Here are 100 books that Proud Pink Sky fans have personally recommended if you like
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I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.
This quiet, unsettling book was written over a decade ago but still feels so topical and urgent that it might have been published today. In a German city, dozens of African migrants living on the street stage a hunger strike for the right to work. Richard, a widowed academic in bored retirement goes to meet them, and gets involved.
I recalled my own impulses to activism and charity as a kid and now— my curiosity to understand other people's plight, compulsion to help, and perhaps guilt that, in comparison, my own problems are negligible.
Richard is motivated by morality, a search for meaning, and a desire for connection and shared action. I've been there, too, and like him, I've learned that friendships can sour and good intentions go wrong.
Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, "one of the most significant German-language novelists of her generation" (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates. Go, Went, Gone is a scathing indictment of Western policy toward the…
Disappointed with life and his faltering relationship, forty-nine-year-old Stan is charmed when he meets a younger man named Asher—in his dreams. Asher grants Stan an irresistible gift: the chance to be five years younger every time they meet. As their connection deepens, Stan knows he can’t live in Asher’s dreamworld,…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
This author offers a well-crafted history of daily life inside the Reich, a fascinating exploration of the German capital as the Nazi movement brought its citizens to their knees. Extensively researched and documented, Moorhouse vividly portrays the daily oppression and challenges faced on all societal fronts. This well-crafted study enmeshes the reader in life under totalitarian rule.
In Berlin at War , acclaimed historian Roger Moorhouse provides a magnificent and detailed portrait of everyday life at the epicentre of the Third Reich. Berlin was the stage upon which the rise and fall of the Third Reich was most visibly played out. It was the backdrop for the most lavish Nazi ceremonies, the site of Albert Speer's grandiose plans for a new world metropolis," and the scene of the final climactic battle to defeat Nazism. Berlin was the place where Hitler's empire ultimately meet its end, but it suffered mightily through the war as well not only was…
At a time when our news feeds are dominated by war and disease and brain-dead politicians I find my escape in the genre known as ‘uplit’ or ‘uplifing literature.’ These are feel-good stories that have a simple goal, to introduce us to characters like ourselves – human, fallible, unreasonable, and flawed – and take us on a journey with them through thick and thin. Not every story ends in the happiest of endings but the reader is always left with a sigh of satisfaction and a feeling of hope. And couldn’t we all do with a bit more of that?
Before ‘uplit’ was even invented, there was DBC Pierre. His fiction has been described as a ‘joyful celebration of the human spirit’ and that is none more evident than in his protagonist in Lights Out, Gabriele Brockwell, a twenty-something narcissistic pleasure seeker optimistically stumbling through life before ultimately finding his place in it. A book that leaves you with the thought that optimism is the key to turning bad luck into good.
Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destination is Wonderland. The nature and style of the journey is all that's to be decided. Taking in London, Tokyo, Berlin and the Galapagos Islands, "Lights Out In Wonderland" documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursuit of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a…
Disappointed with life and his faltering relationship, forty-nine-year-old Stan is charmed when he meets a younger man named Asher—in his dreams. Asher grants Stan an irresistible gift: the chance to be five years younger every time they meet. As their connection deepens, Stan knows he can’t live in Asher’s dreamworld,…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
I greatly admire how this book subverts the traditional form of biography in a way that perfectly suits the subject.
Mildred Harnack, the author’s great-great-aunt, was an astoundingly brave young woman from Wisconsin who, starting in the early 1930s, had a central role in Berlin’s homegrown opposition to the Nazis and was eventually beheaded on orders from Hitler.
Drawing on diaries, letters, photographs, interviews, and declassified intelligence documents, Donner tells an extraordinarily intimate story that reads like a literary novel and has the pace of a thriller.
Born and raised in America, Mildred Harnack was twenty-six when she enrolled in a PhD programme in Germany and witnessed the meteoric rise of the Nazi party. In 1932, she began holding secret meetings in her apartment - a small band of political activists that by 1940 had grown into the largest underground resistance group in Berlin.
She recruited Germans into the resistance, helped Jews escape, plotted acts of sabotage and collaborated in writing leaflets that denounced Hitler and called for revolution. When the first shots of the Second World…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a Book of the Year. He has won awards from the Canada Council and the Arts Council of England and was nominated for the International IMPAC Dublin Literary prize. He divides his time between Berlin, Toronto and the UK.
Berlin aches with absences as much as its brazen presence: the sense of lives lived, dreams realized and evils executed with an intensity so shocking that they rent the air and shook its fabric. In Mephisto, a vain and ruthless second-rate theatre actor becomes a national star by aligning himself with the Nazis. Haunting.
