Books like Re-Understanding Media — picked by fans

Largely recognized as McLuhan’s first major work, this book provides a trenchant analysis of 1940’s popular culture in the United States, with particular reference to print-media advertising. To this end, it consists of x chapters, each of which consists of an image culled from newspapers and magazines, accompanied by an insightful—and often ironic—text. Dismissed by some as lacking in direction and coherence, the book actually has a tightly woven narrative that sheds considerable light on the gender issues, technology, and power structures of the day. 

Mention has often been made of the extent to which Marshall McLuhan was a devout adherent of the Catholic faith. But little has been known about how he viewed the place of religion in the world particularly with reference to the fate of the Catholic Church. This carefully selected collection of McLuhan’s writings on religion provides one with clarifying insights into his views on a broad range of Church-related issues including the nature of conversion, the spiritualism of youth, the impact of technology on liturgy, and Vatican II. Overall, by revealing that McLuhan viewed faith as a sense, the volume illuminates the connections he made between religion and media.  

This book explores McLuhan’s relationship with avant-garde art. While McLuhan’s engagement with artistic endeavours, has received some attention, Kitnick examines in detail not only how McLuhan’s work on art developed over an extended period, but how his views on artistic practice came to inform the work of others. He builds on McLuhan’s contention that art was not primarily a means of self-expression, but rather the basis for cultural exploration and environmental change. Drawing inspiration from figures such as James Joyce, T.S. Eliot, and Wyndham Lewis. McLuhan, according to Kitnick, saw members of the avant-garde as artists who work within conventional structures in order to disrupt them, thereby throwing them into relief. 

This book dovetails with those of Kitnick as well as Sharma and Singh. While framed by a broader concern with the emergence of the Toronto School of Communication, it gives particular attention to how McLuhan’s notions about “information art,” came to influence artistic practice through initiatives such as “N.E. Thing and Company” (NETCO), Robert Smithson’s West Coast work and “General Idea.” Echoing some of the issues raised by the Sharma/Singh collection, he examines these ventures through the lens of power and gender. It is impeccably edited and handsomely illustrated, in line with the high production standards of McGill-Queen’s University Press.

Jesikah Sundin is one of my absolute favorite indie authors. Not only are her pages rich with easter eggs and factual knowledge, she weaves them together in a magical way that makes her stories utterly impossible to put down. Of Heart and Stone is technically the second book in the Ealdspell Cycle, but as they’re standalones, you can read them out of order just fine. And this Snow White retelling is so worth the read. Not only does she intermingle a world of technology and magic, she does it so seamlessly it feels completely natural. Add in that she writes delightful slow-burn romance, and add in the feminist vibes that make her stories deeper still, and truly, you’ll inhale the whole series.

I read this while on vacation, and though it was a wonderful trip, I kept thinking how much I was looking forward to getting back to the hotel room to continue reading.

The protagonist’s all-consuming job working for a tech company made me realize how much I wished I had used social media less. I loved how the book made us see how Mae’s job, at first exciting, took her to places she didn’t want to go.

In today’s online world, the completely interconnected one of this book is a cautionary tale.

This book completely changed how I thought about the technology that surrounds us, the electric grid, assembly line production, the military-industrial complex, and on and on.

I grew up at the end of the time period Hughes writes about when all these huge technological systems were in place. I didn’t give them a thought. They were like the air we breathe. But they were created during this century, and it was amazing to read about this transformation of our world.

Reading this book, for me, was like learning to see the world I live in anew, to feel the air we breathe.

Rule #1: Writers should write what they know. Many science fiction readers know Isaac Asimov as a prolific genre author. First and foremost, however, he is a scientist, a biochemist by training. In this book, Isaac and Janet Asimov share essays on diverse scientific subjects from life on earth to discoveries in space. For me, I searched the book for everything from the fate of the dinosaurs to the height of sea-level rise in case of a major melt-down of Antarctica and Greenland. 

In this book, imagination runs a parallel reality. It is a place where a writer or a reader will see a jumping-off place from the real world to dystopia. 

Is tech a science? Close enough.

I was on my way home from the grocery store, and I heard Naomi Alderman in an interview about this, her latest book, on NPR’s All Things Considered. It's a good thing I didn’t buy ice cream that day because I sat in the car in the driveway, listening until the end. Hearing her, I knew I had to read the book. And when I did, I couldn’t put it down (the reading equivalent of sitting in the driveway listening to the radio?).

Populated with extraordinary characters, from genuinely good to incredibly greedy, this book both frightened me and gave me hope, but it never let me go until, well, after the last page (yeah, there’s a little bit of a trick at the end).

First published in 1958, this is one of Hannah Arendt’s most influential books and in it she attempts to define the human condition in the aftermath of World War II, developing her concept “natality.” 

It’s a challenging book that I’ve wrestled with and argued with and never forgotten. It includes some of her most powerful and frequently cited passages about birth. Lately, I’ve been returning to its opening pages, in which she discusses the launch of Sputnik into space. 

She saw this launch not as an exciting technological breakthrough, but as a fateful repudiation of our earthly existence, an existence that was defined by birth with possibilities and limitations.