100 Books Like Pure Colour

I’ve spent years working with women who are expected to be confident, decisive, and polished, but are rarely taught how to build those skills. Through my work in politics, public service, and coaching thousands of women, I’ve seen how small, often invisible habits can keep capable women from being fully heard or respected. What I love most is helping women with the practical, everyday moments, like how to say no without apologizing, set boundaries, and build real influence. I’m passionate about leadership because I’ve watched these shifts change careers and lives, and these books reflect the lessons I come back to again and again.

From when I first learned to read, books opened a whole new world, which has given me vast pleasure ever since. I think it’s made me wiser, too. But it wasn’t until the sudden death of my younger son in 2020 that I began to read about the edges of the known world, and to discover that by opening my mind I could re-learn what I instinctively knew as a young child: that we come from somewhere else. Even before encountering tragedy, I’d been fascinated by the dividing line between what science can prove, and what still remains conjecture: it’s a theme I have returned to again and again in my fiction. 

From when I first learned to read, books opened a whole new world, which has given me vast pleasure ever since. I think it’s made me wiser, too. But it wasn’t until the sudden death of my younger son in 2020 that I began to read about the edges of the known world, and to discover that by opening my mind I could re-learn what I instinctively knew as a young child: that we come from somewhere else. Even before encountering tragedy, I’d been fascinated by the dividing line between what science can prove, and what still remains conjecture: it’s a theme I have returned to again and again in my fiction. 

As an academic humanist, I spent many years teaching medical students, helping resolve ethical problems in clinical care, and writing about individuals living with mental illness and those growing older. Recently, my own chronic illness, physical pain, and surgeries have somehow opened me to multiple mystical moments of beauty and feelings of oneness with all that exists. I have become a Spiritual Director and am constantly looking for perspectives, practices, and advice about cultivating spiritual growth in myself and others. I am inspired by an ancient Talmudic story:  “When each of us is born, an angel swoops down and whispers, ‘Grow.’ 

I’ve always been in love with the idea of love. I didn’t know what that feeling was like for a long time–not being in love myself–so I grew attached to fictionalised worlds that brought those ideas to life. I’ve always been the person who smiles at a meet-cute or feels that warm, fuzzy feeling inside when the couple you’ve been rooting for the last two hundred pages finally kisses. I want them to know how exciting it can be to feel loved and experience that through the creation of stories. This is why romance is, and likely always will be, a huge thematic influence on all forms of my work. 

I spent years trapped inside a devastating lack of self-esteem. To face my demons, and find the freedom and confidence to give expression to the creative soul buried within, I had to dive deep beneath life’s surface. After a life-changing injury, I began anew at age forty, and the writer and poet version of me was born. If I’ve learnt one thing, it’s that it’s never too late to be who you were meant to be. For me, poetry needs to inspire, make me think, and move me. I love to write poems that surprise, startle, reach the soul, and are layered with life, love, and meaning. 

Since 2012, when I was fortunate to be a companion to my dying father, I have gained a deep appreciation for the topics of death, dying, grief and bereavement. Being with him during his final moments was a vitally transformative event in my life, and subsequent developments led me to become a writer and curator of content in this field. I am now an end-of-life educator and preparedness facilitator, whose role it is to assist others to prepare for their inevitable, eventual death. Being prepared, by making informed choices and documenting them, can be one of the greatest gifts we give to our loved ones. I coach my End-of-Life Matters clients to do just that.

I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.

The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.

I spent my 20s and early 30s searching for my voice, passion, and romantic love. I moved every year to a different city, had many jobs (from carrot cake baker to sport autobiography co-author, to writing a Star Wars trilogy of Middle Grade novels for LucasFilm) and dated the flotsam and jetsam of the boyfriend world. It was only when I discovered my raison d’être, writing young adult and adult fiction, that I gained the confidence to pursue my dream of being a fiction author, ask for what I needed in relationships, and define my own version of happily ever after. I believe anything is possible!