Here are 69 books that Labyrinths fans have personally recommended if you like
Labyrinths.
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I grew up in farm country of central Indiana. But spent my summers on an island in northern Ontario with my grandparents. My grandfather was a self-taught naturalist and shared his love and fascination of the world around us with me. I went on to become a geologist and traveled the globe exploring for natural resources. My love of nature and science is the foundation for the science fiction I write. Whether a proven theory, a fantastical hypothesis, or true science fiction, it’s all based on science fact. It allows everyone to learn about a world built in science fiction which one day may exist in science fact.
This is a book that is at once a biography, a testament to human genius in the face of imminent danger, and a story of human injustice. Alan Turing had an idea about a ‘universal machine’. A machine, when built at Bletchley Park, allowed the Allies in World War II to crack the German Enigma ciphers. This universal machine laid the foundations for modern computing and all the amazing advances we enjoy today. But at a price for Turing, he fought inner demons about his homosexuality and eventually paid the ultimate price.
I marveled at his genius, cheered his cryptographic successes with each cipher cracked, shouted against the tragedy of his arrest, cried at his untimely death. A death at his own hand at the age of 41. The world lost a genius due to a society’s labelling of homosexuality as a crime.
A NEW YORK TIMES BESTSELLER The official book behind the Academy Award-winning film The Imitation Game, starring Benedict Cumberbatch and Keira Knightley It is only a slight exaggeration to say that the British mathematician Alan Turing (1912-1954) saved the Allies from the Nazis, invented the computer and artificial intelligence, and anticipated gay liberation by decades--all before his suicide at age forty-one. This New York Times-bestselling biography of the founder of computer science, with a new preface by the author that addresses Turing's royal pardon in 2013, is the definitive account of an extraordinary mind and life. Capturing both the inner…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I am a graduate in Philosophy with a Masters degree in Contemporary Culture so this theme is enormously interesting for me. My passion has been shifting from literature to contemporary society and culture in general. I love to find the connexions between the current state of affairs and the past. I honestly think that if we look at the lives and times of the great thinkers we can get hints about the state of contemporary society. Understanding what makes us behave and think the way we do it is my main motivation.
The figure of Ludwig Wittgenstein has always been quite enigmatic for me.
The enormous contradictions of his life and the intensity of it are difficult to understand in the abstract. Ray Monk's biography contextualizes the life and work of the Austrian philosopher who set out to solve all the problems of philosophy.
Monk's biography stands as a testament to Wittgenstein's enduring influence on our understanding of language, thought, and reality.
Being a creative person, I studied design to make the world better… only to realise that great ideas and designs often falter because we hold ourselves back by the way we think. I had to study philosophy to understand what is limiting us. And then I left my own design work behind to study the practices expert creatives (like top design professionals) have developed to get past these roadblocks. Having discovered how they can create new frames, time and time again, it has become my mission to empower other people to do this – not only on a project level, but taking these practices to the organizational sector and societal transformation.
In this classic book, Kuhn introduces the idea of a "paradigm" and shows that real progress comes through paradigm shifts.
That hit me like a rock when I first read it. I love how in the second edition, Kuhn talks about the difficulties of deep change: "the problem is that the new paradigm is always worse than the old one."
The new paradigm may be better in some way, but it is also sketchy, unformed, and it creates lots of new uncertainties. So, for somebody to shift to a new paradigm always requires a leap of faith!
A good book may have the power to change the way we see the world, but a great book actually becomes part of our daily consciousness, pervading our thinking to the point that we take it for granted, and we forget how provocative and challenging its ideas once were-and still are. "The Structure of Scientific Revolutions" is that kind of book. When it was first published in 1962, it was a landmark event in the history and philosophy of science. And fifty years later, it still has many lessons to teach. With "The Structure of Scientific Revolutions", Kuhn challenged long-standing…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I never really thought much about how limited and exclusionary our society’s ideas about intelligence are until my daughter, who has Down syndrome, was required to take her first IQ test before she started kindergarten. That experience led me to research the history of the IQ test and how it has shaped our culture’s ideas about intelligence in pernicious ways. I am a college professor who is working to change the educational and employment opportunities available to people with intellectual disabilities. I hope you enjoy the books on this list. May they lead you to reconsider what you think it means to be smart.
I love Sack’s empathy toward his patients and his commitment to telling a different and highly unique narrative about the human experience. His classic collection of essays is not about intelligence, but each patient he writes about knows and understands the world differently than what is considered normal.
Sacks makes room for the challenges and brilliance of all ways of being in the world.
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self - himself - he cannot know it, because he is no longer there to know it.
In this extraordinary book, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognize everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with…
I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.
Neither novel nor travel book, this classic journey defies category.
Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.
“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.”
Bruce Chatwin sets off on a journey through South America in this wistful classic travel book
With its unique, roving structure and beautiful descriptions, In Patagonia offers an original take on the age-old adventure tale. Bruce Chatwin's journey to a remote country in search of a strange beast brings along with it a cast of fascinating characters. Their stories delay him on the road, but will have you tearing through to the book's end.
'It is hard to pin down what makes In Patagonia so unique, but, in the end, it is Chatwin's…
I am passionate about historical facts, and fiction. My narrative has a universeal appeal making my work relevant to readers of diverse backgrounds. My books entertain and at the same time educate the reader, giving him/her a greater appreciation of the complex world of Latin America and the resilience of its people. I love reading diverse approaches to history and exploring ideas of how our personal interpretations of history shape our opinions.
