100 Books Like Russian Thinkers

This is the book for readers who wish to sample Berlin’s kaleidoscopic, multidisciplinary work in a single volume across its whole range. It includes his most celebrated essays in philosophy, political theory, the history of ideas, and twentieth-century portraiture. His two most famous pieces, The Hedgehog and the Fox (on Tolstoy’s view of history) and Two Concepts of Liberty (on ‘negative’ and ‘positive’ political freedom), are here, as are his accounts of his formative meetings with the great Russian poets Anna Akhmatova and Boris Pasternak, his impressions of Churchill and Roosevelt, and his pellucid accounts of romanticism and nationalism. The essays are linked by his ruling preoccupation with understanding human nature in all its irreducibly various guises: what he called, following Kant, ‘the crooked timber of humanity’.

Ignatieff’s intensely readable authorised biography of Berlin is based on a decade of recorded conversations with his subject about all aspects of his life, as well as on a study of the massive archive of letters and other papers that Berlin left at his death. As a result it has many of the characteristics of the autobiography that Berlin never wrote, but one filtered through Ignatieff’s shrewd critical intelligence, deployed in the service of the liberal humanist outlook that he shares with his subject.

John Gray’s encounter with Berlin’s ideas, first published in Berlin’s lifetime, remains one of the most intriguing and challenging explorations of the intellectual territories that he inhabited. Gray is not afraid to disagree with Berlin, but makes clear where he goes beyond him to present his own interpretation of the topics by which they are both preoccupied: freedom, pluralism, history, nationalism, Romanticism, the Enlightenment, and liberalism.

In a vain effort to prevent the disaster they knew was coming, Russia’s leading religious philosophers in 1909 called on the increasingly radical Russian intelligentsia to return to religion as a means of grounding the individual. The philosopher, Nikolai Beryaev wrote that the intelligentsia sought a universal theory but was only ready to accept one that supported their social goals. They, therefore, denied man’s absolute significance. Bogdan Kistyakovsky wrote that the intelligentsia’s attraction to formalism and bureaucracy as well as its faith in the omnipotence of rules contained the seeds of a future police state. The authors of the various essays in this classic book, in fact, foresaw all of the characteristics of the future Soviet police state that arose out of the drive of Russian radicals to create “heaven on earth.”

In this book, literary theorist Gary Saul Morson describes the competing ways in which Russian ideologues and novelists answered the “timeless questions” about human nature, fate, and politics. Morson’s analysis clearly shows that novelists and poets allow for much more complexity and nuance in their worldviews than ideologues. The famous Russian writers, in other words, appear to excel in the type of open-minded thinking that I argue is conducive to liberal democratic values.

By reading Morson’s book, one sees clearly the importance of Russia’s literary traditions and how their works inform an open-minded outlook on the timeless questions of human existence.

In recent years, we have seen a surge in books on contemporary Russia-China relations. Gregory Afinogenov’s Spies and Scholars takes us back to their humble beginnings in the seventeenth to nineteenth centuries. This pioneering study sheds new light on how the emergence of the Russian Empire as a global power was shaped through intelligence gathering in imperial China. A must-read not only for historians. 

After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her… show more.

Polina is about a would-be ballerina and a teacher and the methods he employs to get the best from his students. Polina ages from child to young adult through its pages, and as her comprehension of the world about her and the people in it changes, so too does the reader’s impressions of her. Like any good character piece, much depends on the performance of the players, and therefore Vivès and his ability to convey subtleties of emotional reactions. He always leaves enough room for the reader’s own interpretations, and so hooks you into the nuances of Polina’s feelings. Vivès can draw anything, but this beautiful, delicately balanced story depends as much on what he leaves out as what he puts in. A small masterpiece.

I found it hard to choose between several of Edward Crankshaw’s books explaining Russia. Each, in its own way, uncovers a particular aspect of history or society that makes the country what it is. In the end, I settled on this, his first: published in 1947, not long after Crankshaw had been posted to Moscow during WWII, and while he was still reeling from the vast gulf between what he experienced there and the image of the USSR that was being sold abroad. 

Crankshaw was sometimes accused of being too sympathetic to Russia, but while he does his best to explain why the country behaves as it does, he doesn’t seek to excuse it. For that reason I find this one of the most clear-headed appraisals of Russia. And given the continuities that run through all of Russian history, his rationalising of how Russia works and what it does is… show more.

Luke Harding is a journalist who has spent many years as The Guardian correspondent in Ukraine including the present war.

The book is a mixture of historical analysis and on-the-spot reporting which makes it read like a thriller. It is vivid and at times harrowing, particularly the reports from Bucha after the massacres there. Harding pulls no punches, arguing the brutality of the war comes from Putin himself: ‘His apparent goal: the annihilation of a country, a culture and its citizens.’

Complicit in this genocidal operation are the Russian media elite who frequently openly call for the extermination of the Ukrainian nation. An excellent account from an impeccable source.