Books like Proud Pink Sky

I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.

The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.

Although as an adult I very much prefer true-life adventures to fictional ones – it’s why I wrote Heroes and Rescue, as well as Survivors – many of the most enjoyable books I read as a child were fictional accounts of daring and danger, mostly if not entirely centred on children with whom I could identify. I found them inspiring and still do, and can’t help feeling that if after nearly 50 years I can still remember so many of the details – and, trust me, I really can - the authors of these five must really have known what they were up to. I really hope no one will be put off them because of their age because I feel they have genuinely stood the test of time.

While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo. A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.

I first went to Berlin after college, determined to write a novel about the German Resistance; I stayed a quarter of a century. Initially, the Berlin Airlift, something remembered with pride and affection, helped create common ground between me as an American and the Berliners. Later, I was commissioned to write a book about the Airlift and studied the topic in depth. My research included interviews with many participants including Gail Halvorsen. These encounters with eyewitnesses inspired me to write my current three-part fiction project, Bridge to Tomorrow. With Russian aggression again threatening Europe, the story of the airlift that defeated Soviet state terrorism has never been more topical. 

I worked as a journalist for the BBC for nearly thirty years: my writing of espionage novels set in Europe during the Second World War goes back to 1994 when I was covering the 50th anniversary of D-Day for the BBC. I became fascinated with the human stories behind big military events and especially the British deception operation that was so crucial to the Allies’ success. This led to my first novel, The Best of Our Spies. To ensure my novels feel as authentic as possible my research means I travel around Europe and I’ve also amassed a collection of maps and guidebooks from that period.

While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on. 

I’m President of the Writers Guild Initiative, with a mission of giving a voice to populations not being heard (LGBT asylum seekers, exonerated death row prisoners, Dreamers, etc.). In our writing workshops I see how marginalized communities are deprived of their rights and how insidiously minority rule is seizing power. Fascism depends on demonizing the Other, which was weaponized during the Trump years and is exploding on the right. This issue animates my life and work as a writer, mentor, speaker, and teacher. In the USA, democracy is hanging by a thread. My book takes a deep dive into what this means for an American family over the next fifteen years.

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

Fact is often more fascinating than fiction, and on occasions, a lot weirder too. As someone, London-based though lucky to have travelled extensively in Europe since childhood (my mother was keen to visit places where my father had been stationed in the Second World War) and more recently as a journalist (for The Financial Times, BBC, The Guardian, and others) in the Americas, Asia, and Africa, I have always been attracted to stories that strongly convey senses of time, place and the people you just happen to meet.