Books like Ravnica

I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.

I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.

I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.

As a proud Ravenclaw, I would be remiss if I didn’t include Harry Potter in this list. But why The Goblet of Fire? Honestly, because that was my favorite book in the series. Well, Order of the Phoenix could have had that title, but someone had to go and kill Sirius Black. 

Though Tolkien’s Middle-earth was a centerpiece of fantasy for me, Lewis’ Narnia offset and balanced the more serious grave nature of Middle-earth with its more light-hearted adventures told through the eyes of children, where it feels like a fairy tale as everything in its world is simply extraordinary. 

The Chronicles of Narnia’s symbolism strikes me as being straightforward in its Christian allegory, which I find quite relatable. The aspect of being as children following the will of “our Heavenly Father” (in their case, walking in Aslan’s guidance) in what is truly a beautiful and imperfect world resonates so well with me, as it is a beautiful picture.

Its fairy tale style fantasy as a magical world just brings out the beauty of fantasy when its storytelling is kept simple. A simple beauty from levity, I love in contrast to the sorrowful beauty of Middle-earth that affects me on a… show more.

Mostly, I loved Tolkien's fascinating world he created.

He opened me up not only to the people but to the world around them as well. When entering his story, the world felt lived in, and everyone had their own stories, from Tom Bombadil to Aragorn. I thought the Ringwraiths were very cool, and characters like Samwise, Gollum, and Gandalf really stole it for me.

Tolkien explained why things were the way they are but still left most to the imagination. Before the movies, I had my own picture in my head, as I imagined others did as well. When I finally saw Moria on screen, I knew I hadn't done it justice in my head.

This was just such a fun read. It had me giggling. Well, at first, it had me rolling my eyes. This is probably one of my all-time favorites. Within a few chapters, I was swooning for both characters and trying to logic a reason why things would turn out well, even though it’s literally about an assassin whose target is a prince.

There was so much fun worldbuilding in the background of this adorable romance, and I’m a sucker for big magical worlds.

I am so impressed by Pirateaba’s worldbuilding. While there are some fantasy staples in the series, like dragons and dwarves, there are also plenty of lesser-seen races, like gnolls and djinni, and some that are completely unique creations, like the Antinium and the Gazers.

What’s more, all of these races feel like they have their own identities and shared culture, and then, on top of that, individuals from each race are distinct! Two gnolls won’t necessarily see eye-to-eye just because they’re gnolls.

The character work in this book is so good.

This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!  

This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less… show more.

This story was interesting in the way that the author had two main characters who were twins with widely different roles. With one taking the role of the chosen one and the other being in a place to save her, this was an intense rollercoaster ride from beginning to end. Not to mention the worldbuilding, traveling through lightning, was a very unique idea that amped up the suspense. 

This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.

Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.