Books like Re-Understanding Media — picked by fans

Largely recognized as McLuhan’s first major work, this book provides a trenchant analysis of 1940’s popular culture in the United States, with particular reference to print-media advertising. To this end, it consists of x chapters, each of which consists of an image culled from newspapers and magazines, accompanied by an insightful—and often ironic—text. Dismissed by some as lacking in direction and coherence, the book actually has a tightly woven narrative that sheds considerable light on the gender issues, technology, and power structures of the day. 

Mention has often been made of the extent to which Marshall McLuhan was a devout adherent of the Catholic faith. But little has been known about how he viewed the place of religion in the world particularly with reference to the fate of the Catholic Church. This carefully selected collection of McLuhan’s writings on religion provides one with clarifying insights into his views on a broad range of Church-related issues including the nature of conversion, the spiritualism of youth, the impact of technology on liturgy, and Vatican II.  Overall, by revealing that McLuhan viewed faith as a sense, the volume illuminates the connections he made between religion and media.  

This book explores McLuhan’s relationship with avant-garde art. While McLuhan’s engagement with artistic endeavours, has received some attention, Kitnick examines in detail not only how McLuhan’s work on art developed over an extended period, but how his views on artistic practice came to inform the work of others. He builds on McLuhan’s contention that art was not primarily a means of self-expression, but rather the basis for cultural exploration and environmental change. Drawing inspiration from figures such as James Joyce, T.S. Eliot, and Wyndham Lewis. McLuhan, according to Kitnick, saw members of the avant-garde as artists who work within conventional structures in order to disrupt them, thereby throwing them into relief. 

This book dovetails with those of Kitnick as well as Sharma and Singh. While framed by a broader concern with the emergence of the Toronto School of Communication, it gives particular attention to how McLuhan’s notions about “information art,” came to influence artistic practice through initiatives such as “N.E. Thing and Company” (NETCO), Robert Smithson’s West Coast work and “General Idea.” Echoing some of the issues raised by the Sharma/Singh collection, he examines these ventures through the lens of power and gender. It is impeccably edited and handsomely illustrated, in line with the high production standards of McGill-Queen’s University Press.

Jesikah Sundin is one of my absolute favorite indie authors. Not only are her pages rich with easter eggs and factual knowledge, she weaves them together in a magical way that makes her stories utterly impossible to put down. Of Heart and Stone is technically the second book in the Ealdspell Cycle, but as they’re standalones, you can read them out of order just fine. And this Snow White retelling is so worth the read. Not only does she intermingle a world of technology and magic, she does it so seamlessly it feels completely natural. Add in that she writes delightful slow-burn romance, and add in the feminist vibes that make her stories deeper still, and truly, you’ll inhale the whole series.

Is tech a science? Close enough.

I was on my way home from the grocery store, and I heard Naomi Alderman in an interview about this, her latest book, on NPR’s All Things Considered. It's a good thing I didn’t buy ice cream that day because I sat in the car in the driveway, listening until the end. Hearing her, I knew I had to read the book. And when I did, I couldn’t put it down (the reading equivalent of sitting in the driveway listening to the radio?).

Populated with extraordinary characters, from genuinely good to incredibly greedy, this book both frightened me and gave me hope, but it never let me go until, well, after the last page (yeah, there’s a little bit of a trick at the end).

One of my areas of scholarly interest is Roman intellectual history; I am curious about how Romans thought about their world and how this thinking changed over time (often through the introduction of new concepts or terms).

This interest allows me to examine the ways in which the Romans, at a cognitive level, simply understood information differently from how we do today. Riggsby analyzes various forms of information technology (maps, lists, tables, etc.) that seem basic and obvious, yet he reveals how rare it was for the Romans to deploy them (and usually in quite context-specific ways, such as military duty rosters).

This book really helped me question my assumptions about information literacy and how minds organize data, so that I am more aware of the cultural factors at work.

I loved this book first and foremost for the completeness of the research done including supplemental materials such as sketches, artwork, etc.

How he was able to gather so much information about the roamings, seemingly on a daily basis, of a man that lived 500 years ago is beyond me. I also thought the choice of Alfred Molina to narrate was brilliant as his Italian phrasing and enunciation made all the difference in the world.

In the end, I felt I knew da Vinci on a personal level, which surprised me.

I read this while on vacation, and though it was a wonderful trip, I kept thinking how much I was looking forward to getting back to the hotel room to continue reading.

The protagonist’s all-consuming job working for a tech company made me realize how much I wished I had used social media less. I loved how the book made us see how Mae’s job, at first exciting, took her to places she didn’t want to go.

In today’s online world, the completely interconnected one of this book is a cautionary tale.

Future Politics takes the conversation to the societal level, looking at how technology will change the fabric of our communities. Susskind brings an expert eye to a sweeping body of knowledge and resists simple narratives. This book is dense, but worth the effort for those looking to understand the dynamics that will shape society as we know it, for better and for worse.

Susskind is a scholar of history and politics and brings that love of fundamental political questions to this work. I enjoy how he anchors modern questions about the implications of technology for freedom, for example, in much older debates about freedom and the State.