100 Books Like Ravensong - A Novel

Unlike Ivey’s other book The Snow Child, which grapples with the grief of infertility (a book I also love!), this book considers the opportunities a life without children allows for.

It opens with Lieutenant Colonel Allan Forrester as he prepares to lead an expedition into Alaska in 1885. His wife, Sophie, is an explorer in her own right and plans to accompany him—until they realize she’s pregnant and decide she has to stay behind.

Spoiler: Sophie miscarries and learns she will likely never be able to carry a baby to term. But this isn’t an endpoint for Sophie: instead, it sets her on a path toward professional and creative success, as well as love and happiness in her marriage.

We’re used to reading about how motherhood gives life meaning—I loved Ivey’s portrait of how not having kids can do the same.

I particularly love books that combine the trifecta of engaging story; interesting, complex characters; and good writing with real substance (as in, I stop to think about the content). Greenwood has all of these.

The writing is particularly lyrical—I could fill this space with beautiful quotes. The author takes the reader through four generations of a family, with each generation intimately connected to trees in different ways—from lumbermen to environmental activist to woodcraftsman to botanist.

And as the author “takes a core” through a family tree, the story captures both the characters’ relationships to one another as well as to the world in which they live. I cannot recommend this book enough!

Packed with detail about Victoria, Vancouver Island, and the Gold Rush days in British Columbia, I thought this book was engaging, epic, funny (wait until the camels appear—and the wake!), and a real page-turner. I swooned over the descriptions of the landscape and would go so far as to say the land and sea, so alive in this book, should be considered a character. I was so profoundly invested in the fates of Jim, Dora, and Eugene, that I almost missed how cunningly the novel took on gender, class, and race, illuminating so many of the contemporary issues dogging us here on the coast.  

This novel is like a wild ride on the ocean. I loved how it took me into the Indigenous communities in the Hawai’ian Islands prior to contact with Europeans and revealed their longstanding links to the Pacific coast of North America. There’s an epic story, and it’s chock full of marvelous detail about culture, food, clothing, migration, and worldview, and even explores the nature of time. However, what most struck me was considering what it would be like to orient my thinking to the sea and its rhythms instead of the land. It shifted the way I see the place I live.   

An amazing play that explores the repercussions of Residential schools on the Indigenous population, and how its effects are frequently intergenerational. Winner of Canada’s Governor General’s Award for Best Drama, this play spares no one as it sheds light on the damage and healing happening in Indigenous communities across the country. 

When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information. 

As I read M. Wylie Blanchet’s book, I myself was transported through time to one of the most magical and beautiful places in North America—the islands, bays, fjords, and estuaries of British Columbia.

In addition to being right on the water and immersed in the great forests, I was also, like her young children, at school, constantly learning new things about history, culture, ecology, philosophy, and even seamanship! The lively dialogue also made me feel like one of the family, conversing easily as we explored a land that was at that time, very sparsely populated by humanity.

Throughout the book, I noticed and enjoyed a theme of a rich cultural history that portrayed both the First People cultures as well as the fiercely independent and tough early Europeans who settled in select places along the coast. 

As an historian, I enjoyed Vanessa Winn’s portrayal of Colonial Victoria in The Chief Factor’s Daughter. Hudson Bay Chief Factor, John Work, protects all his daughters with many restrictions on their lives causing his eldest daughter, Margaret, to fear that at age 23 she will never find a suitor and is destined to remain a spinster forever. The author shows a fascinating side of society in 1858 where although Margaret and her sisters belong to the upper class in the fur-trading community, they are also the victims of snobbery and racism because their mother is Metis. Winn’s sequel Trappings continues with the story of Kate Work, another daughter, and both books are a good read for those who love family history.

I wanted to include a board book in my recommendations because finding books that speak to pre-schoolers is a real gift.

Roy Henry Vickers, a well-known First Nations artist, employs warm colours and clear simple shapes to convey his love for animals, the land, and his culture. Words are used sparingly which makes us enjoy their sound. The story reads like in a poem, it's a sensory experience. Every page is a new setting, often with Indigenous imagery worked in.

Raven Squawk, Orca Squeak feels like an invitation to come and visit.

This unusual book is a tour through the working-class city in the middle of the last century. This is a portrait of Vancouver when working people occupied the waterfront, instead of glittering condo towers. Knight imagines taking a trip on the old No.20 streetcar that once ran the length of the city’s eastside waterfront, painting an evocative portrait of the mills, docks, flophouses, and beer parlours that occupied the strip. Then he turns the book over to a series of personal reminiscences from men and women who called the neighbourhood home. Vancouver prides itself today on being a world-class destination for the global super-rich. This is where it came from.