, from the Black Caucus of the American Library Association. She has appeared on The Oprah Winfrey Show, been featured as a question on Jeopardy!, and is a two-time NAACP Image Award nominee.
In the introduction to the first edition of Black Boy, Richard Wright acknowledges that while inspired by his life the book is both a record of his life and an imagined autobiography of all the “black boys” he knew who like him came of age in the segregated south.
Wright’s book is an early example of the use of creative nonfiction techniques that make this memoir gripping, suspenseful, deeply psychological, and a testimony to the power of dreams and the will to prevail against adversity.
The Improbable Wonders of Moojie Littleman
by
Robin Gregory,
After his doting aunt dies, a special fourteen-year-old boy who has trouble fitting into a remote 1906 village goes against a powerful retired Army captain determined to eradicate his outcast kin.
I'm a writer who’s always been obsessed with early childhood. No experience we have later in life is any more emotionally charged, resonant, intense, bewildering, or wondrous as those we have as young children. A day can feel like forever; what we imagine can be so vivid as to be indistinguishable from reality; we’re not wholly sure what’s animate and inanimate; we're still at least half-feral. My interest in childhood led me to write about children’s psychology for Psychiatric Times and for the UCLA/Duke University National Center for Child Traumatic Stress. Recently, I designed two related university courses that I teach at Antioch University Los Angeles: Representations of Childhood in Literature and the Trauma Memoir.
Robert Goolrick does not pretend in this memoir to have overcome or prevailed or found redemption from his horrendous childhood. Instead, he tells us the number of psychotropic prescriptions he must take every day just to be able to function. Something unthinkably awful happens in his seemingly genteel family at the hands of the father who is supposed to protect him, and as a result, he will never be the same. When he tries to tell what happened and seek comfort, let alone redress, his whole family turns on him. Yet Goolrick tells this story with an amazing lyricism and compassion. He unravels his tale slowly, protecting and preparing the reader in a way that no one in his family ever protected or prepared him.
It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal.
For one little boy, however, life had become anything but "normal."
To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled…