Here are 93 books that Renaissance Woman fans have personally recommended if you like
Renaissance Woman.
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I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
This older, quieter novel by Sarah Dunant has stayed with me over the years. It tells the story of a young Italian woman forced into a convent after a clandestine love affair. This was the fate of thousands of Renaissance women, whether or not they had a religious vocation: convents were repositories for “surplus” women who couldn’t be respectably married off.
I appreciate how this book focuses on the surprising complexity of the cloister, from the friendships and enmities among the nuns to their incredible knowledge and expertise in music and medicine.
Dunant’s books about Renaissance Italy are always well-researched, and she has a flair for integrating small details that bring this hidden world to life.
1570 in the Italian city of Ferrara. Sixteen-year-old Serafina is fipped by her family from an illicit love affair and forced into the convent of Santa Caterina, renowned for its superb music. Serafina's one weapon is her glorious voice, but she refuses to sing. Madonna Chiara, an abbess as fluent in politics as she is in prayer, finds her new charge has unleased a power play - rebellion, ecstasies and hysterias - within the convent. However, watching over Serafina is Zuana, the sister in charge of the infirmary, who understands and might even challenge her incarceration.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I always appreciate a book that connects Renaissance history to present-day issues – like the never-ending pressure for women to fit a particular standard of beauty. Like us, Renaissance women obsessed over how they looked, how they smelled, their weight, their hair, their makeup (which somehow makes them seem like people we might have been friends with 500 years ago!).
Burke looks at Renaissance beauty culture through the lens of a historian, using sixteenth-century how-to manuals, poems, letters, diaries, and art to think about the impact of Renaissance ideas about beauty and the enduring connection between cosmetics and gender, misogyny, and power.
It’s an entertaining read that’s backed by serious research.
*As heard on BBC Radio 4 Woman's Hour* *A BBC Radio 4 Book of the Week, October 2023*
'A total eye-opener, I loved it' Nuala McGovern
'Lively and intriguing ... You'll never look at Renaissance portraits in the same way' Maggie O'Farrell
'Terrific ... that rare thing, a serious history that is both accessible and entertaining' Literary Review
Plunge into the intimate history of cosmetics, and discover how, for centuries, women have turned to make up as a rich source of creativity, community and resistance
The Renaissance was an era obsessed with appearances. And beauty culture from the time has…
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I really enjoyed Leah Chang’s beautifully written Young Queens. It adds a new twist to the “royal biography” genre by tracing the interconnected lives of three women – Catherine de’ Medici, Elisabeth de Valois, and Mary, Queen of Scots – from childhood into adulthood.
Chang has a gift for bringing history to life, interweaving her sources with a sweeping narrative so that you feel like you can hear these women speaking in their own voices. She shows the paradox at the heart of their lives: even at the height of power, these queens were measured by their gender and their bodies, seen as vessels for the future of the state. It’s an important counterbalance to the usual narrative of royal history.
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The boldly original, dramatic intertwined story of Catherine de' Medici, Elisabeth de Valois and Mary, Queen of Scots - three queens exercising power in a world dominated by men.
'Alluring, gripping, real: an astonishing insight into the lives of three queens' ALICE ROBERTS
'Takes us into the hearts and minds of three extraordinary women' AMANDA FOREMAN
'Conveys the vitality of the past as few books do. An enviable tour de force' SUZANNAH LIPSCOMB
Catherine de' Medici, Elisabeth de Valois and Mary, Queen of Scots lived together…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I wanted to include this book because it focuses not only on women in the Renaissance but on the particular experience of a Jewish woman living and writing in seventeenth-century Venice.
Even though the Venetian republic proclaimed justice and equality, those ideals did not extend to women nor to the thousands of Jews and other non-Christians who made their home in the city. As a Jewish woman, Sarra Copia Sulam had to navigate prejudice and suspicion on two fronts, yet she courageously defended herself and her faith in print.
The book does a wonderful job of showing how Sulam used her dexterous pen to take on her critics, and Westwater’s account reveals new biographical information about Sulam, her family, and Jewish life in the Renaissance.
For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums for Jewish-Christian interaction in early modern Venice. Though Copia Sulam built a powerful intellectual network, published a popular work on the immortality of the soul, and gained fame for her erudition, her literary career foundered under the weight of slanderous charges against her sexual, professional, and religious integrity.
This first biography of Copia Sulam examines the explosive relationship…
I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.
A quirky and brilliantly insightful book which is now, unfortunately, out of print. But do snap it up if you chance upon it in a second-hand bookshop or can find a copy online. It is deceptively modest-looking: a slender paperback, with only a handful of illustrations. My hunch is that it will change the way you think about paintings, sculptures, and buildings in the works of Shakespeare, Spenser, Donne, and their contemporaries. Certainly, that is the effect it had on me.
