Books like Römische Tage

The great Chinese British powerhouse writes about her childhood in a poor coastal village in post-Mao’s China where she’s made to live with her grandparents and life is rough and hard, especially for a girl. It’s a very atmospheric tale, that paints a vivid picture of this incredible society. It’s also a Cinderella story, about a suffering child that, thanks to incredible stubbornness and stamina, rises up to become one of the twelve (out of a million or so) applicants that are accepted into the Chinese Film School in Beijing each year. She later moves to England and her descriptions of the west are super fresh and priceless.

I read this years ago and then devoured all of Nawal el Sadawi’s books, fiction and non-fiction.

I have Iranian heritage on my birth father’s side and have always been fascinated in the life I could have lived as an Iranian girl, if I had been raised there instead of the UK.

So reading Nawal ed Sadawi’s books, set in Egypt where she was born, educated, and worked as a doctor and writer, gave me an insight I really wanted into Islamic societies and how women can live in them.

Woman at Point Zero is harrowing, brilliant, immersive, and painful, taking as its theme the story of Firdaus, who tells the story of why she has killed a man before she is executed. She explains why and her courage and eloquence have stayed with me ever since.

We need these stories of women on the edge who still, somehow, resist… show more.

The only work of fiction on the list, Nobel Laureate Kurt Hamson’s Hunger (1980) was a game changer for modern literature.

Firmly anchored in the point of view of the narrator, we journey painfully with a man, a writer as a matter of fact, on the way down into the depths of meaningless, despair, and hunger. Adapted into several films, the story reflects how little society values the intellectual capital of people it perceives as the dregs and describes in detail the effects of starvation on the human mind.

A worrying and unsettling read, Hunger remains the best work of fiction ever written about destitution.

In early 2016 I stayed in Kochi, Kerala, in the south of India, working on a novel. There I came across the local bestseller Goat Days by the Bharein-based Indian author, Benyamin, and was totally blown away. It's a powerful tale of a young Indian worker named Najeeb Muhammad, who, like many of his countrymen, goes to work in Saudi Arabia, dreaming of earning some money for his family back home. His dream turns into a nightmare when he is taken as a slave to a remote desert farm where he has to take care of the goats and dwell among them. He is forced to live alone in the desert with all its hardships, sandstorms, heat, and general dryness, treated like an animal by his Saudi master. Still, hope prevails. This is one of the ultimate "me-against-the-world" books. Its strength is underlined by the fact that it's banned in… show more.

This last book is a classic and part of a series that would be helpful for other travel adventures. It’s the only non-fiction book on the list. But it’s a great introduction for kids wanting to know more about the place they are travelling. While originally published in 1960 the book was updated in 2007. This is a great overall introduction to Rome and its history and a good place to start piquing a young traveler’s interest. 

This was the first Anthony Doerr book I read—the literary equivalent of eating dessert first. I’ve since savored his novels, but this irresistible feast of delicious morsels of Italian life lingers in my mind. Doerr doesn’t show you Rome. He invites you to live in it with him—during his sleepless nights, in the company of his twin babies, as a beloved Pope lies dying and the seasons bring new enchantments. 

I can’t say whether I love this book more for the writing or for its tender portrait of Rome. Read it for the double pleasures of exquisitely crafted vignettes and a virtual visit to a city that eternally surprises and seduces visitors.  

If you love Italy—and if you don't love it now, you definitely will—after reading this engaging, vibrant tribute to Italy! Knighted by the President of Italy for her writing about Italy, author Dianne Hales describes the native, inherent passion of Italians—la passione italiana— as the source and nurturer of our civilization's love for art, music, architecture, cars, ceramics, sculpture, design, literature, film, food, and wine. Bursting with talent and passion, the legacy of Italian passion for life in our culture is ubiquitous and all-encompassing. Italy and its passion itself have taken hold of our imaginations, and your imagination will take you directly to la bella Italia, as it did for me, while reading this engaging book.

A large part of the last book of my trilogy focuses on one character’s involvement in the construction of the Flavian Amphitheater, known today as The Colosseum. As with other complex issues I’ve written about — the Jewish Revolt, social constraints on women, relationships between masters and slaves — I’ve had to make sense of this grandest construction project of the first century. Elkins’ scholarly book helped me get out of the “tourist-in-Rome mindset” and into the “you-are-there-as-it’s-being-built mindset.” I’m currently writing that section, so the jury is still out, but Elkins’ in-depth research and clear exposition provide a good road map.

Pasolini’s films, Mamma Roma and Accattone, were among the reasons I decided to move to Rome in the first place.

Their blend of poetry and wretchedness chimed with my own vision of life at that time and I seized the chance to improve my knowledge of the city, of Italian and of Roman dialect, by reading his first novel Ragazzi di Vita, as soon as I arrived in the city.

Ragazzi di vita are hustlers, doomed from birth by circumstances outside their control, and I was drawn to the novel’s dark non-conformist romanticism, its refusal to compromise and the sheer texture of the language, which I only partly understood. It’s like Kerouac, but for real.

This book made me fall in love with Puglia, the hot, dusty “heel of the boot” with its lemons, olives, and cactus, its boxy farmhouses. Not that the story, bouncing from Paris to New York to a long-gone Rome, doesn’t deliver—the narrator, Alina, talks about a family secret passed from woman to woman, disintegrating memories, a past she must understand before the movers arrive and the house with its mural of a naked woman painted on a patio wall is no longer theirs. Present and past, the known and the unknown combine, and all of it is tied to alluring, sensual Puglia. As a storyteller, Marciano demands your attention, painting the life story of a family whose Italy is unlike the one you think you know.