Here are 100 books that Where the Blood Mixes fans have personally recommended if you like
Where the Blood Mixes.
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Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
Perhaps one of the most seminal plays to come out of the First Nations community, if not the Canadian theatre community in general. It starts off with the simplest of plots, seven Indigenous women plan to leave their community on Manitoulin Island to participate in the world's largest bingo game in Toronto. It’s funny, tragic, and a wonderful introduction to the colourful world which we come from.
Winner of the Dora Mavor Moore Award for Best New Play
Nominated for the Governor General's Award
This award-winning play by Native playwright Tomson Highway is a powerful and moving portrayal of seven women from a reserve attempting to beat the odds by winning at bingo. And not just any bingo. It is THE BIGGEST BINGO IN THE WORLD and a chance to win a way out of a tortured life.
The Rez Sisters is hilarious, shocking, mystical and powerful, and clearly establishes the creative voice of Native theatre and writing in Canada today.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
A historical play that tells the story of a single Cree warrior doing battle with the Canadian military. Each of the two acts approaches the story differently. The first is more linear and poetic, the second more lyrical and surreal. Many have said they loved the first act and hated the second. And vice versa. Whatever you may feel, an excellent exploration of colonization as seen through the eyes of a poet.
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
Many of the plays written by Indigenous playwrights are usually dark and critical. This play is a little different. It’s an unabashed comedy celebrating the Indigenous sense of humour. Essentially, the play is about two German entrepreneurs who travel to a First Nations community planning to build the world’s largest Native theme park, called Ojibway world. The play deals with stereotypes and the global marketing of culture.
A consortium of German developers shows up on the fictional Otter Lake Reserve with a seemingly irresistible offer to improve the local economy: the creation of “Ojibway World,” a Native theme park designed to attract European tourists, causing hilarious personal and political divisions within the local community.
The Berlin Blues concludes Drew Hayden Taylor’s Blues quartet, showcasing contemporary stereotypes of First Nations people, including a fair number that originate from Indigenous communities themselves, to the often outraged delight of his international audiences.
Yet Europeans and other ethnic groups are not exempt from Taylor’s incisive but good-humoured caricatures. Central to the…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
An amazing play about an amazing man, artist Norval Morrisseau. Surreal and yet very real, the play deals with three very important periods in this groundbreaking artist's life as he created a whole genre of Canadian art. The audience is given a window into the man's highs and lows, and how in the end, he became rose above it all and became a legend.
Copper Thunderbird is a play on canvases based on the life of Norval Morrisseau. Inside the power-lines which Morrisseau boldly defined in his art were the colours he experienced between his Ojibwa cosmology, his life on the street, and his spiritual and philosophical transformations to become the Father of Contemporary Native Art and a Grand Shaman. Appearing simultaneously in this multi-layered drama as a small boy, a young warrior and an old man, Morrisseau confronts his many selves over the Faustian destiny he encountered during his vision quest—a momentary terror that led to a life wracked by both triumph and…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.
Set along the Pacific Northwest Coast in the 1950s, Ravensong tells the story of an urban Native community devastated by an influenza epidemic. Stacey, a 17-year-old Native girl, struggles with the clash between white society's values and her family's traditional ways, knowing that her future lies somewhere in between. Celia, her sister, has visions from the past, while Raven warns of an impending catastrophe before there is any reconciliation between the two cultures. In this passionate story about a young woman's quest for answers, author Lee Maracle speaks unflinchingly of the gulf between two cultures: a gulf that Raven says…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information.
Nancy Turner describes more than 150 plants traditionally harvested and eaten by First Peoples east of the Coast Mountains in British Columbia and northern Washington. Each description includes information on where to find the plant and a discussion on traditional methods of harvesting and preparation.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I’m a reporter, author of nine books, and the host and producer of the Cold Case Canada podcast. I fell in love with my city’s murky underbelly on a trip to the Vancouver Police Museum in the 1990s. Axe murders, murder by milkshake, Vancouver’s first triple murder—it was all there. I’ve tried to give those true crime exhibits new life by talking to law enforcement, relatives, and friends, digging up never-seen-before photos and documents, and wherever possible, giving the victims back their voice. I run the Facebook group Cold Case Canada where people share their thoughts, and in a best-case scenario, find leads that could help solve a murder.
While Janet Smith was Vancouver’s shame in the 1920s, Willy Pickton was our boogeyman in the ‘90s. How did this pig farmer get away with murdering up to 50 women?—he was convicted of only six—because the women were sex workers and drug addicts that he picked up in Vancouver’s notorious Downtown Eastside and the police really didn’t give a shit. An investigative journalist, Cameron does a great job of outlining the botched police investigation and the department’s reluctance to believe it was a serial killer. Pickton is pure evil, and what I loved about Cameron’s work is how she not only gets into his head, but tells the stories of the victims, and in doing so, helps give them back a voice.
