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As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
Wildmanâs obsession made me keep turning the pages long past when I should have been sleeping. She is a journalist, so when she discovers the mystery of a secret folder of letters from her grandfatherâs old girlfriend, she sets out to discover why they were separated and what happened to his first love.Â
One womanâs journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory.
Years after her grandfatherâs death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled âCorrespondence: Patients AâG.â What she found inside werenât dry medical histories; instead what was written opened a path into the destroyed world that was her familyâs prewar Vienna. One womanâs letters stood out: those from ValyâValerie Scheftelâher grandfatherâs lover, who had remained behind when he fled Europe six months after the Nazis annexedâŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
From the minute Glenn Kurtz found a decaying tape of his parentsâ trip to Poland in 1938, I was hooked. Iâve imagined being able to glimpse the world my grandparents inhabited in âthe Old Country.â And here it was for Kurtz: some of the only film footage of a Jewish world erased by the Holocaust in the last months before it was gone forever.
I was fascinated to follow along with Kurtz as he becomes a detective working to discover who is in the recorded three minutes, where they are, and what they are doing. But thatâs just the beginning; as he discovers the past, he makes connections in the present and changes lives in the process.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across theâŚ
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
Our experiences are quite different; Newmann grew up in Venezuela and didnât know her father was Jewish, let alone that heâd survived the Holocaust. Yet, what drew me in was her desire to understand the pieces of her family story that were unexplained and the secrets that didnât quite make sense.
Her quest to understand her father and his family, whom she never got to meet, kept me engaged until the end. We need to understand our past to understand ourselves.
In this astonishing story that âreads like a thriller and is so, so timelyâ (BuzzFeed) Ariana Neumann dives into the secrets of her fatherâs past: âLike Anne Frankâs diary, it offers a story that needs to be told and heardâ (Booklist, starred review).
In 1941, the first Neumann family member was taken by the Nazis, arrested in German-occupied Czechoslovakia for bathing in a stretch of river forbidden to Jews. He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book.
Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One ofâŚ
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extortsâŚ
As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didnât match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivorâs children and grandchildren.
This book took me to places I was not expecting. I love memoirs like this that are stranger than fiction. Kaiserâs memoir starts simply enough with his fatherâs request that he check out a building his grandfather owned before World War II. But then it twists and twists again. Come for the history, stay for the adventure.
An unputdownable tale of one man's quest to recover his family's property, plundered by the Nazis.
Menachem Kaiser's brilliantly told story is set in motion when the author takes up his Holocaust-survivor grandfather's former battle to reclaim the family's property in Sosnowiec, Poland. Here, he meets a Polish lawyer known as 'The Killer' who agrees to take his case and becomes involved with a band of Silesian treasure-seekers, all the while piecing together his family's complex history.
Propelled by rich, original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does itâŚ
I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. Itâs no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a personâs life with its nostalgia, yearning, and inevitable heartbreak.
Helen Fremont has managed to write a memoir that reads like detective fiction. All she and her sister Lara knew of their Polish parentsâ past was that they had survived Siberia and a concentration camp. The sisters were raised Catholic and itâs not until Fremont is an adult in Boston that she discovers the family is Jewish. Slowly piecing the past together, the sisters find out that after great trauma, their parents constructed post-war identities hiding their Jewishness. This story interested me because I had a Hungarian friend in university who was brought up in a convent but who learned as an adult that she was Jewish. In my youth I struggled to understand; this book gave me insight.
âFascinating . . . A tragic saga, but at the same time it often reads like a thriller filled with acts of extraordinary courage, descriptions of dangerous journeys and a series of secret identities.ââChicago Tribune
âTo this day, I don't even know what my mother's real name is.â
Helen Fremont was raised as a Roman Catholic. It wasn't until she was an adult, practicing law in Boston, that she discovered her parents were JewishâHolocaust survivors living invented lives. Not even their names were their own. In this powerful memoir, Helen Fremont delves into the secrets that held her family inâŚ
I am a member of a generation that wasnât supposed to be born. My parents were Hungarian Holocaust survivors and I was born amidst the fragments of European Jewry that remained. As a psychotherapist, I have specialized in helping people navigate the multigenerational reverberations of the Holocaust. Having a witness to your own experience, in therapy and through books, provides comfort, understanding, and hope.
