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Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This three-volume epic that begins in 1918 and ends shortly before its author’s death in 1957 gives an unrivalled picture of the social and political mores that governed a certain section of English society.
Channon, a conscientious Member of Parliament for much of his life, was a crashing snob with a gift for observation and occasional piercing insights into his own character. He knew ‘everybody’ and his accounts of their intimate behavior – and his own – is compelling.
The Sunday Times bestselling edition of Chips Channon's remarkable diaries.
Born in Chicago in 1897, 'Chips' Channon settled in England after the Great War, married into the immensely wealthy Guinness family, and served as Conservative MP for Southend-on-Sea from 1935 until his death in 1958. His career was unremarkable. His diaries are quite the opposite. Elegant, gossipy and bitchy by turns, they are the unfettered observations of a man who went everywhere and who knew everybody. Whether describing the antics of London society in the interwar years, or the growing scandal surrounding his close friends Edward VIII and Wallis Simpson…
What happens to aid projects after the money is spent? Or the people and communities once the media spotlight has left?
No Dancing, No Dancing follows the return journey of a former aid worker back to the site of three major humanitarian crises—South Sudan, Iraq and East Timor—in search of…
I’ve always been a voracious reader, and from an early age I was drawn to military, political, and science fiction thrillers because they explored a world of black operations, ruthless cabals, and clandestine government programmes. Later, I discovered that such a world exists, one where the military-industrial complex exerts enormous power and influence, a world of secretive global agendas, of dark actors controlling corrupt politicians, and cold-blooded military contractors, their allegiances no longer tied to any national flag but to mega-wealth cabals, offshore accounts, and vast pension funds. A world of shadows, where the light rarely shines, and the truth remains hidden. A truth often stranger than fiction.
The book that triggered my deeper exploration into the world of political corruption, Dobb’s classic still stands shoulder to shoulder with HBO’s powerhouse TV reimagining of the source material, and ticks all the political thriller boxes—corruption, blackmail, and murderous intent at the highest levels of government. The masterfully crafted Francis Urquhart is one of the most intriguing fictional characters I’ve met, determined, manipulative, and utterly ruthless, and the twisty plot moves along at a cracking pace. Do people like Urquhart really exist? Undoubtedly, although the real versions are infinitely crueler and more corrupt. If you loved the TV show, as I did, the original book will not disappoint.
REVISED AND UPDATED WITH BRAND NEW MATERIAL The acclaimed political thriller that first introduced the unforgettable Francis Urquhart MP and launched Michael Dobbs' No 1 bestselling career - now updated with brand new material.
Michael Dobbs' entertaining tale of skulduggery and intrigue within the Palace of Westminster has been a huge hit with the public. Its scheming hero, Chief Whip Francis Urquhart, who uses fair means and foul to become Prime Minister, is one of the best-known characters of the last decade - the politician we all love to hate.
Acclaimed for its authenticity and insights into a…
I’m a former journalist. I’m nosey. I like to know what’s going on around me. I like to know how the place I live in has evolved. I was born in the UK, but was taken to southern Africa as a child, so grew up with English parents in a colony of the former British empire. I moved to another former colony - Australia. I worked and lived in London for several years. In all of these places I have been fascinated by the history that shaped them. The books I have recommended and the research I did on my own have all helped me understand my place in the universe.
The Brexit debate in Britain became bogged down in sentiment and myths.
All sorts of people brought up features of imagined history and former glories. Much of it was baloney, but it was not always possible to detect. This scholarly, evidence-based book guided me to a new understanding and appreciation of how my homeland developed over the 20th Century; it overturned some long-held assumptions.
I don’t believe anyone who wishes to understand those times can ignore this book.
'Forget almost everything you thought you knew about Britain ... You will not find a better informed history' David Goodhart, Evening Standard
'A striking new perspective on our past' Piers Brendon, Literary Review
From the acclaimed author of Britain's War Machine and The Shock of the Old, a bold reassessment of Britain's twentieth century.
It is usual to see the United Kingdom as an island of continuity in an otherwise convulsed and unstable Europe; its political history a smooth sequence of administrations, from building a welfare state to coping with decline. Nobody would dream of writing the history of Germany,…
What happens to aid projects after the money is spent? Or the people and communities once the media spotlight has left?