Verteran investigative journalist Stevie Cameron first began following the story of missing women in 1998, when the odd newspaper piece appeared chronicling the disappearances of drug-addicted sex trade workers from Vancouver's notorious Downtown Eastside. It was not until February 2002 that pig farmer Robert William Pickton would be arrested, and 2008 before he was found guilty, on six counts of second-degree murder. These counts were appealed and in 2010, the Supreme Court of Canada rendered its conclusion. The guilty verdict was upheld, and finally this unprecedented tale of true crime could be told.
I've loved writing since childhood when I lived in an 18th-century farmhouse in England that I was convinced was haunted. I'm now passionate about the history of British Columbia where I live today, and have written over twenty non-fiction historical books, true crime books, historical columns, and numerous articles for magazines and newspapers. My own forthcoming fictional trilogy, The McBride Chronicles, tells the story of a fictional family from the beginnings of British Columbia until present day so I can truly say I love all fiction set in our beautiful province by BC writers. I'm delighted that we have so many talented fiction writers in the province including the ones I recommend.
Jen Sookfong has written a debut novel that held my attention throughout. She describes three generations of a Chinese-Canadian family in Vancouver beginning in 1913 when Chan Seid Quan emigrates to Vancouver at the age of 17. Years later after his death at age 94, his grand-daughter, Samantha, is forced to leave Montreal in order to take care of her mother in Vancouver. She feels resentment until she begins to delve into her family’s past and discovers alienation and hardship. Author Sookfong is an expert on immigration and the fate of many Chinese people. This is a beautiful tale of family conflicts set in Vancouver’s Chinatown.
In the tradition of Amy Tan and Jhumpa Lahiri, a moving portrait of three generations of family living in Vancouver's Chinatown
From Knopf Canada's New Face of Fiction program--launching grounds for Yann Martel's Life of Pi and Ann-Marie MacDonald's Fall on Your Knees--comes this powerfully evocative novel.
At age eighteen, Seid Quan is the first in the Chan family to emigrate from China to Vancover in 1913. Paving the way for a wife and son, he is profoundly lonely, even as he joins the Chinatown community.
Weaving in and out of the past and the present, The End of East…
I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.
Laisha Rosnau is a prize-winning poet, and her literary skills shine in this novel about a noble Italian family, the Caetanis, who immigrate from Italy to Vernon, BC to escape the rise of fascism. Based on a true story, this intricate novel explores the bonds of family and friendship, the contrasts in class and changing times, and the hardships and beauties of life in a rural area through the lives of three women. I was captivated by the characters and the gorgeous, insightful writing. Ofelia and Sveva Caetani and their personal secretary, Miss Juul, will stay with you forever as women creating home and family in the face of exile, loss, and sweeping change.
Based on the true story of the Caetanis, Italian nobility driven into exile by the rise of fascism, the long-awaited second novel by award-winning author Laisha Rosnau follows this once glittering family to British Columbia's Okanagan Valley. When Ofelia Caetani takes her daughter, Sveva, into seclusion after the death of the duke, they are cared for by their personal secretary, Miss Jüül, who brings her own secrets to their twenty-five-year retreat from the world. As the stories of these three remarkable women unfurl in unexpected and often tragic ways, Little Fortress is revealed as a graceful and intricate tale of…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
Alienation from nature has contributed to environmental problems in today’s world. Until recently in human history, our daily lives were intertwined with living things. I've always been keenly interested in the intersection between people and nature, between ecology and society. How should we live, what have we done lately? Observation today can bring much-needed respect, and if we are lucky, we will find that animals, birds, and places intercept us in our wanderings, helping to bring forth distinctive and personal stories. There is danger, the seas are mighty, many monsters lurk in the dark. But can be silence too. Pull up a chair by the blazing fire, come listen to those voices.
In one of the finest pieces of world literature, Robert Bringhurst recounts stories of the Haida mythtellers. The isles of Haida Gwaii are 160 km into the Pacific, drenched in rain, mist, and wind. Here was one of the world's richest traditions of story, place, and nature, where myths thought themselves into people. We have the extraordinary sagas of Raven Travelling, Goose Food, and the Qquana Cycle, some individual oral sagas more than 5,000 lines long. “Wealth has big eyes,” said one storyteller. Raven is the trickster of the North, is ingenious, ever-watchful from high spruce and red cedar. “Bring us good luck,” people called out. Says one, “He always fools everybody, so he gets by easy.” Yet many of the Haida people died on contact with colonial invaders, and the coastal villages and rows of totem house poles stand abandoned.
The Haida world is a misty archipelago a hundred stormy miles off the coasts of British Columbia and Alaska. For more than a thousand years before the Europeans came, a great culture flourished on these islands. In 1900 and 1901 the linguist and ethnographer John Swanton took dictation from the last traditional Haida-speaking storytellers, poets, and historians. Robert Bringhurst worked for many years with these manuscripts, and in this text he brings them to life in the English language.