A searing indictment of evil in Hitler's Germany. Hendrik Hofgen is a man obsessed with becoming a famous actor. When the Nazis come to power in Germany, he willingly renounces his Communist past and deserts his wife and mistress in order to keep on performing. His diabolical performance as Mephistopheles in Faust proves to be the stepping-stone he yearned for: attracting the attention of Hermann Goering, it wins Hofgen an appointment as head of the State Theatre. The rewards - the respect of the public, a castle - like villa, a uplace in Berlin's highest circles - are beyond his…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.
First published in the 1930s, The Berlin Stories contains two astonishing related novels, The Last of Mr. Norris and Goodbye to Berlin, which are recognized today as classics of modern fiction. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafes; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires-this is the period when Hitler was beginning his move to power. The Berlin Stories is inhabited by a wealth of characters: the unforgettable Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and…
I’m President of the Writers Guild Initiative, with a mission of giving a voice to populations not being heard (LGBT asylum seekers, exonerated death row prisoners, Dreamers, etc.). In our writing workshops I see how marginalized communities are deprived of their rights and how insidiously minority rule is seizing power. Fascism depends on demonizing the Other, which was weaponized during the Trump years and is exploding on the right. This issue animates my life and work as a writer, mentor, speaker, and teacher. In the USA, democracy is hanging by a thread. My book takes a deep dive into what this means for an American family over the next fifteen years.
Jason Lutes spent decades creating this masterpiece—a graphic novel that brilliantly reconstructs life in Berlin in the years before Hitler became Chancellor. The characters are fully dimensional, a diverse and compelling collection of individuals, reeling from World War I, struggling to face the fall of Weimar and the cold hands of fascism tightening around their necks. This is a perfect melding of art, narrative, and political urgency that speaks eloquently to our perilous age.
Berlin is one of the high-water marks of the comics medium. For twenty years, Jason Lutes toiled on this intimate, sweeping epic before the collected Berlin was published in 2018 to widespread acclaim, including rave reviews in The New York Times, The Guardian, The Nation, Vulture, Washington Post, and many other outlets. Lutes s historical fiction about the decline of the Weimar Republic and the rise of fascism is seen through the eyes of the Jews and the Nazis; the socialists and the socialites; the lavishly decorated queer clubs and the crumbling tenement apartments. Marthe Muller is an aspiring artist…
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I loved Kutscher’s artistic ability to create an oppressive political curtain rapidly closing around Berlin, affecting not only the Jews but also those Germans opposed to fascist ideology.
This dark atmosphere hangs over the entire story, and, as a lover of noir, I appreciate the author’s ability to sustain this throughout the book. For myself, Kutscher checks every box I look for in this genre.
MEET DETECTIVE GEREON RATH IN THE BOOKS THAT INSPIRED THE HIT TV SERIES BABYLON BERLIN
Longlisted for the CWA Crime Fiction in Translation Dagger 2021
Berlin, 1933: A homeless former solider is found stabbed under the railway arches.
Gereon Rath is on the case, but struggles to find clues. No one seems interested in solving the murder of a penniless veteran.
Meanwhile, Rath's fiancee Charly has been assigned the case of fifteen-year-old Hannah Singer. Hannah killed her father and six others by starting a house fire but has now been declared mentally unfit to stand trial.
While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.
Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.
A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone.
Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.
The world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.
With an introduction from Lydia Davis
Lucia Berlin's stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction.
With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of…
I first went to Berlin after college, determined to write a novel about the German Resistance; I stayed a quarter of a century. Initially, the Berlin Airlift, something remembered with pride and affection, helped create common ground between me as an American and the Berliners. Later, I was commissioned to write a book about the Airlift and studied the topic in depth. My research included interviews with many participants including Gail Halvorsen. These encounters with eyewitnesses inspired me to write my current three-part fiction project, Bridge to Tomorrow. With Russian aggression again threatening Europe, the story of the airlift that defeated Soviet state terrorism has never been more topical.
This is a rare book on the Berlin Airlift written by an airman for airmen and is about the massive logistical undertaking that the Airlift represented rather than the political crisis that led to it, the negotiations to end it, the impact on the people of Berlin or the balance of power in Europe that resulted.
It is organized around topics such as “organization and operations,” “bases,” “men and machines,” “air traffic control” and so on. It provides a wealth of statistics in 10 appendices that include the units employed, the casualties, the monthly tonnages, and individual aircraft performances. It is a treasure trove of useful details for an author (like me) who wants to depict the Airlift realistically.