85 Books Like Beatriz Allende

Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.

What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL… show more.

Vibrant countercultural scenes grounded in local rock movements transpired across virtually every country in Latin America during the 1960s-70s. There are now several important books that examine various facets of these countercultural movements, and Barr-Melej’s is one of the best in that respect. Focusing on the brief period of Socialist President Salvador Allende (1970-73), his discussion of Chilean jipis and the political battles waged by the Left to contain this so-called foreign import is fascinating. The book falls short in providing an earlier context to the rise of Chile’s countercultural movement and ends abruptly with the rise of dictatorship—a period that transformed rock music into a site of active political protest. But its merits outweigh its shortcomings, especially the lively narration about the Piedra Roja rock festival, Chile’s equivalent of Woodstock. 

I’ve known Barr-Melej for many years and eagerly awaited the publication of this book, which was one of only… show more.

There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects… show more.

Among the books on this list, Gosse’s Where the Boys Are is truly a classic. I first encountered this book a few years after I finished my dissertation and found it to be one of the most original works I had ever read. I still find that to be true. Gosse (with whom I was later a colleague at Franklin & Marshall College) weaves together cultural, intellectual, political, and diplomatic history to show how the Cuban revolution inspired youth in late 1950s America and subsequently helped launch a “New Left” in the United States. Gosse reminds us of how popular Fidel Castro was across the United States in the brief period before he became Enemy #1. But his methodological approach, combining novels, films, and diplomatic records, is truly a model for later interdisciplinary scholarship as well.

Tyler is reliably warm and witty, and here we get to see her apply her trademark abilities to the story of a family of kids who are largely raised by their young Uncle Ian, who cuts short his own college education when he feels responsible for them losing their parents. Ian seeks redemption in raising them within the embrace of the entertainingly funky Church of the Second Chance. Ian is such a good member, the minister eventually tries to recruit him as his successor, which of course, would mean yet more responsibility. I couldn’t help but root for these incredibly vivid characters. And in its treatment of churches and church folks, Saint Maybe manages to be extremely funny and yet not at all disparaging. 

I love this book because it is very well written, blending prose and poetry to tell a very compelling and personal story about a young man struggling with a reason for living amid a confusing personal tragedy.

Jaime happens to be my cousin, so of course, I love it for that reason. But that aside, since Jaime is also biracial, this book is a must-read for exploring identity and its emotional implications.

Two boys find a gun in the woods. Over the next few hours, which are rendered in a series of unforgettable scenes that travel forward and back in time, the gun will resonate through the lives of the boys, their teachers, their parents, and others.

I could not put it down, and when I finished I began reading it again. The prose is the loveliest you’ll find, and the story takes gentle and surprising turns that will stop your heart and make you feel deeply human. I loved this short, gorgeous novel and learned something about the lives of men. 

In Pieces is the first of a two-book series. The romance develops in this book while subplots thicken. I was quickly drawn to the characters and early American setting. I felt immersed in the ambience of the Boston waterfront during the Federalist years. Themes of redemption, forgiveness and understanding weave through the novel and affect more than the hero and heroine. For example, the hero’s family grapples with his growing interest in Catholicism. As the love story reaches resolution, another subplot deepens: a need for American spies to help protect the young country. I ended the book feeling as though the characters had become friends. In Pieces is subtitled Molly Chase Book 1 and fits the Christian historical fiction genre as well as Catholic historical romance.

I love this book because it helped put my best friend’s suicide in perspective—provided some tools to understand his mind and motivations.

It allowed me to not feel so alone in dealing with his loss, giving me comfort and insight from someone who had already done a lot of processing around her own father’s suicide.

I couldn’t help but feel a certain kinship, which of course didn’t fill the hole in my heart, but did allow for a certain sense of peace and resolution.  

This is a story told from dual perspectives. Our male protagonist is Theodore Finch. He’s a rebel type, funny, and spontaneous. He goes after Violet Markey—our female first-person perspective—after discovering that she, too, is grappling with demons from her past. What I love about this book is how alive Theodore is as he walks the tightrope of death. While tragedy abounds in this story, you can sense a shaky joy in Theodore. His punk, fun-chasing exterior hides a vulnerable soul in search of love. 

I knew a lot of teen boys like him when I was in high school. Jennifer Niven did a remarkable job capturing the raw energy that Theodore zaps into the lives of those around him. Sometimes, there are people like Theodore who crash through our lives—people with a magic to them—that we wish we could hold onto.