Here are 100 books that Pythagorean Women Philosophers fans have personally recommended if you like
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At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didnât occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now Iâm looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Iâve read and written a lot on Wollstonecraft, so I donât surprise easily.
But I was surprised when I found out that Mary Wollstonecraft was a theatre buff who knew Shakespeare inside out, and that her favourite opera was Handelâs Judas Maccabeus and she would sometimes sing arias from it, that she loved swimming and horse riding.
The picture of Wollstonecraft that emerges from this book is that of a philosopher whose love and knowledge of humanity fed into her theories of human progress.Â
A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work
Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of herâŚ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŚ
I read (and write) biography as much for history as for an individual life story. Itâs a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
We all know of Sarah and Angelina GrimkĂŠ, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.
But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld GrimkĂŠ, made a name for herself as a poet during the Harlem Renaissance.
In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today.Â
Sarah and Angelina Grimke-the Grimke sisters-are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didnât occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now Iâm looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Iâve read a lot of biographies of Simone de Beauvoir.
But this is the one that best brought out her importance as a philosopher, the many ways in which her thought differed from Sartreâs and the ways in which this has been obscured by a posterity that just wants to see her as his sidekick.
One thing that this book did for me that others on Beauvoir didnât was to reconcile me with the unpleasant aspects of her life and relationships â she was human, she was flawed, but so were her male peers!Â
"One is not born a woman, but becomes one", Simone de Beauvoir
A symbol of liberated womanhood, Simone de Beauvoir's unconventional relationships inspired and scandalised her generation. A philosopher, writer, and feminist icon, she won prestigious literary prizes and transformed the way we think about gender with The Second Sex. But despite her successes, she wondered if she had sold herself short.
Her liaison with Jean-Paul Sartre has been billed as one of the most legendary love affairs of the twentieth century. But for Beauvoir it came at a cost: for decades she was dismissed as an unoriginal thinker whoâŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didnât occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now Iâm looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.
Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, womenâs rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.
But until recently getting hold of her writings wasnât terribly easy, unless you were willing to read online, or had access to a good academic library.
This beautiful and cheap edition is a godsend and everyone should buy it.Â
A collection of essential writings from the iconic foremother of Black intellectual history, feminism and activism
The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African-American social and political activism.
This volume brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna JuliaâŚ
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. Iâve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
Hypatia was a pagan philosopher in Alexandria around AD 400.
As Maria Dzielska shows, she occupies a special place in western culture â her life, and more particularly her death in AD 415 at the hands of a Christian mob, became a metaphor for a clash of civilizations. In these terms, it signifies the death of the old Hellenic world of ideas and learning and the rise of a new Christian world based on faith.
Dzielskaâs pithy book explores Hypatia the myth, as created in literature such as Charles Kingsleyâs 1853 novel Hypatia or the New Foes with an Old Face, and presents and interprets the historical evidence for the real Hypatia. Itâs a great read about a fascinating life. (Also watch the excellent 2009 film Agora, directed by Alejandro AmenĂĄbar!)
Hypatia-brilliant mathematician, eloquent Neoplatonist, and a woman renowned for her beauty-was brutally murdered by a mob of Christians in Alexandria in 415. She has been a legend ever since. In this engrossing book, Maria Dzielska searches behind the legend to bring us the real story of Hypatia's life and death, and new insight into her colorful world.
Historians and poets, Victorian novelists and contemporary feminists have seen Hypatia as a symbol-of the waning of classical culture and freedom of inquiry, of the rise of fanatical Christianity, or of sexual freedom. Dzielska shows us why versions of Hypatia's legend have servedâŚ
Iâve been fascinated by the ancient Greeks and Romans since my teenage years. I was lucky to have inspiring teachers when I was an undergraduate. Spending a few months in Greece during my university years intensified my love of antiquity, and now Iâm a professor who teaches Greek and Latin. One of the things that first drew me to the Greeks and Romans was the sophistication of their poetry, and thatâs why I wrote this list.
I was drawn to Sappho as a teenager, and in many ways, her poems are classic poems of teen angst, love, jealousy, and rejection. Over the years, Iâve also come to admire her poetic craft and skill at composing beautiful verse, as well as the music of her poetry.
If only more of her poems had survived! Even many of the surviving poems are marked by gaps and omissions. The fragmentariness of the poems is part of their mystique. An accomplished poet, Anne Carson captures the force and charm of these ancient love songs superbly in her version.
In this "gorgeous translation" (The New York Times), one of our most fearless and original poets provides a tantalizing window onto the genius of a woman whose lyric power spans millennia.Â
Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sapphoâs fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be describedâŚ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŚ
I studied Greek philosophy in college and graduate school and wrote my Ph.D. dissertation on Plato. In response to the environmental crisis, first widely recognized in the 1960s, I turned my philosophical attention to that contemporary challenge, which, with the advent of climate change, has by now proved to be humanityâs greatest. I taught the worldâs first course in environmental ethics at the University of Wisconsin-Stevens Point in 1971 and, with a handful of other philosophers, helped build a literature in this new field over the course of the next decadeâa literature that has subsequently grown exponentially. With Greek Natural Philosophy, I rekindled the romance with my first love.
