Here are 73 books that Phantom fans have personally recommended if you like
Phantom.
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I’m a thriller writer with civilian protagonists who find themselves caught in situations way outside their comfort zones. They’re not people to whom guns or regular weapons are accessible or familiar. Consequently, I need my characters to have access to other weapons, and I find these in the environments in which I set my stories – elements that offer both defensive and offensive potential. Whether it be a dangerous natural feature (like a chasm), or a deadly creature, (I love a crocodile or snake), there needs to be something on offer. This is also what I admire in other authors – that harnessing of environmental weaponry that can make stories so exciting.
Jo Nesbo needs no introduction as a master of the thriller genre, and The Snowman is a chilling example of his skill.
A serial killer walking among the community, building snowmen that look inside the homes of his victims. As far as weaponising the environment, and specifically the snow, Nesbo has nailed it. The tension is as dark as the long nights, and the terror is all the colder because of that snow.
I read it in a tropical Rio summer, yet still had to wear a jumper for days.
The first female police detective in Acapulco, Emilia Cruz, dives into an ocean of secrets and lies when she is forced to lead the investigation into her own lieutenant's murder.
Caught between the powerful head of the police union and resentful colleagues, Emilia becomes a pawn in a game of…
I can recommend this topic because of my interest in anything about WWII and the Nazi horror. It also comes from the recent revival of the ideology, even though the entire world fought to defeat them seventy years ago. I have been haunted by PTSD because of my experiences as a first responder and can speak to that personally. As a former reservist with the Canadian Armed Forces, I also have experience in firearms and munitions. I have recently written my own story, The Home Front, which deals with the rise of the neo-Nazis in the United States through the eyes of a WWII veteran.
Another cautionary story. This story shows that the Nazi movement is growing worldwide and that governments need to keep these organizations under wraps before allowing them to carry out their own agendas.
When a mistake causes an international incident during a US Presidential visit to Norway, Detective Harry Hole is placed out of sight in the Federal Police Department, until matters settle. Unable to sit still, Harry investigates a neo-Nazi group and comes across someone practicing with an exotic rifle that would only be used to assassinate someone. Now he must identify both the target and the killer.
'A page-turner you won't want to put down' Time Out
Harry knows he shouldn't get involved.
A report of a rare and unusual gun - a type favoured by assassins - being smuggled into the country sparks Detective Harry Hole's interest.
Evil is closer to home than he knows.
Then a former WW2 Nazi sympathizer is found with his throat cut. Next, someone close to Harry is murdered. Why had she been trying to reach Harry on the night she was killed?
As Harry's investigation unfolds, it becomes clear that…
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Sheldon Horowitz, an aging widower suffering from dementia, has been removed from New York to Oslo, so he can live with his granddaughter, his only relative, and her new husband.
Confused but wily, Horowitz is soon on the run in a country he does not know, hiding the neighbor boy being pursued by the thug who murdered the boy’s mother. This book was a total surprise to me, and seemed an unlikely amalgam of elements that could never work together—but did.
He will not admit it to Rhea and Lars - never, of course not - but Sheldon can't help but wonder what it is he's doing here...Eighty-two years old, and recently widowed, Sheldon Horowitz has grudgingly moved to Oslo, with his grand-daughter and her Norwegian husband. An ex-Marine, he talks often to the ghosts of his past - the friends he lost in the Pacific and the son who followed him into the US Army, and to his death in Vietnam. When Sheldon witnesses the murder of a woman in his apartment complex, he rescues her six-year-old son and decides…
With plot elements inspired by presidential elections in both the US and Mexico, Barracuda Bay follows Acapulco’s first female police detective, Emilia Cruz, as she investigates the murder of the mayor’s sister—only to become a fugitive hunted by killers disguised as cops in Washington, DC. The stakes couldn’t be higher…
As Series Editor for Unheard Voices, I believe in the importance of the public gaining access to the voice of lived experience as it relates to the intractable issue of homelessness in our cities. Having gone through a brief period of not having any permanent residence in my twenties, I always had or felt a degree of affinity for the homeless and dedicated at least part of my career as a psychiatrist and then as a social entrepreneur to their plight.
The only work of fiction on the list, Nobel Laureate Kurt Hamson’s Hunger (1980) was a game changer for modern literature.
Firmly anchored in the point of view of the narrator, we journey painfully with a man, a writer as a matter of fact, on the way down into the depths of meaningless, despair, and hunger. Adapted into several films, the story reflects how little society values the intellectual capital of people it perceives as the dregs and describes in detail the effects of starvation on the human mind.
