100 Books Like Philip Roth

No biography of Richard Burton succeeds like these diaries in giving us a sense of what it meant to be a truly global star, a consummate actor, a father, and a lover. We glimpse, too, the pressures on a man whose often troubled private life was presumed to be public property.

Burton’s surviving, voluminous diaries were meticulously edited by the historian Chris Williams, providing just the right amount of background and explanatory material to enlighten yet not bombard readers. From the early 1939-40 diary of the schoolboy Richard Jenkins, to the detailed diaries of the 1960s in particular, we can also discern the actor’s literary ambitions. I treasure these personal diaries: rich, revealing, and infinitely fascinating.

A well-written, well researched book by a prominent American archeologist and New Testament scholar that examines what we can now reliably know about the Jesus of history. Tabor carefully sifts through the conflicting evidence in the gospels, written 40-70 years after the death of Jesus, and illuminates his discussion with contemporary archeological finds. A paradigm changer in our search for the historical Jesus, not the Christ of faith.

I’ve read this short novel more than twenty times. It is the story of a young writer seeking a spiritual father in a famous author because his actual father is rejecting him for something he wrote. As a writer myself, I identified with the character’s deep need for paternal approval in the face of staying true to his art.

I return to Roth’s novel every couple of years because the story of a son seeking the blessings of a father, whether in his art or his life, continues to resonate with me, and with each reading I find something new in it. This novel is a minor classic and has a permanent place on my shelf.

Leonard Cohen is one of my touchstones, an artist I take personally, someone who speaks to me deeply. He is best known as a singer/songwriter, the author of “Suzanne” and “Hallelujah.” He is not quite as well-known as a poet, but that’s how he started and he’d already published books of verse before his first album appeared. He also wrote two novels, the first when he was in his 20s. It is entitled The Favourite Game and it’s an autobiographical, Jewish, coming-of-age story. It’s so good it seems like an early Philip Roth novel.

In an interview, Cohen once said, “There’s no story so fantastic that I cannot imagine myself the hero. And there’s no story so evil that I cannot imagine myself the villain.” His protagonist is a little of both in this book. And the prose, as you might imagine is beautiful, simpler perhaps than in his poetry,… show more.

This book reads like a movie, so full of rich descriptions and emotions that I sometimes forget that these characters are not (necessarily) real. I read a lot and pride myself on discovering the best novels about Jesus and His disciples, especially those that question the traditional storyline, and this novel does just that.

I became completely invested in the Apostle John’s quest to comfort Jesus’s mother, Mary, after the loss of her second son, James. Heart-breaking and at the same time comforting, I would recommend this book to Christians and skeptics alike, anyone interested in learning more about first Century Judea and the fates of the disciples.  

The glamour and excitement of the films distract somewhat from this book’s true message. A young Jewish prince named Judah Ben-Hur longs for a Jewish king to vanquish Rome, but suffers injustice through no fault of his own and is brutally enslaved. After perilous experiences on land and sea, he returns to Jerusalem and witnesses the last days of Jesus’s life: healing of outcasts, gracious forgiveness, and a mercilessly cruel death. Ben-Hur finally comes to faith in this divine anti-hero.

The historic, geographic, and cultural detail in this long book is stunning, as are the realistically portrayed characters and the romantic side story. But it is the spiritual message that impressed me most: a downtrodden slave finally chooses to follow Jesus rather than pursue worldly riches and fame. He experiences redemption, learns to forgive, and starts a new life.

If we only had Paul to rely on for our knowledge of Jesus’ life, all we’d know is that he was born, was Jewish, had brothers and died. Written by a British academic, The Mythmaker is a break-through book that shows how Paul created Christianity by developing a mythology/theology about the significance of the death of Jesus as a Christ. Maccoby’s thought is further developed in my book, How Jesus Became Christian (2008) that demonstrates how different Paul’s religion was from that of Jesus.

This immensely learned expert in Old and New Testament, as well as Jewish and Christian history, shows how various items in the gospels make the best, most natural sense as clues that Jesus was first remembered as something like a Hasidic saint.

A very eye-opening rereading of the gospels through Jewish eyes. This book taught me some crucial things about the original meaning of the phrase “the son of man” and many other things.

And by the way, his name is pronounced “Ver-MESH.”

Brandon sets forth a reasonable and compelling case for viewing the historical Jesus as one of several anti-Roman insurgents.

He collects narrative oddities that make good sense as loose ends that escaped early attempts to whitewash Christianity’s militant origins, e.g., the shifting of the blame for Jesus’ execution from the Romans to the Jews.

The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.

Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer. Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)

Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.