100 Books Like Rootwork

This is an easy-to-read introduction to magic for people who don’t want to join organized groups or participate in spiritual traditions in order to learn. It allows readers to experiment with practices and techniques on their own and includes everything a beginner needs to know about the art and craft of magic, including visualization, ordinary ethics, ritual practices, and vital safety measures.

This is the best book on magic for skeptics and modern, rationally-minded readers. The author, who has a Ph.D. in Psychology, argues that magic can be verified and explained scientifically without all of the “woo-woo” that often requires an extra leap of faith for beginning practitioners. Magic is a natural aspect of reality, and each of us can tap into it skills and techniques with practice and persistence. The book provides a brief history of magic and offers a guide with exercises that one can do to strengthen mental and practical abilities.

If you want to know about some of the earliest forms of magic that originated in America, this book is for you. This book focuses on folk magic, with an emphasis on Hoodoo, the magic of enslaved black people, with practices that include nature and the elements as sources of power. The text provides botanical information on magic plants, and spell recipes for healing and protection. As a plus, the book is lavishly and beautifully illustrated with extensive how-to guides on creating your own charms for good luck and fortune.

The title of this book says it all. It is about effective, practical magic with an emphasis on manifestation. Six ways an incantation that is as simple as it is powerful. The book goes into detail about different styles of magic that are available for readers who want to learn more about sorcery, witchcraft, chaos magic, and spirit work. I like this book because it takes one deep into the inner world of magic that exists within the recesses of the mind, opening up the practitioner to spiritual possibilities that have the goal of improving the self. Techniques such as meditation, trance, spiritual cleansing, and dreams are dealt with in an easy and straightforward way.

Drake’s old Nathan is explicitly identified as a “cunning man” throughout these tales. Inspired by Wellman’s Silver John, Old Nathan is a predecessor, an Appalachian wizard in the late 1700s and early 1800s, using real-world folk magic to ward off curses, heal wounds, and otherwise battle evil. Like Silver John and Hiram Woolley, Old Nathan is a war veteran—a veteran of the Revolutionary War. Nathan’s war wounds left him crippled and pulled aside from ordinary life, turning him into the course of becoming a magician.

This is one of the most useful books in my collection, as evidenced by the lines that I’ve color-coded with highlighters and the comments I’ve scribbled in the margins.

The author belongs to a magical order that ascribes different occult associations (i.e. “mysteries”) to all 78 tarot cards, so even the sections for the minor cards can feature extensive magical discussions. For example, Willis explains how the Three of Disks (aka Pentacles) relate to the trade secrets of smithcraft and masonry and then gets into how this relates to using different-shaped altar stones in Earth Magic for crop growth, animal fertility, finding a mate, and monetary gain.

The broad array of both folk magic and ceremonial magic techniques makes this book a magical education in itself.

Wellman roots the adventures of his hero, Korean War vet John “the Balladeer,” in Appalachian folktale and folk customs. His hero battles strange old evils in the mountains with his faith, his traditional American folk magic (he carried a copy of The Long Lost Friend), and the evil-repelling silver of his guitar strings. Silver John was a major influence on our hero in The Cunning Man, Hiram Woolley.

“They say the people could fly. They say that long ago in Africa some of the people knew magic. And they could walk up on the air like climbin on a gate. And they flew like blackbirds over the fields.” These beautiful words and those that follow have remained in my heart from the moment I first discovered this story in Hamilton’s 1985 folktale collection. The inspiring messages of hope, faith, and the innate desire for freedom are powerfully conveyed through Hamilton’s fine storytelling and the Dillons’ elegant art. I love the feeling of triumph as “old and young who were called slaves” join hands, rise in the air, and fly away to freedom.

My favorite fantasy books are always ones that use the lens of genre to help us better understand the world we live in, and Master of Poisons accomplishes this with bells on. An epic fantasy set in a world where climate disaster looms, Master of Poisons draws from Hairston's extensive research and experience in West African, African-American, and Indigenous cultures to weave a rich narrative tapestry that casts an unflinching eye on sources of evil and cruelty, while still always finding a way to offer hope.

A novel in verse with a thrilling magical bent, this book defied all my expectations while somehow exceeding them.

Out of all the books on my list, this one is the most blatantly magical, but the wild happenings are so woven into the contemporary setting that they feel believable. I also love how this book deals with two protagonists who struggle with depression and grief in different ways and find ways to support each other without belittling the intensity of each other’s suffering. Add in a satisfying plot twist, and this book is a soulful, brilliant ride.