Here are 100 books that Russian Fairy Tales fans have personally recommended if you like
Russian Fairy Tales.
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I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
Like most children, I met folklore through the Grimm brothers, even though the Grimms were serious scholars and didn’t publish their book for children.
Still, their complete collection of 248 stories includes Hansel and Gretel, Snow White, and Aschenputtel, "Little Ashes," a Cinderella story. Many other Grimm stories are about animals.
The Bremen Town Musicians tells of a donkey, cat, rooster, and dog, all cruelly treated, who band together to make a life for themselves. Old Sultan is about a toothless old dog who’s outlived his usefulness. His owner means to kill him. But Sultan conspires with "his kinsman," a wolf. The wolf pretends to carry off the farmer’s child, so the ancient dog can stage a rescue, becoming a hero and earning a comfortable retirement.
About :Grimms' Fairy Tales, originally known as the Children's and Household Tales is a collection of fairy tales by the Grimm brothers or "Brothers Grimm", Jacob and Wilhelm, first published in 1812. This is a Historical read as well as a popular literary classic.Originality we take every step possible to ensure the original integrity of this book has been upheld to its highest standard. This means that the texts in this story are unedited and unchanged from the original author's publication, preserving its earliest form for your indulgence. This title is one of the best Fantasy, of all timethat you…
Did you know you can survive being swallowed by a whale? Or that octopus wrestling used to be an actual sport? Or, that once a town in Oregon didn't know what to do with a whale carcass that washed up on their beaches, so they...BLEW IT UP?
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
In this mighty two-volume work, Katherine M. Briggs set out to bring together every folk-tale, myth, and local legend written down in the British Isles, in the English language.
Tales from Scotland, Wales, Ireland, and England: stories of how places gained their names, tales of witches, ghosts, wizards, mermaids, elves, changelings…And also many tales of animals, including The Three Bears and Three Little Pigs.
But also ghostly black dogs, talking dogs, cats who spin, seals who turn into people, donkeys, giant worms or dragons, hens, and magpies. These books are treasure-houses of ideas and inspiration.
A classic in folklore scholarship arranged in 2 parts. Folk Narratives contains tales told for edification or delight, but not thought to be factually true. Folk Legends presents tales the tellers believed to be records of actual events.
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
As a lover of folk-tale, legend, and myth—and having an especial love for Norse Myth—I soon sought out the folk-tales of Norway.
Asbjorsen and Moe are the Norwegian answer to the Brothers Grimm. Their collection is superb. There’s the Ash-Lad, who is rather like Jack of Beanstalk fame, and many trolls. There are twelve princes searching for twelve lost princesses, helpful griffins, abandoned babies, and ancient Norse gods pitching up in thin disguise.
And, of course, as the people who told these tales lived between mountains, sky, and sea, there are many tales of animals and birds.
The definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture-now in paperback
The extraordinary folktales collected by Peter Christen AsbjOrnsen and JOrgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names AsbjOrnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally's vivid translation of their monumental collection is the first new English translation in more than 150 years-and the first ever to include all sixty original tales.
Magic and myth inhabit these pages in figures both…
This biography for middle-grade readers and up explains who Jane Addams was and why she caused such a stir worldwide. The story follows Addams' first childhood realization of how poverty limits lives, livelihoods, and health to her becoming one of the most beloved―and disliked―women of her day. She worked to…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
I don’t know how old I was when I first read some version of Aesop’s Fables.
Probably very young, as many are retold for small children, and have become proverbial. For instance, the fox who, unable to reach the bunch of grapes he wants, sulks and says, "I don’t want them anyway, they’re sour." Thereby giving us the expression, "Sour grapes."
Almost all of the stories feature animals. There’s the tale of the tortoise and the hare, where the tortoise wins the race, and the tale of the strong, fierce lion whose life is saved by a tiny mouse. These ancient stories mix observation of animals and observation of human behaviour in many vivid, telling, and very short stories.
A slave who represented his masters in court and negotiations, Aesop relied on allegorical animal stories, collected here in The Complete Fables, to convey his key points. This Penguin Classics edition is translated from the Greek by Olivia and Robert Temple with an introduction by Robert Temple.
In a series of pithy, amusing vignettes, Aesop created a vivid cast of characters to demonstrate different aspects of human nature. Here we see a wily fox outwitted by a quick-thinking cicada, a tortoise triumphing over a self-confident hare and a fable-teller named Aesop silencing those who mock him. Each jewel-like fable provides…
I'm a professor of history at the Graduate Center and Queens College at the City University of New York, where I'm also director of the Irish Studies program and the MA program in Biography and Memoir. My specialty, covered in five books that I’ve authored or co-edited, is English and Irish history in the sixteenth and seventeenth centuries; my new book represents the culmination of a decade’s research devoted to Ireland. In addition to teaching British and Irish history, I offer more unusual and wide-ranging classes including the history of the devil, the history of crime and punishment, and the history of the body. My life is divided between New York City and mid-coast Maine.
The extent of an evil leader’s influence can be measured in terms of whether he or she enters popular folklore. In the case of Ivan the Terrible, the Russian “grozny” in “Ivan Grozny” is actually translated as “awe-inspiring,” though the “terrible” tag has ensured that the czar would be remembered for his paranoia, brutality, and alleged insanity.