A follower of Socrates, Plato is best known today for his moral and political philosophy. But, unlike Socrates, he was also deeply engaged in natural philosophy.
Plato, however, differed sharply from all the others: he contended that the cosmos was created by a divine craftsman as âa moving image of eternity.â We treat Plato as a cryptic member of the Pythagorean School. And in Timaeus he expounds an ancient form of mathematical physics.
He correlates the four ancient elementsâfire, earth, air, and waterâwith four of the five regular stereometric figures: the pyramid, cube, octahedron, and icosahedron, respectively. These constitute the mathematicalâas opposed to materialâatoms composing the four classical elements. And Plato correlates the fifth regular solid, the dodecahedron, with the form of the universe as a whole.
Both an ideal entrĂŠe for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's Timaeus brings enhanced accessibility to a rendering well known for its faithfulness to the original text.
An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the Timaeus. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a detailed glossary, and a selected bibliography are also included.
Ever since my father introduced me to the Greeks, Iâve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, Iâve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Pressâ âLooking atâŚâ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
Fifth-century BCAthenian society was male-dominated, so most of our evidence comes from â and is about â men. Elegantly written, immaculately researched, and pleasingly illustrated, Aphroditeâs Tortoise goes a long way towards restoring the gender balance, uncovering the complex role that women played in Greek society, whether as wives, priestesses or slaves. At the heart of the book is the use of the veil, which not only protected women from the male gaze as they ventured outside (hence the title) but could convey a variety of visual signals depending on how it was worn. Itâs a really stimulating book, the kind that makes you sit up and think about not just the ancient world but our own.
Greek women routinely wore the veil. That is the unexpected finding of this major study. The Greeks, rightly credited with the invention of civic openness, are revealed as also part of a more eastern tradition of seclusion. From the iconography as well as the literature of Greece, Lloyd Llewellyn-Jones shows that fully veiling of face and head was commonplace. He analyses the elaborate Greek vocabulary for veiling, and explores what the veil was meant to achieve. He also uses Greek and more recent - mainly Islamic - evidence to show how women could exploit and subvert the veil to achieveâŚ
Iâm a British scholar â a former university lecturer, many moons ago â now living in rural southern Greece. In fact, I have Greek as well as UK citizenship, which really pleases me because Iâve loved Greece and things Greek since boyhood. I started to learn ancient Greek at the age of ten! Iâve written over fifty books, mostly on ancient Greek history and philosophy, including many volumes of translations from ancient Greek. But Iâve also written childrenâs fiction in the form of gamebooks, a biography, a book on hypnosis, a retelling of the Greek myths (with my wife Kathryn) ... Iâll stop there!
A team of experts got together to create this wonderful book. It is well illustrated, clearly written throughout, and firmly based on textual and other evidence. That is, the authors typically start with a general statement such as âThere were increased opportunities for women to be educated in the Hellenistic world,â and then go on for a few pages to show how this came about by translating and commenting on the relevant texts, and showing the relevant vase paintings. Ancient Greek history tends to be very male-oriented â almost all ancient Greek writing was done by men, for instance â so this book is a much-needed antidote.
BL The only study to integrate such a wide range of materials on the women of ancient Greece and Rome into one accessible volume BL Written by a team of distinguished classical scholars and art historians Women in the Classical World gathers the most important primary written and visual sources on the lives of ancient women and presents them in a chronological sequence, within their historical and cultural contexts.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
I wrote my first thriller at age 8 about a girl who ran away and joined the circus. For later works, I, a pediatric physician, did opt to follow my English teachersâ guidance to write about what you know, including science, medicine, psychology, journalism, and my twin home countries of America and Greece. As YS Pascal, I wrote the Zygan Emprise Trilogy, which blended ancient Greek history, mythology, and literature. As Linda Reid, I co-authored the award-winning Sammy Greene thriller series with Dr. Deborah Shlian and was eager to fly investigative reporter Sammy and her ex-cop friend Gus Pappajohn to the shores of modern Athens to solve an ancient and modern mystery.
As an author of mystery-thrillers, including the Sherlock Holmes Pastiche, âElementary, My Dear Spockâ as well as a longtime fan of Agatha Christie, I was drawn to the appeal of an ancient Greek âdetectiveâ, Heracles Pontor investigating murders in Platoâs Athens. And, Somoza does not disappoint, inviting us to share Pontorâs journey down a rabbit hole that grows ever more intriguing and dangerous page by page. Somoza welcomes us with a beautifully translated murder mystery that soon envelopes us in a fascinating exploration of Plato, reality, and, as reflected in the original Spanish title, the Cave of Ideas.Â
THE ATHENIAN MURDERS is a brilliant, very entertaining and absolutely original literary mystery, revolving round two intertwined riddles. In classical Athens, one of the pupils of Plato's Academy is found dead. His idealistic teacher suspects that this wasn't an accident and asks Herakles, known as the 'Decipherer of Enigmas', to investigate the death and ultimately a dark, irrational and subversive cult. The second plot unfolds in parallel through the footnotes of the translator of the text. As he proceeds with his work, he becomes increasingly convinced that the original author has hidden a second meaning, which can be brought toâŚ
