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As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
Wildmanâs obsession made me keep turning the pages long past when I should have been sleeping. She is a journalist, so when she discovers the mystery of a secret folder of letters from her grandfatherâs old girlfriend, she sets out to discover why they were separated and what happened to his first love.Â
One womanâs journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory.
Years after her grandfatherâs death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled âCorrespondence: Patients AâG.â What she found inside werenât dry medical histories; instead what was written opened a path into the destroyed world that was her familyâs prewar Vienna. One womanâs letters stood out: those from ValyâValerie Scheftelâher grandfatherâs lover, who had remained behind when he fled Europe six months after the Nazis annexedâŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
From the minute Glenn Kurtz found a decaying tape of his parentsâ trip to Poland in 1938, I was hooked. Iâve imagined being able to glimpse the world my grandparents inhabited in âthe Old Country.â And here it was for Kurtz: some of the only film footage of a Jewish world erased by the Holocaust in the last months before it was gone forever.
I was fascinated to follow along with Kurtz as he becomes a detective working to discover who is in the recorded three minutes, where they are, and what they are doing. But thatâs just the beginning; as he discovers the past, he makes connections in the present and changes lives in the process.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across theâŚ
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
Our experiences are quite different; Newmann grew up in Venezuela and didnât know her father was Jewish, let alone that heâd survived the Holocaust. Yet, what drew me in was her desire to understand the pieces of her family story that were unexplained and the secrets that didnât quite make sense.
Her quest to understand her father and his family, whom she never got to meet, kept me engaged until the end. We need to understand our past to understand ourselves.
In this astonishing story that âreads like a thriller and is so, so timelyâ (BuzzFeed) Ariana Neumann dives into the secrets of her fatherâs past: âLike Anne Frankâs diary, it offers a story that needs to be told and heardâ (Booklist, starred review).
In 1941, the first Neumann family member was taken by the Nazis, arrested in German-occupied Czechoslovakia for bathing in a stretch of river forbidden to Jews. He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book.
Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One ofâŚ
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart RowdyâŚ
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
This is a shining example of how our stories begin before we are born. Cerottiâs fascination with her grandmotherâs unusual wartime story became her sort of full-time job, and I loved getting to come along for the ride. Through these pages, I got to learn about a part of the Holocaust thatâs not talked about much: what happened to Jews in Scandinavia.
Like all excellent 3G (grandchildren of Holocaust survivors) memoirs, Cerotti doesnât just tell the story of her familyâs past; the reader sees how that past is not really past at all. Cerotti meets characters in her grandmotherâs story and changes her present in the process.
In 2009, Rachael Cerrotti, a college student pursuing a career in photojournalism, asked her grandmother, Hana, if she could record her story. Rachael knew that her grandmother was a Holocaust survivor and the only one in her family alive at the end of the war. Rachael also knew that she survived because of the kindness of strangers. It wasnât a secret. Hana spoke about her history publicly and regularly. But, Rachael wanted to document it as only a granddaughter could. So, thatâs what they did: Hana talked and Rachael wrote.
Upon Hanaâs passing in 2010, Rachael discovered an incredible archiveâŚ
Iâm a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopperâs authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopperâs possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
This very well-researched and gripping book taught me the meaning of the term âlaunderingâ in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopperâs estate.
He didnât care about provenance or history of ownership and is quoted in this book as saying: âEverything comes from somewhere.â
Although I knew and dealt with Fleishman, I trusted him and was tricked by him.
A âthrilling, well-researchedâ account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist).  In recent years, several of Americaâs leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the worldâs richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us aâŚ
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
The plundering of books by the Nazis, especially literature belonging to the Jewish community, is the topic of this novel. Many books are untraceable today and their legitimate owners are long since dead. Nazis confiscated literature for various reasons, some involving original manuscripts, others used to seek out the enemies of the Reich, and quantities were gathered as status indicators. Once the war was over, there were book collections taken for a second time and justified as âliberatedâ rather than âplundered!âÂ
I enjoyed the novel because it covers an aspect of the Holocaust that is rarely addressed and offers insights into what happened to many books that disappeared from Jewish collections during Nazi times. We know there was a book store on the ground floor of the apartment block in my story and that the family belonged to a publishing dynasty. But no one survives today to tell us whatâŚ
"A most valuable book." âChristian Science Monitor
For readers of The Monuments Men and The Hare with Amber Eyes, the story of the Nazis' systematic pillaging of Europe's libraries, and the small team of heroic librarians now working to return the stolen books to their rightful owners.