This book by Mario Vargas Llosa explores the last days of the Dominican Republic's Trujillo dictatorship. I really enjoyed this novel for its blending of historical facts with fiction and for providing a detailed depiction of Rafael Trujillo's regime, its impact on the country, and his assassination in 1961.
The narrative combines three storylines: The character of Urania, who returns to the Dominican Republic after many years in the United States, and shows us the long-lasting psychological impact of Trujillo's rule on her and her family. Trujillo’s last days, personality, control over the country, and the loyalty and fear he commanded. Finally, the group of people plotting to assassinate Trujillo, their motivations, fears, and actions show us that freedom is one of our most valuable treasures worthy of risking our lives.
Vargas Llosa's detailed and compelling narrative profoundly examines how dictatorial regimes can distort societies and damage lives.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Bolaño wrote two epics: The Savage Detectives and the much more widely read 2666. Savage may be a sloppier novel—it follows two fictional founders of a fictional poetic movement called the visceral realists who are trying to track down the mysterious founder of the movement—but it’s also a novel about the elusiveness of meaning. With a lot of sex and violence thrown in for measure. The frame-story narrative informed my own, although I employed a lot less sex.
Winner of the Herralde Prize and the Romulo Gallegos Prize. Natasha Wimmer's translation of The Savage Detectives was chosen as one of the ten best books of 2007 by the Washington Post and the New York Times.
New Year's Eve 1975, Mexico City. Two hunted men leave town in a hurry, on the desert-bound trail of a vanished poet.
Spanning two decades and crossing continents, theirs is a remarkable quest through a darkening universe - our own. It is a journey told and shared by a generation of lovers, rebels and readers, whose testimonies…
The big question that was the basis of my career was ‘When someone says “hello” to you, how do you know you should say “hello” back?’ Ever since I heard that question as a young student, I have been trying to understand the answer. The question has taken me through philosophy, sociology, and the most exciting, detailed studies of scientific research. What more could one want in terms of an interesting life? I hope that if you read Gravity’s Kiss, you’ll see that it is answering a philosophical question as well as a scientific question.
The philosophical key to getting yourself estranged from the everyday is the famous ‘problem of induction’, which goes back to the philosopher David Hume, and asks why we expect things to carry on in the same way: might my garden be a fiery pit next time I open the front door?
Nelson Goodman invented a new version of the problem – ‘the new riddle of induction’. This book might come across as a bit technical, but the general drift of the new riddle is that every bit of evidence and experience we have for the grass being green is also a bit of evidence and experience for it being ‘grue’ – roughly ‘green every time I’ve seen it but blue tomorrow;’ think about it! You can extend this argument as much as you like, and Goodman takes us through the counterpart colour ‘bleen’. Goodman thinks our expectations of stability are…
Here, in a new edition, is Nelson Goodman's provocative philosophical classic-a book that, according to Science, "raised a storm of controversy" when it was first published in 1954, and one that remains on the front lines of philosophical debate.
How is it that we feel confident in generalizing from experience in some ways but not in others? How are generalizations that are warranted to be distinguished from those that are not? Goodman shows that these questions resist formal solution and his demonstration has been taken by nativists like Chomsky and Fodor as proof that neither scientific induction nor ordinary learning…
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
I first read The Explorers when I was a child. I delighted in it then and still do. Its style got to me first. A real literary style. Some of the stories are hard-boiled, Raymond Chandler in space. Some poetic. But so much better than most clunky SF. And also, so unconventional This is not Azimov. Rather than space opera, we get a scientist drunk, bemoaning his “contributions” to space flight. Instead of wondrous inventions, we get cheesy computer art. Brainless generals celebrate nuclear war. Well-written, unusual, simultaneously funny and sad, The Explorersis a masterpiece of 50s SF.
Ballantine Books, 1963. Mass market paperback, stated 2nd printing (with cover exactly as shown here, cover code #F708, and 50 cent cover price). Collects 9 stories: Gomez (1954); The Mindworm (1950); The Rocket of 1955 (1939); The Altar at Midnight (1952); Thirteen O'Clock (1941); The Goodly Creatures (1952); Friend to Man (1951); With These Hands (1951); That Share of Glory (1952). Foreword by longtime collaborator Frederik Pohl.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.
I recently re-read Six Great Modern Short Novels, after I’d been reading a lot of recent commercial fiction. I shook my head in amazement. A thought came unbidden into my head: “This is what they mean by great literature.” All six novels are simply so much ̶ better (I can say it no better). I had read it as a youth. But the second time was even more compelling. Even the lesser novels were light-years ahead of your run-of-the-mill bestseller. Each left me with a feeling I had forgotten literature could engender ̶ a kind of exalted acceptance, an awed wonder, a transcendence, a nobility. Read them one at a time. All at once may be too powerful.
Six immortal shorts works of fiction, each by a brilliant artist, each universally acclaimed. The Dead, by James Joyce. Billy Budd by Herman Melville. Noon Wine by Katherine Anne Porter. The Overcoat by Nikolay Gogol. The Pilgrim Hawk by Glenway Wescott and The Bear by William Faulkner.