I found this book decades ago symbolically languishing on a remainders table in the back of Moeâs Bookstore in Berkeley. I nearly fainted when I read the title. Could this book be about me and others like me, members of a generation that wasnât supposed to be born? This groundbreaking book, considered the Bible of children of Holocaust survivors, gives voice to the multigenerational impact of the Holocaust which we, the second generation, inherited directly from our parents who were the lucky few to survive while two-thirds of European Jewry was wiped out. As a psychotherapist, I have recommended this book to clients and their partners to better understand family dynamics, grief, trauma, resiliency, and determination to create a better world.
"I set out to find a group of people who, like me, were possessed by a history they had never lived."
The daughter of Holocaust survivors, Helen Epstein traveled from America to Europe to Israel, searching for one vital thin in common: their parent's persecution by the Nazis. She found:
* Gabriela Korda, who was raised by her parents as a German Protestant in South America; * Albert Singerman, who fought in the jungles of Vietnam to prove that he, too, could survive a grueling ordeal; * Deborah Schwartz, a Southern beauty queen who-at the Miss America pageant, played theâŚ
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas⌠for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,âŚ
Joshua M. Greene is the author of a dozen Holocaust biographies that have sold more than a half-million copies worldwide. He sits on the board of Yale University Video Archive for Holocaust Testimonies and has spoken on issues of Holocaust memory for such outlets as NPR and Fox News. His editorials on Holocaust history have appeared in the New York Times, the Los Angeles Times, and the Chicago Tribune.
Kraft has drawn on 200 hours of testimony by Holocaust survivors to demonstrate how memory responds to atrocity. His juxtaposition of accounts allows one individual to be presented in relation to others, showing personal tragedies as well as the collective atrocity from the insights of multi-voice narratives.
Compelling examples from 200 hours of testimony by Holocaust survivors form the foundation of this volume on how memory responds to atrocity-how people comprehend and remember deeply traumatic experiences, and how they ultimately adapt. Depicting how the Holocaust exists in the minds of those who experienced it, this book simultaneously reveals the principles of enduring memory and makes the Holocaust more specific and immediate to readers. A synthesis of myriad testimonies allows one individual to be presented in relation to others, showing personal tragedies as well as the collective atrocity. The findings are also applied to other groups of peopleâŚ
Iâm the author of seven published novels and a recently retired English professor. I was the founder and director of the Fairfield University MFA program. My latest novel is called Lebensborn and is set in Germany near the end of World War II. The novel concerns a little-known project hatched by Heinrich Himmler called Lebensborn (âthe fount of lifeâ). Concerned about Germanyâs falling birth rate, Himmler began the program in 1935 hoping to encourage unwed mothers not to have abortions but to give birth to their babies at Nazi-run homes and then to give their babies up for adoption to âpure Aryanâ officers. Lebensborn follows the story of Renate Dressler, a young German girl who falls in love with an SS officer.
What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.
The New York Times bestseller with more than 1 million copies sold worldwide
Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive-and to reunite-We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds.
"Love in the face of global adversity? It couldn't be more timely." -Glamour
It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk aroundâŚ
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Artâs troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as âthe most affecting and successful narrative ever done about the Holocaustâ (Wall Street Journal) and âthe first masterpiece in comic book historyâ (The New Yorker) ⢠PULITZER PRIZE WINNER ⢠One of Varietyâs âBanned and Challenged Books Everyone Should Readâ
A brutally moving work of artâwidely hailed as the greatest graphic novel ever writtenâMaus recounts the chilling experiences of the authorâs father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the authorâs account of hisâŚ
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicitâŚ
Born in Budapest, Hungary, Susan Rubin Suleiman emigrated to the U.S. as a child with her parents. She has had a distinguished career as a professor of French and comparative literature at Harvard, publishing more than a dozen books and over 100 scholarly articles. Her acclaimed memoir about returning to Budapest, Budapest Diary: In Search of the Motherbook, appeared in 1996; in 2023, she published Daughter of History: Traces of an Immigrant Girlhood, a memoir of immigration which was a finalist for a 2024 National Jewish Book Award. She has been awarded many honors, including the Radcliffe Medal for Distinguished Achievement in 1990 and Franceâs highest honor, the LĂŠgion dâHonneur, in 2018.Â
Marianne Hirsch is justly famous for proposing the term âpostmemoryâ to designate how the past may be remembered by those who have no personal memories of it. Memories are transmitted in families (familial postmemory), but claiming a memory can also be a matter of choice through an act of affiliation (affiliative postmemory). Hirsch is especially insightful on the role of photographs and objects in the creation of postmemories. Â
Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book'sâŚ
