Books like The Old Gods Waken — picked by fans

Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.

I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.

I love fantasy literature, because it's the what-if literature of the human spirit. Magic animates fantasy, and in the real world, magic is difficult to define; it lies somewhere on the border of the unconscious mind, the lore of our grandparents, scientific hypothesis, what the priest tells us, and what we see in social groups other than our own. In recent decades, much fantasy literature has walked away from portrayals of real-world magic, replacing it with synthetic and sterile creations euphemistically called “hard magic.” Hard magic has the form of magic, but lacks the power thereof. These books are all strong inoculations against the scourge of hard magic.

I love fantasy literature, because it's the what-if literature of the human spirit. Magic animates fantasy, and in the real world, magic is difficult to define; it lies somewhere on the border of the unconscious mind, the lore of our grandparents, scientific hypothesis, what the priest tells us, and what we see in social groups other than our own. In recent decades, much fantasy literature has walked away from portrayals of real-world magic, replacing it with synthetic and sterile creations euphemistically called “hard magic.” Hard magic has the form of magic, but lacks the power thereof. These books are all strong inoculations against the scourge of hard magic.

From childhood on, I’ve been drawn to storytellers, especially those who use their imagination to captivate and question. My favorite stories twist and turn, and throw light on the every day to reveal what is inexplicable, weird, wondrous, and often heartrending. My taste runs wide, and I could list dozens of favorite collections. Having released my own debut book of stories during the pandemic, I learned firsthand how difficult it can be to find readers for story collections, especially when those collections are published by smaller presses. For that reason, I’ve chosen five recent debuts from masterful authors I hope more readers will discover. 

I am an author and veteran journalist who reported for The Washington Post for more than two decades, and I write frequently about military history. As a reporter, I covered conflicts in Iraq, the Balkans, Somalia, and Rwanda, among other places, often living with troops off the grid. I’ve always been attracted to stories off the beaten track, the ones that most people know little or nothing about. That may be why I’ve written two books about “forgotten” wars – the War of 1812 and the Korean War.

James Neal Butcher is a professor emeritus of the Department of Psychology, University of Minnesota. At age 17, he enlisted in the US Army during the Korean War. He served 2 years in a parachute infantry division (82nd Airborne). He volunteered for service in the Korean War and served one year as an infantry soldier in the 17th Infantry Regiment during the war including the battles for Jane Russell Hill in October 1952 and Pork Chop Hill in April 1953. In 2013 he published a memoir of his early life and his military experience Korea: Traces of a forgotten war. 

Roger Hermiston is a writer of contemporary history books that are underpinned by rigorous scholarship, enhanced by a journalist’s eye, and driven by exciting storytelling. One of his books – All Behind You, Winston – Churchill’s Great Coalition 1940-45 told the story of the often-overlooked men (and two women) who helped steer Britain to wartime victory on the Home Front. But two of his other books – The Greatest Traitor and, just out, Two Minutes to Midnight – explore the early years of the Cold War, in the 1950s. In both the Korean War features prominently – in the first, from the perspective of a group of ‘high value’ prisoners held captive by the North Koreans, and in the second, from the view of President Eisenhower and his colleagues as they contemplated using tactical A-bombs to hasten the end of the conflict.

A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.

Roger Hermiston is a writer of contemporary history books that are underpinned by rigorous scholarship, enhanced by a journalist’s eye, and driven by exciting storytelling. One of his books – All Behind You, Winston – Churchill’s Great Coalition 1940-45 told the story of the often-overlooked men (and two women) who helped steer Britain to wartime victory on the Home Front. But two of his other books – The Greatest Traitor and, just out, Two Minutes to Midnight – explore the early years of the Cold War, in the 1950s. In both the Korean War features prominently – in the first, from the perspective of a group of ‘high value’ prisoners held captive by the North Koreans, and in the second, from the view of President Eisenhower and his colleagues as they contemplated using tactical A-bombs to hasten the end of the conflict.