Here are 100 books that Go, Went, Gone fans have personally recommended if you like
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I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Jähner’s Aftermath is one of the best books about post-1945 Germany. Defeated and confronted with the horrors their country had unleashed during the preceding six years of genocidal war in Europe, most ordinary Germans were keen to move on, rebuild and forget. A myth was born that saw 1945 as Germany’s ‘Zero Hour,’ a kind of tabula rasa, from which the nation could start anew. Jähner’s social history of the first ten years after the Second World War shatters this illusion powerfully and definitively. His book is a great foundation for anyone who wants to understand Germany today.
How does a nation recover from fascism and turn toward a free society once more?This internationally acclaimed revelatory history—"filled with first-person accounts from articles and diaries" (The New York Times)—of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust.
Featuring over 40 eye-opening black-and-white photographs and posters from the period.
The years 1945 to 1955 were a raw, wild decade that found many Germans politically, economically, and morally bankrupt. Victorious Allied forces occupied the four zones…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am the child of refugees from the Holocaust, so displacement and the effects of war and violence have been part of my personal experience. My book, Only the River, is loosely based on my mother’s story. She and her family escaped from Vienna in 1938 and spent the war years in Bolivia, the only country that would give them visas. I am also a high school teacher who works with immigrant students, who have fled violence and poverty. It is my vocation to offer them hospitality and help them find a sense of home here, in an environment that is often hostile. These books bring the stories of the displaced and dispossessed alive.
This book is for all of us who escaped the small-mindedness of the world in which we were raised and about the places that took us in. The book’s hero is Aaron Englund, a gay, bookish, and much-misunderstood boy who grows up in a small town in rural Minnesota. It is about his struggles in that hostile world and the other outsiders he encounters as he tries to figure out who he is. It is about saving oneself and finding one’s place, and it is in some ways a homage to my adopted home, San Francisco. It is also a book about love, about falling in love and falling out of love, and is full of humor and compassion.
The debut novel from award-winning author Lori Ostlund—“smart, resonant, and imbued with beauty” (Publishers Weekly) that “provides considerable pleasure and emotional power” (The New York Times Book Review)—about a man who leaves his longtime partner in New Mexico for a tragicomic road trip deep into the mysteries of his own Midwestern childhood.
Sensitive, bighearted, and achingly self-conscious, forty-year-old Aaron Englund long ago escaped the confinements of his Midwestern hometown, but he still feels like an outcast. After twenty years under the Pygmalion-like care of his older partner, Walter, Aaron at last decides it is time to take control of his…
From childhood on, I’ve been drawn to storytellers, especially those who use their imagination to captivate and question. My favorite stories twist and turn, and throw light on the every day to reveal what is inexplicable, weird, wondrous, and often heartrending. My taste runs wide, and I could list dozens of favorite collections. Having released my own debut book of stories during the pandemic, I learned firsthand how difficult it can be to find readers for story collections, especially when those collections are published by smaller presses. For that reason, I’ve chosen five recent debuts from masterful authors I hope more readers will discover.
I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances andparticipants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.
Steeped in a long history of violence and suffering, Michael X. Wang's debut collection of short stories interrogates personal and political events set against the backdrop of China that are both real and perceived, imagined and speculative. Wang plunges us into the fictional Chinese village of Xinchun and beyond to explore themes of tradition, family, modernity, and immigration in a country grappling with its modern identity. Violence enters the pastoral when Chinese villagers are flung down a well by Japanese soldiers and forced to abandon their crops and families to work in the coal mines, a tugboat driver dredges up…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am the child of refugees from the Holocaust, so displacement and the effects of war and violence have been part of my personal experience. My book, Only the River, is loosely based on my mother’s story. She and her family escaped from Vienna in 1938 and spent the war years in Bolivia, the only country that would give them visas. I am also a high school teacher who works with immigrant students, who have fled violence and poverty. It is my vocation to offer them hospitality and help them find a sense of home here, in an environment that is often hostile. These books bring the stories of the displaced and dispossessed alive.
This book by Canadian writer Marina Endicott is quirky in all the best ways—smart, tender, heart-wrenching, and quietly hopeful. It is about a lonely, divorced accountant who takes in a homeless family after crashing into their car. The book is gorgeous on the sentence level and the way Endicott writes about the connections and lack of connections between the characters in the book is full of wisdom and pathos. Though the premise is quite simple, the book is full of surprises.
Absorbed in her own failings, 43-year-old Clara Purdy crashes her life into a sharp left turn, taking the young family in the other car along with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara moves the three children and their terrible grandmother into her own house while Lorraine undergoes treatment at the local hospital.
We know what is good, but we don't do it. In Good to a Fault, Clara decides to give it a try, and then has to cope with the consequences : exhaustion, fury, hilarity, and unexpected love. But she questions her…
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
This book is about a young couple who fall in love in a city gripped by war, and step through a magic door which transports them to a different life.
It is a careful study of how their relationship slowly changes, their love morphing into something else.
Hamid is a master stylist, and while this book is not ostensibly about metamorphosis, it spoke directly to the three main questions I ask in my own book: Where did we come from? Where are we going? And what is the self?
I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.
I was captivated by the central relationship, a love affair between two grunt soldiers in World War I. That's quite unlikely, but it hints at a positive outcome or dangles a thread of something hopeful. And that kept me hooked through the decades-long saga of war, displacement, exile, and loss from Europe across the Middle East to China—in a refugee caravan, on foot!—ending in the present, in Israel.
