100 Books Like Permanent Crisis

If anyone has helped establish the history of the humanities as a field of study, it is Rens Bod. His New History of the Humanities is a monument of erudition, covering the study of human meaning-making across disciplines, centuries, and cultures. It is admittedly a difficult pill to swallow for someone who believes that all understanding starts with in-depth listening and careful contextualization. Nonetheless, I admire the book for two reasons. Against the prevalent view that the humanities are a product of the nineteenth or twentieth century, Bod argues that we are late heirs to “a centuries-old humanistic tradition.” Also, Bod encourages his readers to step outside of their professional comfort zones. Historians of the humanities need to be comparativists, unafraid of tracing ideas or practices across time and space.

Whether or not one wants to make a case for the modern humanities deriving from the studia humanitatis in Renaissance Italy, it is undeniable that Renaissance humanism has been a source of endless fascination for humanities scholars. I enjoyed this book partly because it shows how this fascination led seventeenth- and eighteenth-century scholars to “recapitulate practices and mentalities that Italian Renaissance humanists pioneered.” It is such borrowing and reapplying that explains how a “humanistic tradition” could take shape. Another intriguing point is Celenza’s argument that this tradition has historically revolved as much around wisdom as about knowledge. While we modern academics know very well how to produce knowledge, what has happened to the wisdom part? Can the humanities survive, Celenza asks, without “reflection on the self and on life”?

How can the humanities offer a space for moral reflection if they are heirs of a tradition that has often been discriminatory, oppressive, and blatantly Eurocentric? Archaeology of Babel offers a much-needed corrective to books like Celenza’s by drawing attention to colonial abuses of philological scholarship (with grammars, dictionaries, and translations serving as instruments of colonial rule). The book’s subtitle is, of course, exaggerated: the humanities are better conceived of as a multi-layered heritage than as an edifice built on a single foundation. But the exaggeration serves a purpose: Ahmed invites us to “see ourselves as inheritors of a colonial legacy.” Apparently, the humanist tradition to which we are heirs is a mixed bag. Continuing it requires careful stock-taking: what do we want to take with us into the future?

Fortunately, we are not the first generation that faces the challenge of rethinking and remaking the humanities in light of new concerns. If this volume shows anything, it is how thoroughly the postwar American humanities changed in just a couple of decades, due to increasing enrollment numbers, political demands for area studies (e.g., Soviet studies, Chinese studies), and the rise of fields like women’s studies and Black studies. What I find stimulating about this collection of essays is also its rich array of methodologies, from quantitative approaches (how did enrollment numbers change?) to curriculum analysis (what textbooks were assigned?) We need more books like this, about other periods and different parts of the world, if only to remind us that the humanities are always subject to remaking and reimagining.

Gordon looks at the second generation of women to attend college, 1890-1920, with a spotlight on two large universities (University of California, Berkeley and the University of Chicago), one elite women’s college (Vassar) and two smaller southern colleges for women, Agnes Scott, near Atlanta, and Sophie Newcomb, affiliated with Tulane. The book’s comparative focus enables the reader to assess different types of institutions and to contrast women’s experiences in several academic settings, each with its own history and complexities.

Recent concern with intersectionality (instances where categories of race and gender overlap) makes research into Black women’s colleges vital. Founded in 1881 as a Baptist female seminary in Atlanta, Georgia, Spelman College became a leading women’s liberal arts college. The book tracks the impact of four college presidents from the outset to the 1950s. The authors show how the formal academic curriculum, extra-curriculum (college-sponsored activities), and hidden curriculum (informal and even inadvertent influences) instilled an imperative to excel.

Cracking the Wall 20 Years Later is a special title for me, not only because of the significance of its content. I used the original edition in 1993 as a student at the University of San Francisco and then later as a professor at the College of Notre Dame. This book showcases the history of 14 women in academia and highlights the importance of the array of significant changes that need to be made today. What I love most about this book is that the same authors have updated their original chapters and their personal perspective of their experiences and career paths as leaders.  They speak from the heart as they share their transformational stories. They do not sugarcoat anything.  Even though there have been considerable changes in two decades, a great deal has remained the same for women. This is another essential title of empowerment, which lets women know… show more.

In Daniel Karpowitz’s book, he takes readers behind the scenes in college-in-prison classrooms to explore what a liberal arts education can offer people who are incarcerated, and the educators who facilitate them. Karpowitz was a mentor and a guide as I was building my own college-in-prison program. His steadfast belief in the human capacity for transformative learning shines through in these accessible, riveting pages of what it means to read the canon from a position of marginalization.

Before delving into the business and culture of college radio, I had to think through the complicated relationships between universities and their surrounding communities. Davarian Baldwin helped me do just that.

The FM signals emanating from inside the walls of the ivory tower occupied the public’s airwaves, and so surrounding residents not affiliated with institutions had legitimate claims to these signals, which usually operated on licensed signals requiring public service and educational functions. While these signals often did provide valuable culture and information for wide and diverse communities, they sometimes replicated the more complicated politics of these institutions and the destructive role they played in communities.

Baldwin’s engaging and enraging exploration of town and gown provides a critical lens to use when thinking through the relationship between universities, nearby music scenes, cultural service, and radio.

The editors and contributing authors present research and theory interspersed with unique personal experiences of the journey taken by first-generation students as they move through college. The volume provides the reader with up-to-date data on two- and four-year colleges, and discusses the intersection of first-generation status with varied student identities including LGBT, low-income, African-American, Latinx, Native American, and undocumented. The last section of the book offers an introduction to practices, policies, and programs across the U.S., and directs educators, policymakers, and administrators to make campuses inclusive for diverse first-generation college students. At the Intersection is a resource for understanding and effectively responding to first-generation students’ divergent, shared, and intersectional identities in order to understand and alter their access, retention, learning, and well-being on the college campus.