A worrying and unsettling read, Hunger remains the best work of fiction ever written about destitution.
One of the most important and controversial writers of the 20th century, Knut Hamsun made literary history with the publication in 1890 of this powerful, autobiographical novel recounting the abject poverty, hunger and despair of a young writer struggling to achieve self-discovery and its ultimate artistic expression. The book brilliantly probes the psychodynamics of alienation and obsession, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of self-destruction. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly…
Just like my Upstagedheroine, my first stage experience was playing Mr. Jacey Squires in The Music Man. Both of my parents were singers and really, there’s never been a time when music—and the friends I made through music—haven’t been an important part of my life. Love of the arts can bring kids together in surprising ways. The characters in these books face varied challenges, home lives, and predicaments. But for all of them, it’s the support of friends, a dose of courage, and inspiration from the arts that get them through. That’s why I’ve chosen these five wonderful, readable, un-put-downable books.
I absolutely fell in love with twelve-year-old Bart—a kid who doesn’t complain when there are only pretzel sticks for dinner, who takes boxing lessons, but can’t punch, a kid who loves opera. Opera! (Specifically, the voice of baritone Bryn Terfel--Look him up and listen!) He lives near Oslo, Norway in shabby public housing with his loving, alcoholic, and often unemployed mother. Bart makes the best of everything in his life. His unique, gentle nature, some lovely friendships, and Svingen’s storytelling completely won my heart. I don’t know why this book hasn’t gotten more accolades—maybe because people expect every Norwegian novel to have Vikings and fjords. (Language Alert: There are some instances of the word sh*t—blame the translator).
From award-winning Norwegian author Arne Svingen comes “an uplifting coming-of-age story” (The Wall Street Journal) about a relentlessly positive teenager who uses his love of opera to cope with his less-than-perfect home life.
Bart is an eternal optimist. At thirteen years old, he’s had a hard life. But Bart knows that things won’t get any better if you have a negative attitude. His mother has pushed him into boxing lessons so that Bart can protect himself, but Bart already has defense mechanisms: he is relentlessly positive…and he loves opera.
Listening to—and singing—opera is Bart’s greatest escape, but he’s too…
In my third novel, Great Circle, a fictional aviator named Marian Graves disappears while trying to fly around the world north-south in 1950. While researching and writing, I became a travel journalist, partly so I could follow my character into far-flung, rugged corners of the world. Traveling, I encountered people who lead truly adventurous lives, and I started to seek out riskier experiences myself. I swam with humpback whales, tracked snow leopards in the Himalayas, and journeyed across huge seas to Antarctica’s Ross Ice Shelf. I still don’t consider myself a full-fledged adventurer, but I love reading about women contending with the challenges of wild places and their own internal landscapes.
I love cold, northern places and dogs, and, if you haven’t already noticed, warts-and-all stories about women finding strength they didn’t know they had in the wilderness. Blair Braverman’s memoir checks all these boxes. As a teenager, she goes to a folk school in the Norwegian Arctic and learns to work with sled dogs, something she later continues as a guide in Alaska. (Braverman is now a professional musher and has run the Iditarod.) The book’s subtitle is Chasing Fear and Finding Home In the Great White North, and Braverman is unsparing in her exploration of fear rooted in both the human and natural world. I read this book on a series of airplanes in one long travel day, and I’m still reminded of it every time I see Braverman’s delightful Twitter stories about her dogs.
A rich and revelatory memoir of a young woman reclaiming her courage in the stark landscapes of the north.
By the time Blair Braverman was eighteen, she had left her home in California, moved to arctic Norway to learn to drive sled dogs, and found work as a tour guide on a glacier in Alaska. Determined to carve out a life as a “tough girl”—a young woman who confronts danger without apology—she slowly developed the strength and resilience the landscape demanded of her.
By turns funny and sobering, bold and tender, Welcome to the Goddamn Ice Cube brilliantly recounts Braverman’s…
I am a trained historian and past educator at a historical museum. I fell into my passion for Norway during WWII after I dreamed about a man in the snow surrounded by German soldiers. I was encouraged to write the scene down. That scene became the prologue to The Jøssing Affair, but not before going to libraries and reading countless secondary and primary resources, interviewing numbers of Norwegian-Americans who settled in my area in the 1950s, and eating a lot of lefse. This passion of over 28 years has taken me to Norway to walk Trondheim where my novels take place and forge friendships with local historians and experts.
