Here are 100 books that Proud Pink Sky fans have personally recommended if you like
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I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.
This quiet, unsettling book was written over a decade ago but still feels so topical and urgent that it might have been published today. In a German city, dozens of African migrants living on the street stage a hunger strike for the right to work. Richard, a widowed academic in bored retirement goes to meet them, and gets involved.
I recalled my own impulses to activism and charity as a kid and now— my curiosity to understand other people's plight, compulsion to help, and perhaps guilt that, in comparison, my own problems are negligible.
Richard is motivated by morality, a search for meaning, and a desire for connection and shared action. I've been there, too, and like him, I've learned that friendships can sour and good intentions go wrong.
Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, "one of the most significant German-language novelists of her generation" (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates. Go, Went, Gone is a scathing indictment of Western policy toward the…
Disappointed with life and his faltering relationship, forty-nine-year-old Stan is charmed when he meets a younger man named Asher—in his dreams. Asher grants Stan an irresistible gift: the chance to be five years younger every time they meet. As their connection deepens, Stan knows he can’t live in Asher’s dreamworld,…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
Many of the plays written by Indigenous playwrights are usually dark and critical. This play is a little different. It’s an unabashed comedy celebrating the Indigenous sense of humour. Essentially, the play is about two German entrepreneurs who travel to a First Nations community planning to build the world’s largest Native theme park, called Ojibway world. The play deals with stereotypes and the global marketing of culture.
A consortium of German developers shows up on the fictional Otter Lake Reserve with a seemingly irresistible offer to improve the local economy: the creation of “Ojibway World,” a Native theme park designed to attract European tourists, causing hilarious personal and political divisions within the local community.
The Berlin Blues concludes Drew Hayden Taylor’s Blues quartet, showcasing contemporary stereotypes of First Nations people, including a fair number that originate from Indigenous communities themselves, to the often outraged delight of his international audiences.
Yet Europeans and other ethnic groups are not exempt from Taylor’s incisive but good-humoured caricatures. Central to the…
I worked as a journalist for the BBC for nearly thirty years: my writing of espionage novels set in Europe during the Second World War goes back to 1994 when I was covering the 50th anniversary of D-Day for the BBC. I became fascinated with the human stories behind big military events and especially the British deception operation that was so crucial to the Allies’ success. This led to my first novel, The Best of Our Spies. To ensure my novels feel as authentic as possible my research means I travel around Europe and I’ve also amassed a collection of maps and guidebooks from that period.
Berlin was at the centre of Nazi Europe and is invariably at the heart of my novels, including Agent in Berlin. I’m fascinated by Berlin and I try to get beyond the obvious aspects of the city and give a sense of what life was like on a daily basis. I have chosen this book by William Shirer, an American journalist based in the city from 1934 and who only left after Pearl Harbor. The book combines the sharp observations of a journalist with an eye for fascinating detail, such as the nuanced wording of the death notices of soldiers and the impact of rationing on the population.
Berlin Diary, 1934-1941 : The Rise of the Third Reich: As chief of Universal News Service's Berlin office and later a broadcaster for CBS, William L. Shirer witnessed and recorded the rise to international power of Hitler and the Nazis. This is Shirer's diary of events between 1934 and 1941.
Disappointed with life and his faltering relationship, forty-nine-year-old Stan is charmed when he meets a younger man named Asher—in his dreams. Asher grants Stan an irresistible gift: the chance to be five years younger every time they meet. As their connection deepens, Stan knows he can’t live in Asher’s dreamworld,…
I’m President of the Writers Guild Initiative, with a mission of giving a voice to populations not being heard (LGBT asylum seekers, exonerated death row prisoners, Dreamers, etc.). In our writing workshops I see how marginalized communities are deprived of their rights and how insidiously minority rule is seizing power. Fascism depends on demonizing the Other, which was weaponized during the Trump years and is exploding on the right. This issue animates my life and work as a writer, mentor, speaker, and teacher. In the USA, democracy is hanging by a thread. My book takes a deep dive into what this means for an American family over the next fifteen years.
Jason Lutes spent decades creating this masterpiece—a graphic novel that brilliantly reconstructs life in Berlin in the years before Hitler became Chancellor. The characters are fully dimensional, a diverse and compelling collection of individuals, reeling from World War I, struggling to face the fall of Weimar and the cold hands of fascism tightening around their necks. This is a perfect melding of art, narrative, and political urgency that speaks eloquently to our perilous age.
Berlin is one of the high-water marks of the comics medium. For twenty years, Jason Lutes toiled on this intimate, sweeping epic before the collected Berlin was published in 2018 to widespread acclaim, including rave reviews in The New York Times, The Guardian, The Nation, Vulture, Washington Post, and many other outlets. Lutes s historical fiction about the decline of the Weimar Republic and the rise of fascism is seen through the eyes of the Jews and the Nazis; the socialists and the socialites; the lavishly decorated queer clubs and the crumbling tenement apartments. Marthe Muller is an aspiring artist…
Looking at photographs after my father died, when still living in Spain, I reflected on what life had been like for young men of the WWII generation. This sparked the start of my Peter Cotton series. Living abroad for so long, having more than one language and culture, gives people dual perspective, a shifting identity, which is something that fascinates me—and makes Cotton ideal prey for recruiting as an intelligence agent. I also wanted to explore the complex factors in the shifting allegiances after WW2, when your allies were often your worst enemy. All these are themes that recur in the books chosen here.