While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselvesâAnders Rydell tells the untold story of Nazi book theft, as he himselfâŚ
Papyrologist Lisa Emmer's world flips when the SĂťretĂŠ detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for herâŚ
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
This is a story of retrieving fine art from Prague and returning it to its rightful owners in Canada. Four paintings were left in the care of a friend when the Reeser family fled Czechoslovakia as Hitlerâs army arrived on March 15, 1939. For 50 years, the family was denied access to their property. Here is an account of determination and love that combines accurate descriptions of history with fictional speculation on how the paintings were retrieved. The Reeser family was fortunate to know what they had and where it was.
I enjoyed the plot in this book and the persistence of the protagonists. It is gratifying to read a story where a family who lost everything at the start of the War, persevered to become reunited with the family treasures once Communism fell in Eastern Europe. The story blends accurate history with imaginative fiction, making it a delight toâŚ
The story of the Reesers, a Jewish family who emigrated to Canada from Czechoslovakia on the eve of WWII. They fled the Nazis and left behind four valuable oil paintings. It would take years for the Reeser family, led by matriarch Mari Reeser, and then her son Karl, to retrieve them. Along the way they had help from two unlikely sources - a mid-level diplomat at the Canadian embassy in Prague, and a daring Dutch-Canadian art smuggler.
I am a tired activist and recovering attorney. My professional focus on violence and humanityâs response to it began when, as a seven-year-old, the nuns at my Catholic school showed us newsreels of the liberation of Nazi concentration camps. This led me to adopt as my lifeâs guiding principle Julian Beckâs admonition âto redeem our share of the universal cruelty.â After 20 years in the U.S. Violence Against Women Movement, I absconded to the former Yugoslavia and found myself in the middle of a war during which I ran a war crimes documentation project (memoir in progress). I later reported on the international war crimes trial of Slobodan Milosevic.
Kochaviâs book gave me a more complete and nuanced understanding of how the Nuremberg war crimes court came to be, how defendants were selected, and what law to apply. Based on copious research, Kochavi uncovers the inside story of how the Allies ultimately agreed to establish an international court to hold Nazi officials accountable for mass atrocities instead of summarily executing them, which Churchill, Roosevelt, and Stalin favored. Initial U.S. and British resistance to including crimes against German nationals (extermination of the Jews among them) was overcome by strong public, especially Jewish, opposition.
Between November 1945 and October 1946, the International Military Tribunal in Nuremberg tried some of the most notorious political and military figures of Nazi Germany. The issue of punishing war criminals was widely discussed by the leaders of the Allied nations, however, well before the end of the war. As Arieh Kochavi demonstrates, the policies finally adopted, including the institution of the Nuremberg trials, represented the culmination of a complicated process rooted in the domestic and international politics of the war years.Drawing on extensive research, Kochavi painstakingly reconstructs the deliberations that went on in Washington and London at a timeâŚ
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
The best book on the legal basis for reparations from the Caribbeanâs foremost historian. It offers a historical examination of the justification for reparations for the cost and lost labor the British gained during enslavement and brings together African and indigenous people's rights.
Since the mid-nineteenth-century abolition of slavery, the call for reparations for the crime of African enslavement and native genocide has been growing. In the Caribbean, grassroots and official voices now constitute a regional reparations movement. While it remains a fractured, contentious and divisive call, it generates considerable public interest, especially within sections of the community that are concerned with issues of social justice, equity, civil and human rights, education, and cultural identity. The reparations discourse has been shaped by the voices from these fields as they seek to build a future upon the settlement of historical crimes.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extortsâŚ
Iâm a journalist, critic, and poet who has spent a career engaging with the world. I love telling stories, and I strive to put beauty and tension into everything I write. Iâve had great editors â theyâve published my work in The Guardian, National Geographic, ARTnews, The Washington Post, The Times Literary Supplement, and Archaeology, where I am a contributing editor, and many other places â but it always comes down to me and my computer. And often a plane ticket and a suitcase.
The long history of pillage as an act of colonial conquest â Napoleon looting Egypt, Britain looting Greece, among many others â is well-told in this solid, historically grounded account. Why are so many of the worldâs great museums filled with treasures from ancient civilizations? This book tells you how it happened, while also showing why countries stripped of their heritage are demanding it back. There are a few books out there entitled Loot: this is the one to read.Â
For the past two centuries, the West has plundered the treasures of the ancient world to fill its great museums, but in recent years the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Sharon Waxman brings us inside this high-stakes conflict, from the great cities of the West to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She shows how the actions of a few determinedâŚ