The Twelfth Man by Norwegian-American writer Astrid Karlsen Scott is the dramatic story of Norwegian agent Jan Baalsrud’s survival after a SOE mission gone wrong. A first account of his ordeal was published in 1955, but this is a more accurate telling. I like her in-depth approach to uncovering the true facts. On one of her research trips to Norway, she teamed up with Dr. Tore Haug who was also investigating Baalsrud’s story of survival. They were able to meet and interview all the survivors who helped the agent or who were indirectly involved and had knowledge of his story. You not only see what is at stake for the hero of the story, but for the people who are helping him escape the Nazis’ search for him.
A stunning story of heroism and survival during World War II. The book that inspired the international film of the same name. "A must-read .... Intrigue, suspense, and adventure."-The Norwegian American
"I remember reading We Die Alone in 1970 and I could never forget it. Then when we went to Norway to do a docudrama, people told us again and again that certain parts were pure fiction. Since I was a Norwegian that was not good enough; I had to find the truth. I sincerely believe we did," writes author Astrid Karlsen Scott.
I’ve been a full-time writer since 1994 and have so far published twenty-seven books, three of them with gay themes: My Father’s Scar, a gay coming-of-age novel and two about LGBTQ+ issues: Top 250 LGTBQ Books for Teens and The Heart Has Its Reasons, a history of queer literature. I’ve been interested in this literature since I was a gay teen myself, because there were no YA books with queer characters then. I missed seeing my face in the pages of a good book and so I promised myself that when I became an adult. I would make sure there was an ample assortment for today’s queer kids. And, guess what? I’ve kept my promise!
Weary of people asking him what his plans for the future are, eighteen-year-old Dutch teen Tycho decides to travel from his Holland home to America to work at a camp for international kids. Along the way, he meets Oliver, who’s from Norway, and is also going to work at the camp. The two quickly become fast friends and then something more. When their love relationship is discovered, they’re expelled from the camp, and the two fly back to Norway where Tycho will stay with Oliver while the boy’s mother is gone. No, there are no wild parties, just a lovely examination of an emerging relationship that is challenged by Oliver’s keeping a closely guarded secret. If this sounds dull, trust me, it isn’t! Find out why I’m so crazy about this book by reading it. Tell them Michael sent you...
Tycho Zeling is drifting through his life. Everything in it - school, friends, girls, plans for the future - just kind of ... happens. Like a movie he presses play on, but doesn't direct.
So Tycho decides to break away from everything. He flies to America to spend his summer as a counselor at a summer camp, for international kids. It is there that Oliver walks in, another counselor, from Norway.
And it is there that Tycho feels his life stop, and begin again, finally, as his. The Days of Bluegrass Love was originally published in the Netherlands…
I'm Stefán Máni, the Dark prince of Nordic noir. I was an avid book reader from an early age but I didn’t believe I could become a writer myself one day. I dropped out of school at the age of 17, worked in the fishing industry, and travelled to Europe and the United States. I started writing at the age of 23, published my first book at the age of 26, and my first best-seller at the age of 34; the thriller Black’s Game that became a popular movie in 2012. Since then I've written many best sellers and created the most popular character in Icelandic literature; detective Hordur Grímsson.
Knut Hamsun is one the greatest writers of all time, in my opinion.
And yes, I am separating the work from the person and the political views. Hamsun was a strange guy and he wrote mainly about strange guys.
Lieutenant Thomas Glahn is one of them, the protagonist of Pan. Glahn is an ex-soldier, living in a hunting hut near a small harbour town in Norway. Technically, Pan is a love story. But it is not a typical love story. It is so co-dependent and twisted that it literally hurts.
Glahn is at best an idiot, at worst some kind of a sociopath. He thinks he is in love but his “love” is not innocent and pure but ugly and even dirty. It is easy to feel sorry for Glahn, easier to simply hate him.
But the book is so well written and the story so fascinating that the…
The Nobel Prize winner's lyrical and disturbing portrait of love and the dark recesses of the human psyche
A Penguin Classic
A lone hunter accompanied only by his faithful dog, Aesop, Thomas Glahn roams Norway's northernmost wilds. Living out of a rude hut at the edge of a vast forest, Glahn pursues his solitary existence, hunting and fishing, until the strange girl Edvarda comes into his life. Sverre Lyngstad's superb translation of Hamsun's 1894 novel restores the power and virtuosity of Hamsun's original and includes an illuminating introduction and explanatory notes.
For more than seventy years, Penguin has been the…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?
My lust for this book is not so much what it is about, though, as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered.
A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard.
It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.