In folklore it was different: as Perrie’s book demonstrates, Ivan was a sympathetic figure through the twentieth century, in tales that recounted his triumphs in war or his repenting after an act of cruelty. Perrie attributes the favorable views of Ivan to “popular monarchism,” but he was also a figure whose image could be grafted onto existing folkloric archetypes to powerful effect.
Ivan the Terrible has long been a controversial figure. Some historians regard him as a crazed and evil tyrant; while others (especially Soviet scholars of the Stalin period) have viewed him as a progressive and far-sighted statesman. The folklore about Ivan has played an important part in these debates. Was Ivan's depiction in folklore favourable or hostile? And how far can it be regarded as evidence of contemporary popular attitudes towards the tsar? In this unusual and far-ranging study, Maureen Perrie discusses the nature of Ivan's image in Russian folklore; its historical basis; its development; and the controversies which have…
As the oldest of nine kids, I can’t remember a time before I had siblings. When I was younger, I had a habit of writing protagonists who were only children—but as I finished the final book in my Sãoni Cycle trilogy, I discovered that each protagonist was processing a sibling connection! The older I get, the more curious I become about how these bonds shape and transform people, especially as they age. Speculative fiction provides countless contexts to explore notions of family. Perhaps siblings don’t have magic powers in the real world, but we might understand one another better if we did.
In January 2023, my partner dropped this book into my hands and said, “I’m pretty sure this book was written exactly for you.” And you know what? They were RIGHT.
This book isn’t just the Baba Yaga retelling of my dreams—it also features one of the most captivating sibling relationships I’ve ever read. Bellatine and Isaac Yaga are beautifully complicated characters, each unable to stop hurting the other as they manage their trauma in very different ways. (Hint: both of them involve very cool magic.)
I spent the book desperately wanting each of them to reach one another, and was gifted with a good, cathartic cry about intergenerational wounds. This story goes places that have challenged and transformed my own writing. Plus, a sentient house with a spicy attitude? Yes. More of that.
In the tradition of modern fairy tales like Neil Gaiman's American Gods and Naomi Novik's Spinning Silver comes an immersive fantasy saga, a debut novel about estranged siblings who are reunited after receiving a mysterious inheritance.
“A wonderfully imaginative, wholly enchanting novel of witness, survival, memory, and family that reads like a fairy tale godfathered by Neil Gaiman and Tim Burton in a wild America alive with wonders and devils alike. Thistlefoot shimmers with magic and mayhem and a thrilling emotional momentum.” —Libba Bray, bestselling author of The Diviners
The Yaga siblings—Bellatine, a young woodworker, and Isaac, a wayfaring street…
Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
Bolu Babalola’sLove in Coloris, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.
"Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review
"Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop
A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world.
A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great…
I’ve written dozens of plays and books, always with heart and humor. If you love Christmas, you know that it can also be a frenzied time, so we all need to curl up on a cozy night and read Christmas stories to bring back the magic and generosity of this special holiday. I like well-told tales that reaffirm the love we know is so important, stories that will mean just as much a hundred years from now. And surprise endings are always a delight!
Christmas is a wonderful time for magical tales that children love. In this one, a poor but good-hearted cobbler is rewarded for his honesty during the night, when clever elves sneak into his shop and make shoes for him to sell. It gives children the chance to imagine invisible helpers, and also the thrill of doing good deeds in secret.
Here is the classic tale of elfin magic, loved by generations of children and made new by an artist of international acclaim. Jim LaMarche's stunning paintings, reminiscent of his earlier work in The Rainbabies, are the perfect compliment to this favorite Grimm fairy tale.
From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.
Lift the flaps and take an intimate peek inside the villains and find what really makes them tick. Through a twist in classic fairytale storytelling and a sophisticated design, this book has reimagined the inner workings of the iconic fairytale witch, giant, and wolf. Pull levers and tabs, discover objects on strings, and open flaps to discover the real truth about the villains. Brilliantly creative and exploratory.
Internationally bestselling, oversized lift the flap book that reveals the secrets of the most famous fairytale villains.
Explore if you dare! Take a look inside and discover the villainous tricks inside the heads of an ogre, a wolf and a witch. Lift the flaps to find out what’s beneath their disguise and who was the victim of their last meal (now comfortably settled inside their stomach!).
This exquisitely produced large fold-out book is like no other: a celebration of story that’s full of humor and detail on every page, and has over 30 interactive elements that will mesmerize toddlers, pre-schoolers…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
This is the book that made my kids’ heads explode (not literally—this book is perfectly safe (as far as I know)) as it helped them discover the idea of parody: taking something familiar and twisting it in a funny, unexpected way.
We rolled and lol’ed together as we read Jon’s wild, hysterical takes on old fairy tales. The non-twist twist ending to his take on the ugly duckling story is still a running joke in our family. Jon’s The True Story of the 3 Little Pigs and The Real Dada Mother Goose are also great for the same reason.
The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. The individual tales, such as The Really Ugly Duckling and Little Red Running Shorts, can be extracted for telling aloud, with great success. Another masterpiece from the team that created The True Story of the Three Little Pigs! -Horn Book