Books like Henry 'Chips' Channon — picked by fans

I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.

Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.

Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.

Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.

Richard Vinen is a Professor of History at King's College, London, and the author of a number of major books on 20th century Europe. He won the Wolfson Prize for History for his last book, National Service. Vinen is a specialist in 20th-century European history, particularly of Britain and France.

As a writer and a mom, and a former teacher, and someone who constantly has to pay attention to the world we live in today, I feel especially compelled to find a good balance for parents to help their kids love reading without compromising their childhood innocence. As adults, we know we live in a broken world. But telling kids about these things without giving them a reason to hope for a better future or without giving them a good role model is more detrimental than helpful. It dooms them to nihilism and cynicism, and only a mature mind is able to successfully break free from that mind trap. 

Richard Vinen is a Professor of History at King's College, London, and the author of a number of major books on 20th century Europe. He won the Wolfson Prize for History for his last book, National Service. Vinen is a specialist in 20th-century European history, particularly of Britain and France.

Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.

I’ve been fascinated by history since I was a fairly sickly child, which means I was gradually drawn towards the history of medicine. Add to that having a hereditary blood clotting condition and you can see why this topic appeals to me! I have a BA and a PhD in History from University College London and have held posts in the universities of Cambridge, Newcastle, Reading, and then at The Open University. I’ve also held visiting professorships in Vienna, Texas, and Minnesota and have published six books as well as editing others. I’m sort of retired but still writing and lecturing.

I’m a historian and writer and worked in universities all my life. I love writing and everything about it—pencils, pens, notebooks, keyboards, Word—not to mention words. I started writing the histories of migrants and refugees in twentieth-century Britain (and their entanglement with the history of the British Empire) in the 1980s and then kept going. When I studied history at university, migrants and refugees were never mentioned. They still weren’t on historians’ radar much when I started writing about them. Here I’ve picked stories that are not widely known and histories that show how paying attention to migrants and refugees changes ideas about what British history is and who made it.