Here are 100 books that Permanent Astonishment fans have personally recommended if you like
Permanent Astonishment.
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I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
My parents were born in India and migrated to the US. Postcolonial thinkers have helped me understand how imperial history continues to shape contemporary identities, not only in Britain but for those of us located all over the world whose family histories are intertwined with it.
More than anyone else, Stuart Hall has made the relationship between the imperial past and the present visible. In this collection of essays, Hall examines identity, showing how our understandings of ourselves are not absolute and intrinsic but shaped by history and politics.
Hall gives us the tools to locate ourselves in history, rethink our identity and relation to community, and contest dominant structures of race and power.
From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays-a landmark two-volume set-brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.
Volume 2: Identity and Diaspora draws from Hall's later essays, in which…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I became fascinated by the highest achievements of human intelligence while a graduate student in philosophy working on the discovery and justification of scientific theories. Shortly after I got my PhD, I started working with cognitive psychologists who gave me an appreciation for empirical studies of intelligent thinking. Psychology led me to computational modeling of intelligence and I learned to build my own models. Much later a graduate student got me interested in questions about intelligence in non-human animals. After teaching a course on intelligence in machines, humans, and other animals, I decided to write a book that provides a systematic comparison: Bots and Beasts.
Richard Nisbett is one of the most influential social psychologists in the world, and we collaborated on the 1987 book Induction. His book on intelligence gives a good introduction to the psychology of intelligence and an incisive critique of attempts to use dubious research on a genetic basis for intelligence to explain racial inequality.
Who are smarter, Asians or Westerners? Are there genetic explanations for group differences in test scores? From the damning research of The Bell Curve to the more recent controversy surrounding geneticist James Watson's statements, one factor has been consistently left out of the equation: culture. In the tradition of Stephen Jay Gould's The Mismeasure of Man, world-class social psychologist Richard E. Nisbett takes on the idea of intelligence as biologically determined and impervious to culture with vast implications for the role of education as it relates to social and economic development. Intelligence and How to Get It asserts that intellect…
I am an emeritus professor from Harvard and have spent decades trying to develop an anthropological mode of understanding history. Far from being “one damned thing after another,” as Henry Ford allegedly put it, history is an attempt to understand the human condition. It brings us into contact with people in the past, showing us how they thought, felt, and acted. For many decades, anthropologists have endeavored to do the same thing, concentrating on people separated from us by space rather than time. By applying anthropological insights to historical research, I think it is possible to make the past come alive to modern readers, while at the same time making it interesting and even amusing.
This collection of essays by one of the greatest anthropologists of the last century inspired a whole generation of historians—for example, Joan Scott and William Sewell, Jr. as well as myself. The essays also should appeal to the general reader because of their well-wrought style and wit. Drawing on Max Weber, Geertz treats cultures as symbolic systems and shows how they helped ordinary people make sense of the world. Far from wandering off into abstractions, he offers fine-grained descriptions of actual events, notably a Balinese cockfight in an essay that has been cited and debated endlessly among social scientists.
In The Interpretation of Cultures, the most original anthropologist of his generation moved far beyond the traditional confines of his discipline to develop an important new concept of culture. This groundbreaking book, winner of the 1974 Sorokin Award of the American Sociological Association, helped define for an entire generation of anthropologists what their field is ultimately about.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I used to be a reporter at The Wall Street Journal, where I covered markets and economics. I had a front-row seat for the dot-com boom, the financial crisis, the rise of bitcoin and cryptocurrencies, and the 2020 crash. I was immersed in money and the culture of money, and how it drives and distorts society. I regularly talked to brokers, analysts, executives, investors, politicians, and entrepreneurs. I had billionaires’ phone numbers. And being around all that made me wonder, what is money, and why do we value it so? Why is the pursuit of wealth seen as a virtue? So I started studying our culture of money.
The first “how to” business book, and what surprised me about it was how, for Cotrugli, being a good merchant was as much about being morally upright as about being profitable.
He spends as much time telling merchants how to pray as he does how to handle their ledgers (the book is historically famous for being the first European work to explain double-entry bookkeeping).
What I found fascinating about this book is how modern Cotrguli sounds; maybe it’s the work of the translators, but he comes across as somebody you could talk to today. And he is impassioned with his main preoccupation: how to both pursue material wealth and still be a good person. He’s trying to walk a line between greed and God, and that still matters today.
This is the first English translation of Benedetto Cotrugli's The Book of the Art of Trade, a lively account of the life of a Mediterranean merchant in the Early Renaissance, written in 1458. The book is an impassioned defense of the legitimacy of mercantile practices, and includes the first scholarly mention of double-entry bookkeeping. Its four parts focus respectively on trading techniques, from accounting to insurance, the religion of the merchant, his public life, and family matters.
Originally handwritten, the book was printed in 1573 in Venice in an abridged and revised version. This new translation makes reference to the…
In 2005 I realised that society was gradually, inexorably, headed off a cliff. So I quit a job I loved – a great decision! – and followed John Michael Greer's advice to “collapse now and avoid the rush”. Through that I’ve written a film, books, and peer-reviewed articles, co-founded organisations and movements, been arrested for direct action, advised governments, and come to live at a money-free pub! And now lead the ‘Surviving the Future: Conversations for Our Time’ online program, through Vermont’s Sterling College. I haven’t learned to change the course of history, but have discovered the ‘dark optimism’ of meaningful – even joyous – paths through such times, with eyes wide open.
This list could only end with the book that changed everything for me, yet which I only discovered, incomplete, on the desk of my suddenly-deceased mentor David Fleming…
Delving, I was absolutely captivated by its insight, humour, and startlingly realistic vision, to the extent of devoting my next couple of years to bringing it through to posthumous publication, alongside the paperback Surviving the Future that I drew out from it.