An interdisciplinary study that shows how works of art influenced English poets in the late sixteenth and early seventeenth centuries. Included in the appendix is a survey of the ownership and distribution of books of art and architecture in English Renaissance libraries. Very light foxing on front panel. iv , 100 pages. stiff paper wrappers. small 8vo..
My 15 seasons at Grand Canyon inspired me to understand its story of revelation, which led to a fascination with the history of exploration overall. This has resulted in a series of books about explorers, places explored, and a conceptual scaffolding by which to understand it all: a geologist of the American West (Grove Karl Gilbert); Antarctica (The Ice); revisiting the Rim with better conceptual gear, How the Canyon Became Grand; and using its mission as a narrative spine, Voyager: Exploration, Space, and Third Great Age of Discovery. The grand sweep deserved a grand summary, so I’ve ended with The Great Ages of Discovery.
When I was first attracted to exploration history, I was mostly interested in the 19th and 20th centuries, but wanting to understand its pedigree, I searched back to the great voyages of the Renaissance and kept running into books by Parry. He’s everywhere, and always insightful.
His most widely read book is The Age of Reconnaissance: Discovery, Exploration, and Settlement, 1450-1650. But despite its clunky title, Establishment is my favorite because it distills the whole story – its events, its technology, its intellectual foundations – into almost crystalline form. A wonderful place to begin, or to return to and consolidate whatever else you’ve learned.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I prefer to write historical fiction because so many fascinating stories have already happened in the past, and these tales are filled with real-life characters with rich backstories and personalities. I try to find the best historical figures and scenarios I can through exhaustive research and then stitch them together into thrillers that mesh seamlessly with the history I researched. My books are written to educate and entertain, and nothing makes me prouder than when readers follow the breadcrumb trails I leave behind for further research. I hope you enjoy the hunt!
De Humani Corporis Fabrica Libri Septem ["On the Fabric of the Human Body in Seven Books"] will likely catch you by surprise since, unlike most books featured on this website, this one was printed back in 1543. Fortunately, this means that anyone with a working Internet connection and web browser can access this mystifying medical atlas from the sixteenth century. Annotated editions of On the Fabric of the Human Bodyare available online from numerous medical colleges, so please take the time to find and appreciate this masterpiece of anatomy and artistic imagination.
This book, "De humani corporis fabrica libri septem", by A. Vesalius, J. Dalton, G. Hartenfels, is a replication of a book originally published before 1568. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.
Folk-singing was my first vocation, but I made a sudden left turn into comedy, becoming one-half of The Times Square Two. After a few years touring the world, I settled in Hollywood and became an actor, writer, and director. I was inspired to write The Food Taster by the maître d’ of a famous restaurant in Los Angeles. When I complained that my meal had made me ill, he smiled and said I should get myself a food taster.
Burckhardt’s encyclopedia became my bible. Whatever I needed to know about the clothing, or the buildings, or the politics—or anything else about that period, I only had to open Burckhardt’s book, and it was all there for me. The information was easy to find and eminently readable; and while I am hardly a scholar of the Renaissance, after devouring his book a thousand times I believe I can now call myself an honorable student.
For nineteenth-century Swiss historian Jacob Burckhardt, the Italian Renaissance was nothing less than the beginning of the modern world - a world in which flourishing individualism and the competition for fame radically transformed science, the arts, and politics. In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
This book presents six vignettes of sex and violence plucked by Thomas Cohen from the archives of the papal governor of sixteenth-century Rome.
I love Cohen’s passion for telling a good story without losing sight of its broader historical significance. Examining the everyday lives of people in the streets, Cohen reveals how a clash between the contradictory currents of Italian Renaissance society fueled much of its conflicts and discontents.
On the one hand, Christian religion preached mercy, forgiveness, and community, on the other the compelling codes of honor, familial loyalty, and unwritten social rules promoted violence and vengeance.
The book also reveals how women and other socially marginalized figures could navigate and manipulate these codes to find space and freedom in a world dominated by powerful men.
Gratuitous sex. Graphic violence. Lies, revenge, and murder. Before there was digital cable or reality television, there was Renaissance Italy and the courts in which Italian magistrates meted out justice to the vicious and the villainous, the scabrous and the scandalous. As dramatic and as moving as the television show The Borgias, and a lot more true to life, Love and Death in Renaissance Italy retells six piquant episodes from the Italian court just after 1550, as the Renaissance gave way to an era of Catholic reformation. Each of the chapters in this history chronicles a domestic drama around which…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I have never been able to look at Renaissance paintings of the Madonna and child the same after reading this brilliant and controversial book. I promise your eyes will be opened as well. These paintings were not simple religious decoration. Christ’s genitalia, exposed or covered, was a visible element in theological arguments in the Renaissance about the humanity of Christ. In our secular world, Steinberg argues, we have lost sight of the sexual component of these images. Steinberg’s breadth of learning is astounding, and the extensive footnotes are as stimulating as the text.
Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