No Dancing, No Dancing follows the return journey of a former aid worker back to the site of three major humanitarian crises—South Sudan, Iraq and East Timor—in search of…
Since my high school days, I’ve considered Winston Churchill the most intriguing figure in world history. He told someone who admired his paintings, “Genius has many outlets.” In his case, he was not only a talented artist but also a politician, statesman, author, and orator. While doing research for my last book, I came across references to Churchill’s visits to the White House to meet with Franklin Roosevelt and Dwight Eisenhower. No one had ever closely investigated these sojourns at critical times of WW II and the Cold War. A book was born.
At a time when public figures invariably delegate speechwriting to anonymous wordsmiths, Churchill is a throwback to an earlier era when a speaker’s oratory was the original work of the speaker. In Churchill’s case, he knew what he composed would project his voice (and thinking) more compellingly than any “ghosted” text.
The noted American broadcaster Edward R. Murrow once observed that Churchill “mobilized the English language and sent it into battle.” The speeches he dictated and then carefully revised were the principal reasons he was awarded the 1953 Nobel Prize in Literature.
The most eloquent and expressive statesman of his time - phrases such as 'iron curtain', 'business as usual', 'the few', and 'summit meeting' passed quickly into everyday use - Winston Churchill used language as his most powerful weapon at a time when his most frequent complaint was that the armoury was otherwise empty.
In this volume, David Cannadine selects thirty-three orations ranging over fifty years, demonstrating how Churchill gradually hones his rhetoric until the day when, with spectacular effect, 'he mobilized the English language, and sent it into battle' (Edward R. Murrow).
Kundnani writes about racial capitalism and Islamophobia, surveillance and political violence, and Black radical movements. He is the author of The Muslims are Coming! Islamophobia, extremism, and the domestic War on Terror and The End of Tolerance: racism in 21st century Britain, which was selected as a New Statesman book of the year. He has written for the Nation, the Guardian, the Washington Post, Vice, and The Intercept. Born in London, he moved to New York in 2010. A former editor of the journal Race & Class, he was miseducated at Cambridge University, and holds a PhD from London Metropolitan University. He has been an Open Society fellow and a scholar-in-residence at the Schomburg Center for Research in Black Culture, New York Public Library.
A. Sivanandan was a key intellectual of the Asian and African-Caribbean working-class movements in Britain during their insurgent heyday from the late 1960s to the late 1980s. The essays collected in this volume, written between 1982 and 1990, are about how those movements were disaggregated and undermined – laying the ground for today’s racist Britain. The son of a rural postal clerk from the hinterland of a minor colonial territory, Sivanandan fled Sri Lanka after the anti-Tamil pogroms of 1958 and arrived in London as a refugee. The socialism the book advocates is poetic, loving, joyful, and centered upon the experiences of Third World peoples. Not a single sentence of Communities of Resistance is clunky or lacking in feeling.
Ambalavaner Sivanandan was one of Britain's most influential radical thinkers. As Director of the Institute of Race Relations for forty years, his work changed the way that we think about race, racism, globalisation and resistance. Communities of Resistance collects together some of his most famous essays, including his excoriating polemic on Thatcherism and the left "The Hokum of New Times".
This updated edition contains a new preface by Gary Younge and an introduction by Arun Kundnani.
More than 40 years ago, I first started writing a book on great ‘Tory’ leaders throughout history, several of whom were inexorably tied to this Regency period. Having never lost interest in the topic I continued to study the period and its political life and found a way to parlay experience from my career in finance and international business into a biography of the most economically proficient Prime Minister Britain has ever had. Research for that biography as well as for future Industrial Revolution-related books on which I am currently working has resulted in a broad and fruitful list of books on the period's politics.
John Bew’s biography of Clement Attlee is superb, this biography of Castlereagh, “perhaps the greatest of all Britain’s foreign secretaries” (Andrew Roberts) is even better. Castlereagh is a Regency politician’s Regency politician; he fought a duel against the devious Canning and when informed he was popular, replied that unpopularity was “more convenient and gentlemanlike.” He also, with Liverpool’s help and support, designed a peace settlement that lasted in essentials for 100 years, based on principles of legitimacy and lack of vengefulness that his successors at the 1919 Congress of Versailles would have done well to follow. Bew writes beautifully; this is a great biography of a very great man.
No British statesman of the nineteenth century reached the same level of international fame as Lord Castlereagh, or won as much respect from the great powers of Europe or America. Yet no British statesman has been so maligned by his contemporaries or hated by the public. His career took him from the brutal suppression of a bloody rebellion in Ireland to the splendour of Vienna and Paris. He imprisoned his former friends, abolished the Irish parliament, created the biggest British army in history, and redrew the map of Europe. At a time when the West turns from idealism to realism…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
This book provides the clearest and most accessible overview of the background of Brexit. I found it a highly reliable source of information on the historical context and it helped me understand the complexity of the various economic and political aspects of Britain’s membership in the EU from an unbiased and objective standpoint.
