Books like Prima Facie

I’m Gen X, through and through. And because I grew up in that (glorious?) time before social media, I didn’t have the worry that my messy-woman missteps would be exposed online. But the trade-off to keeping my mistakes as private as possible was that I often felt like I couldn’t live boldly. So now I’m fascinated by the ways other women handle the messier aspects of their lives: the obsessions and frustrations, the secrets we all keep, the duality we choke down. I want to know what we’re each quietly starving for, what’s driving us when we strip away social expectation and are left to sit with our gnawing hungers. 

I write speculative fiction books that feature hidden or secret locations. I enjoy writing about closed communities where different rules apply, and they are less susceptible to outside intervention. Places where those in power can ‘get away with things’. I base the topography on real locations and adapt them for my purposes. I can visualise the locations, which are an amalgam of the real and the imaginary. For consistency, I draw maps incorporating real physical landmarks.

When in unfamiliar settings, people often feel isolated. This makes it easier to portray them as exposed or insecure, creating an atmosphere of fear or suspicion and opening up plot possibilities.

Not a lot of guys would appreciate having their wives dump a stiff into the middle of a perfectly lovely lecture. My husband, the archivist, was a little nonplussed. But that’s what happens when you’re married to a mystery writer. And since I write historical mysteries, and the lecture was about the history of Los Angeles, that’s how The Old Los Angeles series happened. I also have the Freddie and Kathy series, set in the 1920s, and the Operation Quickline series, set in the 1980s. And being married to an archivist is not only a blast, it’s a big help.

I have been a lawyer for more than 50 years and I love what I do. I also want to share my enthusiasm for what I regard as the world’s most exciting profession, where every day is a little different. I am also a legal writer. But I don’t just write for other lawyers. I want to make the law accessible to everyone. That includes anyone who may be thinking seriously about a legal career but has yet to make the leap.

I was a cop for fourteen years and a barrister in the UK for another fourteen years appearing in criminal trials. I've seen and heard enough real cops, lawyers, and criminals to last me a lifetime and more. It left an indelible mark on my own writing and reading preferences. I love true crime but also good crime fiction with realistic characters, settings, and plausible storylines. There's a thread that connects me to most of the authors whose books I have recommended. They're either former lawyers with investigative experience or experienced journalists with experience of a crime beat. Chandler is the exception, but I must say he would've probably fitted right into the police forces.

I was a cop for fourteen years and a barrister in the UK for another fourteen years appearing in criminal trials. I've seen and heard enough real cops, lawyers, and criminals to last me a lifetime and more. It left an indelible mark on my own writing and reading preferences. I love true crime but also good crime fiction with realistic characters, settings, and plausible storylines. There's a thread that connects me to most of the authors whose books I have recommended. They're either former lawyers with investigative experience or experienced journalists with experience of a crime beat. Chandler is the exception, but I must say he would've probably fitted right into the police forces.

Having spent my youth watching dramas Crown Court and L.A. Law on TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.

When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried, I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I love traditional, play-fair mysteries and the puzzles they present. But I also love writers who get the technical details right while also writing engaging novels I can get lost in. Nothing better than curling up with a good mystery.

I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.

Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.