Lawton and I both write novels about the post-WWII period and have had great conversations on author panels. The protagonist of Then We Take Berlin, Joe Wilderness, is something of a picaresque anti-hero. His mother died in a bomb attack, his abusive father basically abandoned him, so Joe survives as a petty thief, works the black market, and reads everything in his local library. Called up for National Service, his total lack of respect for rules lands him in military prison—and MI6 offers him a way out. So begins his career as a spy. Set in two timeframes, I particularly enjoyed Lawton’s portrayal of Wilderness’s chameleon-like powers of adaptation and his struggle to reconcile his private life, married to his boss’s daughter, and his undercover persona as a spy.
“A stylish spy thriller” of postwar Berlin—the first in a thrilling new series from the acclaimed author of the Inspector Troy Novels (TheNew York Times Book Review).
John Wilfrid Holderness—aka Joe Wilderness—was a young Cockney cardsharp surviving the London Blitz before he started crisscrossing war-torn Europe as an MI6 agent. With the war over, he’s become a “free-agent gumshoe” weathering Cold War fears and hard-luck times. But now he’s being drawn back into the secret ops business when an ex-CIA agent asks him to spearhead one last venture: smuggle a vulnerable woman out of East Berlin.
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
I greatly admire how this book subverts the traditional form of biography in a way that perfectly suits the subject.
Mildred Harnack, the author’s great-great-aunt, was an astoundingly brave young woman from Wisconsin who, starting in the early 1930s, had a central role in Berlin’s homegrown opposition to the Nazis and was eventually beheaded on orders from Hitler.
Drawing on diaries, letters, photographs, interviews, and declassified intelligence documents, Donner tells an extraordinarily intimate story that reads like a literary novel and has the pace of a thriller.
Born and raised in America, Mildred Harnack was twenty-six when she enrolled in a PhD programme in Germany and witnessed the meteoric rise of the Nazi party. In 1932, she began holding secret meetings in her apartment - a small band of political activists that by 1940 had grown into the largest underground resistance group in Berlin.
She recruited Germans into the resistance, helped Jews escape, plotted acts of sabotage and collaborated in writing leaflets that denounced Hitler and called for revolution. When the first shots of the Second World…
At a time when our news feeds are dominated by war and disease and brain-dead politicians I find my escape in the genre known as ‘uplit’ or ‘uplifing literature.’ These are feel-good stories that have a simple goal, to introduce us to characters like ourselves – human, fallible, unreasonable, and flawed – and take us on a journey with them through thick and thin. Not every story ends in the happiest of endings but the reader is always left with a sigh of satisfaction and a feeling of hope. And couldn’t we all do with a bit more of that?
Before ‘uplit’ was even invented, there was DBC Pierre. His fiction has been described as a ‘joyful celebration of the human spirit’ and that is none more evident than in his protagonist in Lights Out, Gabriele Brockwell, a twenty-something narcissistic pleasure seeker optimistically stumbling through life before ultimately finding his place in it. A book that leaves you with the thought that optimism is the key to turning bad luck into good.
Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destination is Wonderland. The nature and style of the journey is all that's to be decided. Taking in London, Tokyo, Berlin and the Galapagos Islands, "Lights Out In Wonderland" documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursuit of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a…
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I loved Kutscher’s artistic ability to create an oppressive political curtain rapidly closing around Berlin, affecting not only the Jews but also those Germans opposed to fascist ideology.
This dark atmosphere hangs over the entire story, and, as a lover of noir, I appreciate the author’s ability to sustain this throughout the book. For myself, Kutscher checks every box I look for in this genre.
MEET DETECTIVE GEREON RATH IN THE BOOKS THAT INSPIRED THE HIT TV SERIES BABYLON BERLIN
Longlisted for the CWA Crime Fiction in Translation Dagger 2021
Berlin, 1933: A homeless former solider is found stabbed under the railway arches.
Gereon Rath is on the case, but struggles to find clues. No one seems interested in solving the murder of a penniless veteran.
Meanwhile, Rath's fiancee Charly has been assigned the case of fifteen-year-old Hannah Singer. Hannah killed her father and six others by starting a house fire but has now been declared mentally unfit to stand trial.
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
Kurt Tucholsky’s books were among the first to be banned and burned by the Nazis. And with good reason. A Jewish journalist of a left-leaning bent with a tart tongue and an acid wit, Tucholsky, who "wanted to stop a catastrophe with his typewriter," as per his contemporary, Erich Kästner, represented everything the Nazis sought to eradicate. Tucholsky tapped the anarchic spirit of 1920s Berlin just as painter Georg Grosz captured its bloated, pock-marked face. Berlin! Berlin! Dispatches from the Weimar Republic contain a representative sampling of Tucholsky’s pithiest texts. A forerunner of flash fiction, his concise writing style, and tongue-in-cheek tone are harbingers of new journalism and among the many influences on my own writing.
Berlin! Berlin! is a satirical selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. It shines a light on the Weimar Republic and the post-World WarI struggle, which fore¬shadowed the Third Reich. Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of his country. He was a "small, fat Berliner," who "wanted to stop a catastrophe with…
I’ve lived across America and have become acutely aware that our country, for all its checkered history, is the greatest multicultural experiment in the history of the planet, with a military that is a huge force for good. These beliefs were the impetus for my book, a book that has brought me into contact with people of all ages whose love for our country expresses itself in selfless service and sacrifice. They inspire me to be of service, too. Love for a nation that exists by social contract is not automatic. It has to be nurtured. I hope this booklist inspires kids and adults alike to cultivate that love.
I have long thought that if the “Star Spangled Banner” was ever to be replaced—it shouldn’t be!—the new national anthem should be “God Bless America,” written by Irving Berlin in 1918 and revised in the years before World War II. I adore how author Churnin gets in all the essentials about Berlin’s path to America, fleeing hate in Russia to find a new home…and falling in love with it.
I was dazzled to learn that Berlin gave all his song royalty money to the Scouts. I think he was a great American; his song makes me love America more, and so does his story.