100 Books Like Psychedelic Chile

Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.

What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL… show more.

Tanya Harmer is a noted diplomatic historian who focuses on the left-wing presidency of Salvador Allende in Chile during the early 1970s. Allende, as most people know, was violently overthrown in a CIA-backed coup d’etat in 1973. That event ushered in 15 years of brutal dictatorship and transformed Chile’s experiment with democratic socialism into the first example of neoliberalism in Latin America and the world. Harmer’s biography of Allende’s youngest daughter, Beatriz, is a brilliant, intimate portrait of a young activist torn between loyalty to her Socialist (and non-violent) father and the appeal of Cuba’s revolutionary fervor, with its emphasis on violent insurrection against the old order. It is a tragedy, much like the 1960s itself.

There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects… show more.

Among the books on this list, Gosse’s Where the Boys Are is truly a classic. I first encountered this book a few years after I finished my dissertation and found it to be one of the most original works I had ever read. I still find that to be true. Gosse (with whom I was later a colleague at Franklin & Marshall College) weaves together cultural, intellectual, political, and diplomatic history to show how the Cuban revolution inspired youth in late 1950s America and subsequently helped launch a “New Left” in the United States. Gosse reminds us of how popular Fidel Castro was across the United States in the brief period before he became Enemy #1. But his methodological approach, combining novels, films, and diplomatic records, is truly a model for later interdisciplinary scholarship as well.

I found this book extremely important because it finally put to bed the myth that counter-cultural women were merely subservient to their male counterparts, while these women did so much to actually shape the counter-culture.

I recommend reading this alongside Nina Graboi’s criminally neglected autobiography–One Foot in the Future–that serves as a perfect illustration of American women successfully looking for empowerment in these counter-cultural enclaves.

I love this book because it sweeps me into the wild, wonderful, free spirit of the 1960s.

Although it is ostensibly nonfiction, Wolfe uses a singular hip, frantic voice to propel readers into the weird world of Ken Kesey and his Merry Pranksters as they cavort with the Grateful Dead at the infamous, hedonic LSD-laced Acid Tests, journey around the country in the psychedelically-painted bus nicknamed Further, and eventually head for Mexico to avoid arrest.

I've read this book multiple times, and on each occasion, it's like time-traveling to one of my favorite eras.

Carol Clerk was something of a rock star in her own right: a major force in music writing, Clerk’s tough, witty voice continues to resound years after her untimely passing. Her biography of countercultural hippy icons Hawkwind is fascinating, and she weaves together the voices, memories, tales, and travails with effortless brio. Like Nina Antonia, she had a kinship with the musicians she wrote about, garnering stories with ease because they trusted her, and rightly so.

I hardly imagined the Soviet Union, a place of grey and black, with the only sparks of color being red, to be a place for hippie culture to flourish. Juliane Fürst’s book taught me otherwise. It leads into a world of people like Azazello and Ofelia, who look like “angels, creatures from another world, blots of color on a grey canvas, flowers in a concrete desert.”

The book traces how these hippies, against all odds, found ways to distance themselves from the Soviet System, not through open opposition but through dreaming of and living a different life, communally, spiritually, and often on the road. And Fürst’s book does more than merely portray Soviet hippies in a fundamentally sympathetic way: It also reveals what we can learn about a larger society by studying those at the margins. It is an unusual but highly illuminating perspective on the late Soviet Union.

Of the dozens of cult memoirs I’ve read, I like this one best. Why? Because Hollenbach turns her cult experience into a thing of sensual beauty. She skillfully evokes the scrubby yet lush feeling of the land near Taos, New Mexico, where she spent five life-changing months.

She also conveys the romance of throwing herself into a daring experiment and the longings her cult experience did and didn't satisfy. Finally, she shows how any intelligent adult might surrender her sovereignty to an egomaniac—then compost that detour into fertilizer for her next phase.

When a girl is stuck between generations in the early days of feminism:

A classic coming-of-age memoir of the early ‘70s, where a 16-year-old who thinks she has it all figured out, hits the road. She is forced to learn fast as she encounters dropouts, draft dodgers, and communal living, all the while running up against the sexism that masqueraded as freedom and love as she discovers by trial and error, the liberated woman she wants to be.