Hemon, an immigrant to the U.S. from Sarajevo, writes in English, his second language, which, for me as a writer, makes this kaleidoscopic story an even more dazzling achievement. He's playful with language, too, not unlike Joyce. And playful with the possible; there's magic realism, but with a light touch. An all-time fave. I'm going to read it again.
'This life-stuffed novel is Aleksandar Hemon's masterpiece' - David Mitchell, author of Cloud Atlas
The epic, cross-continental tale of a love so strong it conquers the Great War, revolution, and even death itself.
As the Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his father. It's not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it's nothing a dash of laudanum, a summer stroll and idle fantasies can't put in perspective.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.
Set in Dublin in what could be the present—though it could be any city in a liberal democracy and any time in the coming years—this is a frighteningly believable story of the arrival and imposition of fascism. The focus is on one normal suburban family whose first response is to shrug. They think, "It doesn't concern us," but slowly, and then sometimes in quick shocks, it does.
The writing is understated. But the description of an incremental, daily drip-drip of tightening repression almost made me feel short of breath. There is no happy ending. It's not escape reading—more a cautionary tale.
WINNER OF THE BOOKER PRIZE 2023 • NATIONAL BESTSELLER
"A prophetic masterpiece." — Ron Charles, Washington Post
On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find two officers from Ireland’s newly formed secret police on her step. They have arrived to interrogate her husband, a trade unionist.
Ireland is falling apart, caught in the grip of a government turning towards tyranny. As the life she knows and the ones she loves disappear before her eyes, Eilish must contend with the dystopian logic of her new, unraveling country. How far will she…
I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.
This book made me feel as if I were on a Coney Island ride that was part roller coaster, part Tilt-a-Whirl, and part chamber of horrors—followed by a tranquil stroll in Central Park to catch my breath. That's just the mix of wild stimulus and stately calm I loved when I lived in New York City myself.
The story—really, multiple interlocking character portraits set in the maybe 1980s—is totally believable even though it moves around in time, including into the future. The city itself is not one of those characters. But the city is made real and rich through their multiplicity. Some of them are wildly idiosyncratic people. But hey, they're New Yorkers! Reading it, I kept asking myself why I ever left.
Ghosts of New York is a novel in which the laws of time and space have been subtly suspended. It interweaves four strands: a photographer newly returned to the neighborhood where she grew up, after years spent living overseas; a foundling raised on 14th Street; a graduate student, his romantic partner, and his best friend entangled in a set of relationships with far-reaching personal and political repercussions; and a shopkeeper suffering from first love late in life. Mixing prophecy, history, and a hint of speculative fiction, its stories are bound together even as they are propelled into stranger territory. And…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Kingsley’s The New Odyssey is a journalistic account of what became known during the 2015-2016 period as “Europe’s Refugee Crisis.” It brings a human face to the million or so refugees— a significant number of whom were from Syria, Afghanistan, and Iraq— who sought asylum in Europe by way of various irregular Mediterranean routes. By embedding himself with the refugees at the center of his book, Kingsley gives an intimate portrait of the reasons Europe became a destination for these refugees and of the violence and hardships they are subjected to at the hands of an unwelcoming Europe.The New Odyssey also provides an in-depth and nuanced portrait of the smugglers who, while by no means idealized in the book, are an easy scapegoat in European attempts to deflect responsibility for the suffering and death of migrants taking the irregular Mediterranean routes. Kingsley’s narrative balances a broad overview of the…
On the day of his son's fourteenth birthday, Hashem al-Souki lay somewhere in the Mediterranean, crammed in a wooden dinghy. His family was relatively safe-at least for the time being-in Egypt, where they had only just settled after fleeing their war-torn Damascus home three years prior. Traversing these unforgiving waters and the treacherous terrain that would follow was worth the slim chance of securing a safe home for his children in Sweden. If he failed, at least he would fail alone.
Hashem's story is tragically common, as desperate victims continue to embark on deadly journeys in search of freedom. Tracking…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
My obsession with reading began in third grade when I heard an audio version of The Secret Garden and described the plot to my mom, who told me I should bike to our public library and check the book out. Since then, I’ve written two novels, and I teach creative writing and literature classes at the University of Memphis. At the heart of everything I write is the relationship between women connected by blood. My own great-grandmother lived to be 104, and I have a weekly lunch with my own 94-year-old grandmother. There’s nothing like learning what your own mother was like, as told to you by her mother.
Finally. Finally(!) a post-apocalyptic book that is not depressing, and scary, and rage-inducing. This book is the literal opposite of Cormac McCarthy’s The Road (I’m not knocking that book; it’s good, but this is better). I enjoyed Tea Obrecht’s first novel immensely and was thrilled to pick this up as an audiobook.
I was immediately charmed by the mother and daughter at the center of this novel and deeply invested in their journey in and around this strange version of New York City with its nesting cranes and underground pirate radio stations. This book made me hopeful about what might happen after the world as we know it ends, and that is a rare pleasure.
“A touching, inventive novel about belonging and loss” (People) from the critically beloved, New York Times bestselling author of The Tiger’s Wife and Inland
“I marveled at the subtle beauty and precision of Obreht’s prose. . . Read in the context of today’s conflicts and injustices, climate emergencies, and political and racial divisions—together more dystopian than any dystopian novel—the book surprised me most with its undercurrent of hope.”—Jessamine Chan, author of The School for Good Mothers, in The New York Times (Editors’ Choice)
A LIT HUB AND CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR
