93 Books Like Renaissance Woman

This older, quieter novel by Sarah Dunant has stayed with me over the years. It tells the story of a young Italian woman forced into a convent after a clandestine love affair. This was the fate of thousands of Renaissance women, whether or not they had a religious vocation: convents were repositories for “surplus” women who couldn’t be respectably married off.

I appreciate how this book focuses on the surprising complexity of the cloister, from the friendships and enmities among the nuns to their incredible knowledge and expertise in music and medicine.

Dunant’s books about Renaissance Italy are always well-researched, and she has a flair for integrating small details that bring this hidden world to life.

I always appreciate a book that connects Renaissance history to present-day issues – like the never-ending pressure for women to fit a particular standard of beauty. Like us, Renaissance women obsessed over how they looked, how they smelled, their weight, their hair, their makeup (which somehow makes them seem like people we might have been friends with 500 years ago!).

Burke looks at Renaissance beauty culture through the lens of a historian, using sixteenth-century how-to manuals, poems, letters, diaries, and art to think about the impact of Renaissance ideas about beauty and the enduring connection between cosmetics and gender, misogyny, and power.

It’s an entertaining read that’s backed by serious research.

I really enjoyed Leah Chang’s beautifully written Young Queens. It adds a new twist to the “royal biography” genre by tracing the interconnected lives of three women – Catherine de’ Medici, Elisabeth de Valois, and Mary, Queen of Scots – from childhood into adulthood.

Chang has a gift for bringing history to life, interweaving her sources with a sweeping narrative so that you feel like you can hear these women speaking in their own voices. She shows the paradox at the heart of their lives: even at the height of power, these queens were measured by their gender and their bodies, seen as vessels for the future of the state. It’s an important counterbalance to the usual narrative of royal history.

I wanted to include this book because it focuses not only on women in the Renaissance but on the particular experience of a Jewish woman living and writing in seventeenth-century Venice.

Even though the Venetian republic proclaimed justice and equality, those ideals did not extend to women nor to the thousands of Jews and other non-Christians who made their home in the city. As a Jewish woman, Sarra Copia Sulam had to navigate prejudice and suspicion on two fronts, yet she courageously defended herself and her faith in print.

The book does a wonderful job of showing how Sulam used her dexterous pen to take on her critics, and Westwater’s account reveals new biographical information about Sulam, her family, and Jewish life in the Renaissance.

A quirky and brilliantly insightful book which is now, unfortunately, out of print. But do snap it up if you chance upon it in a second-hand bookshop or can find a copy online. It is deceptively modest-looking: a slender paperback, with only a handful of illustrations. My hunch is that it will change the way you think about paintings, sculptures, and buildings in the works of Shakespeare, Spenser, Donne, and their contemporaries. Certainly, that is the effect it had on me.

When I was first attracted to exploration history, I was mostly interested in the 19th and 20th centuries, but wanting to understand its pedigree, I searched back to the great voyages of the Renaissance and kept running into books by Parry. He’s everywhere, and always insightful.

His most widely read book is The Age of Reconnaissance: Discovery, Exploration, and Settlement, 1450-1650. But despite its clunky title, Establishment is my favorite because it distills the whole story – its events, its technology, its intellectual foundations – into almost crystalline form. A wonderful place to begin, or to return to and consolidate whatever else you’ve learned.

There are millions of great guidebooks on Florence, but none is more entertaining, informative, and lively than Eve Borsook’s. An American art historian who lived in the city for most of her life, she unravels Florence's history, art, and politics with verve, knowledge, and insight. As one would expect in a guide, she describes systematically the city, a chapter for each neighborhood, each chapter starting with detailed descriptions of its most interesting streets, squares, buildings, and works of art. But what makes this guide invaluable are Borsook’s commentaries that follow her informative descriptions. I suggest you read this book before you go to Florence, plan your visit according to her chapters, and then, once in Florence, after you have seen the works she describes, read again the chapter on the neighborhood you visited that day. Renaissance Florence and the people who lived in it will come to life for you… show more.

This book is a fantastic, broad overview of the Italian Renaissance (or rinascimento, the term Ruggiero prefers and which his subjects would have recognized). The Italian Rinascimento was a period, according to Ruggiero, of vibrant cities, social change, and cultural expression, in which intellectuals, politicians, and artists both looked back to an idealized classical past and forward to uncharted territory.

I love the way this book focuses on issues that preoccupied the people he studies and incorporates topics often absent from works on the Renaissance, including women, sexuality, economics, disease and death, and religion, among others. Even more important, perhaps, is that it is clear, accessible, and engaging, and demonstrates a wealth of knowledge developed over an illustrious career as a historian of early modern Italy.

De Humani Corporis Fabrica Libri Septem ["On the Fabric of the Human Body in Seven Books"] will likely catch you by surprise since, unlike most books featured on this website, this one was printed back in 1543. Fortunately, this means that anyone with a working Internet connection and web browser can access this mystifying medical atlas from the sixteenth century. Annotated editions of On the Fabric of the Human Body are available online from numerous medical colleges, so please take the time to find and appreciate this masterpiece of anatomy and artistic imagination.

I have never been able to look at Renaissance paintings of the Madonna and child the same after reading this brilliant and controversial book. I promise your eyes will be opened as well. These paintings were not simple religious decoration. Christ’s genitalia, exposed or covered, was a visible element in theological arguments in the Renaissance about the humanity of Christ. In our secular world, Steinberg argues, we have lost sight of the sexual component of these images. Steinberg’s breadth of learning is astounding, and the extensive footnotes are as stimulating as the text.