'Crisp, clear and quietly devastating' Guardian 'Excellent, authoritative, highly readable' Irish Times
A succinct, expert guide to how we got to Brexit
After all the debates, manoeuvrings, recriminations and exaltations, Brexit is upon us. But, as Kevin O'Rourke writes, Brexit did not emerge out of nowhere: it is the culmination of events that have been under way for decades and have historical roots stretching back well beyond that. Brexit has a history.
O'Rourke, one of the leading economic historians of his generation, explains not only how British attitudes to Europe have evolved, but also how the EU's history explains why…
I grew up in a reading and history-loving family. My parents read all the time, and their books of choice combined historical fiction and nonfiction. It’s no wonder I ended up teaching high school history for over three decades. The first books I read were my older brother’s hand-me-down Hardy Boys. Then, I went on to Agatha Christie. Books written in the 1920s and 30s were historical mysteries by the time I read them decades later, so the historical mystery genre is a natural fit. As for the Victorian age, all that gaslight and fog makes it the perfect milieu for murder.
The author’s unusual lens made this a captivating history. Murphy examines Victoria’s reign through the multiple attempts on the queen’s life. While the title isn’t entirely accurate (one would-be assassin used a walking stick rather than a gun), Murphy makes a persuasive case for the monarchy’s “rebirth.”
Defying death helped the queen survive some rough patches in her reign. Through eight attempts to kill her, the queen modeled “keep calm and carry on” in the best British tradition, and the public adored her pluck. After the final gunman failed to murder the queen, the aging Victoria said, “It is worth being shot at to see how much one is loved.”
'It is worth being shot at to see how much one is loved.' - Queen Victoria.
Queen Victoria was attacked an astonishing eight times during her sixty-three year reign.
Victoria's would-be assassins succeeded in changing the course of British history; whose penal system, legal system and policing would never be the same again. Taking the queen's mad, marginalized attackers as his starting point for an investigation of the entire era, Paul Thomas Murphy weaves elegantly through all layers of nineteenth century society and culture. A rollicking, riveting history, Shooting Victoria is the most multi-faceted story of Victorian Britain to date.
I first experienced a global shift in perception and how we see the world—an epistemological break—as a young man being captured by the youth rebellion of the Sixties—60 years ago. It revolutionized the way we perceived the world around us, how we interpreted it, how we communicated. Our language became music; our music became language. I started to write. Right now, another epistemological break is on its way. It has two roots: first, the conservative backlash against emancipatory movements and democracy since 1980. Second, the tremendous advances of technology and its impact on perception, interpretation, and communication. After decades as a scientist, I still write. Building on René Descartes—"cogito ergo sum"—I confess: scribo ergo sum.
For me, Sheila Rowbotham is one of the central authors representing the epistemological break that I was experiencing as a teenager in the Sixties.
She describes her involvement in the intellectual wars of the time as well as her everyday involvement in lust and tears. I love her book; for me, it is indeed a promise. She represents the left-progressive feminism, which at the time was fully integrated into this broader wave of emancipatory movements.
Nevertheless, it is not all pure praise; Rowbotham’s critical view of her generation anticipates what turned out to destroy the youth revolt in the following decades. It is a promise on which learning as well as optimism can follow.
Promise of a Dream is a moving, witty and poignant recollection of a time when young women were breaking all the rules about sex, politics and their place in the world. Sheila Rowbotham, best known for A Century of Women, Threads Through Time and Hidden From History, turns her hand here to memoir. The result is a wryly amusing account of her younger self, and a sparkling portrait of the exhilaration and enthusiasm of the sixties.
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
What’s not to love about eighteenth-century cartoons?! They are a brilliant way to understand at least some strands of public opinion on all kinds of issues, and I’m all about trying to understand what people were thinking and why.
This is a wonderful book, which contains a wealth of colour plates of graphic satires by James Gillray, Thomas Rowlandson, and many less well-known names. Their subjects range from political crises and the monarchy to fashion and manners to the role of the crowd.
It’s not just a catalogue of images with captions, though: it’s a really substantial discussion of the emergence and role of the genre of pictorial satire in the reign of King George III (1760–1820) and how to ‘read’ these images.
The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word.
Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the…