Books like Never Greater Slaughter

If, like me, when you read a history book, you want to learn something new both about a crucial period or personage in history and about how they reflect more generally on the human condition, then look no further than Jennifer T. Roberts’ magisterial study of the ancient Greek world between the Persian Wars and the aftermath of the Peloponnesian War (490-360 BCE).

It thrilled me and informed me alike from its first page to the last. At the start of her chosen timeframe, the Greek world was at risk of being overwhelmed by the Persian Empire. Had the Persians won… no Greek democracy, no Athenian theatre or philosophy, no Hippocratic medicine? Possibly. But did the Greeks make the most of their freedom from foreign conquest and control? Possibly not.

War between Greeks—of Greek state against Greek state, and between Greek citizens of the same state—was a plague, a metaphorical… show more.

Wedgewood published this in 1938, on the cusp of World War II.

In many ways the disaster that was the Thirty Years war provided an allegory of what was to come. Many authors have tackled this subject since Wedgewood wrote, some far more massive than her 500 pages, but there’s a reason this one remains in print. Wedgewood wrote an eminently readable narrative that is as delightful to read as its subject is dreadful. She excelled at what narrative should provide: a sense of development, how a huge event happens from beginning to end, all while keeping the reader’s attention. 

Wedgewood conveyed the nastiness, carnage, and utter craziness of the conflict in a dispassionate, easily understandable way.

It is this book, about the successors of Alexander the Great, that inspired me to write my first novel, the Atlantis Papyrus. It is a great read—the pages feel less like an academic paper and more like an action novel and keeps one’s interest until the very end. I learned about so many fascinating figures in Alexander’s world I had never really known about and the tumultuous years following his death. In my work, I drew inspiration from some of the characters and events depicted in this book.

Tom Holland is one of the most famous popular historians alive, and also one of the most famous polymaths, writing on topics ranging from Islam to medieval and classical history. He’s also dabbled in fiction and playwriting, and those chops come shining through in Persian Fire, an entirely fresh look at one of the most studied conflicts in ancient history – The Greco-Persian War. Holland effortlessly eviscerates the tired “east versus west” narrative and treats the Persians with an honestly and empathy that is made even more rich by his gifts as a storyteller.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

Sutcliff’s characters and stories are always believable—and show her amazing gift to always make her research invisible to the reader. All her works feed from actual history. She weaves a fragment or story from the past into a rich tapestry of the human experience and makes history live again. This tale shows her skills perfectly. Sutcliff uses as her source Y Gododdin, a period poem, to frame the construction of this coming-of-age story. Sutcliff takes the torch of the poem’s attempt to keep alive the memory of men who fought and died in a sixth-century British battle, comparable to that of the Battle of Thermopylae, to relight it through the eyes of Prosper, Sutcliff imagined British shield bearer. A witness to and one of the few to survive this unwinnable battle, Prosper sings a tale of The Shining Company who sacrificed their lives so others could live.

Britain After Rome is the best account of what it was like to live in Britain in the centuries before the Norman Conquest. Vividly recreating ordinary people’s lived experiences, Fleming mines the archaeological and material record to illuminate the non-political changes that transformed Roman Britain into the Britain of 1066. While plenty of books focus on the activities of kings and bishops in those centuries, Fleming’s engaging and erudite survey tells the history of everyone.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

To my mind, James Campbell was the greatest commentator on early Anglo-Saxon England of the last sixty years.

He was my tutor at Oxford for a course on early Anglo-Saxon history and archaeology, and he inspired me to recognise just how much of the so-called “Dark Ages” can be brought to light via a combination of rigour in analysis and creativity in reconstruction.

Campbell’s seminal articles on Bede’s Ecclesiastical History, included in this edited collection, transformed Bedan studies and set out the path forward for the next generation of scholars, although much more remains to be done – particularly in connection with identifying Bede’s sources and unpacking the chronology of the composition of his History.

If you want to understand the conversion of Anglo-Saxon England, you need to understand Bede’s Ecclesiastical History; and if you want to understand Bede’s Ecclesiastical History, you have to understand Bede. The quest will… show more.

Menewood, the name of the valley where she builds her personal stronghold, picks up where Hild ended. I simply had to find out what happened next! It was a riotous journey of violence, hunger, and work, yet also the raw beauty of her world: trees, birds, valleys, and hills. Her language continues to be rich and abundant with details, good and painful.

The political complexity and even savagery of her time echo our own. Yet Hild remains a unique and complicated woman who is heroic in every sense of the word. Again, the actress who read the book does a stunning job, especially pronouncing some very foreign Saxon names. I look forward to the next book, which I insist must be a series. After all, Hild will become a powerful abbess at Whitby.