I’m deeply proud of that book, but the indescribable, multi-award-winning Lean Logic is where the rarest magic lies, with its remarkable structure of interlinked dictionary entries reflecting perfectly the holism at the heart of its radical post-collapse paradigm.
And now there’s LeanLogic.online, the wonderful fan-built website presenting the full contents for free, in a format perfectly suited to that structure. May they reshape your life as they have mine!
Lean Logic is David Fleming's masterpiece, the product of more than thirty years' work and a testament to the creative brilliance of one of Britain's most important intellectuals.
A dictionary unlike any other, it leads readers through Fleming's stimulating exploration of fields as diverse as culture, history, science, art, logic, ethics, myth, economics, and anthropology, being made up of four hundred and four engaging essay-entries covering topics such as Boredom, Community, Debt, Growth, Harmless Lunatics, Land, Lean Thinking, Nanotechnology, Play, Religion, Spirit, Trust, and Utopia.
The threads running through every entry are Fleming's deft and original analysis of…
I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
When the pandemic first started and we learned that we would be teaching fully online, I snuck back into my office on campus to grab the books I knew that I would need during the pandemic. This was one of the first books I grabbed because I knew that I needed to reread it before I answered any questions about COVID.
Paula Treichler does an amazing job discussing how disease has an “epidemic of meanings” and how those meaning influence the decisions we make and how we treat others. This book clearly shows how some narratives take hold while others are obscured.
Paula A. Treichler has become a singularly important voice among the significant theorists on the AIDS crisis. Dissecting the cultural politics surrounding representations of HIV and AIDS, her work has altered the field of cultural studies by establishing medicine as a legitimate focus for cultural analysis. How to Have Theory in an Epidemic is a comprehensive collection of Treichler's related writings, including revised and updated essays from the 1980s and 1990s that present a sustained argument about the AIDS epidemic from a uniquely knowledgeable and interdisciplinary standpoint. "AIDS is more than an epidemic disease," Treichler writes, "it is an epidemic…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
My interest in life after death and consciousness began early. I was raised in a family that practiced Spiritualist communications via seances and homemade Ouija boards. As a child, I sat under the dining room table while my relatives talked. I heard stories of Aunt Arzelia, who was a medium. She trained at Camp Chesterfield in Indiana. My great-grandfather created a homemade Ouija board on an oilcloth. I have always loved talking with folks across the veil, finding out about the mansions in the other life, and sending messages to loved ones and guides. From an early age, I began to study Dion Fortune, the Golden Dawn, and other topics.
I read this book almost 40 years ago, and it made me want to write about angels as a form of consciousness. When I think of all the creation mythology of world religions, I realize that every religion tells us we began in God's mind as God's consciousness and that God told his angels, “Look, we have made man. We have made him one of us.”
Thompson raises so many questions, and rather than answering them, he continues to raise more questions. This book is a classic among those like me who study symbology, creativity, the power of the mind, and the power of sexuality in the making of the soul.
It is not so much full of answers as it is filled with amazing questions that unfold one after the other. Besides that, he clearly loves Osiris and the goddess and the deities of ancient Egypt.
In this book, William Irwin Thompson explores the nature of myth. Acknowledging the persuasive power of myth to create and inform culture, he weaves the human ability to create life with and communicate through symbols with myths based on male and female forms of power.
Conformism, religiosity, and tribalism pose an increasingly serious threat to democracy, equality, liberty, and the world order. Many public intellectuals, therefore, argue that we should try to tamp down or eliminate these tendencies. I argue the opposite. Based on decades of collaborative research with psychologists, evolutionary scientists, historians, and archaeologists, I show that the human propensities to copy, believe, and belong are here to stay, and our best hope for the future is to draw on our rich inheritance of biological and cultural evolution to harness and manage these core features of human nature more sustainably, peacefully, and consensually.
Some people are sticklers for following norms and conventions, while others take a more relaxed approach. The same goes for entire cultures, which vary on a continuum from very tight (think Singapore or the military) to very loose (think Amsterdam or hippy communes). This book brings together a wealth of experimental data showing that societal norms tighten or loosen in response to perceptions of threat.
Even though the specific nature of those threats inevitably varies and the cultural systems of the scores of societies in which Gelfand has gathered data are diverse, the same underlying patterns are discernible everywhere. Gelfand’s work explores the profound ramifications of this discovery both for our understanding of history and of the world we live in today.
'A groundbreaking analysis of what used to be an impenetrable mystery: how and why do cultures differ? ... Anyone interested in our cultural divides will find tremendous insight in Rule Makers, Rule Breakers' - Steven Pinker, Johnstone Professor of Psychology, Harvard University, and author of Enlightenment Now
Why are clocks in Germany always correct, while those in Brazil are frequently wrong? Why are Singaporeans jailed for selling gum? Why do women in New Zealand have three times the sex of females worldwide? Why was the Daimler-Chrysler merger ill-fated from the start? And why does each generation of Americans give their…
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
Drawing on contemporary cultural politics from Western Europe, Canada, and the United States, Benhabib understands cultures as continually creating, re-creating, and renegotiating the imagined boundaries between "us" and "them." She defends the creation and expansion of deliberative discursive multicultural spaces in liberal democracies, arguing that a legal pluralist model can be a good complement to deliberative and discursive democratic multiculturalism. In her insightful study, Benhabib contends that the Rawlsian model of public reason and the deliberative model of democracy share certain fundamental premises. Both view the legitimation of political power in the examination of the justice of institutions to be a public process, open to all citizens. The idea that justice should be in the public eye, open to scrutiny, examination, and reflection is fundamental.
How can liberal democracy best be realized in a world fraught with conflicting new forms of identity politics and intensifying conflicts over culture? This book brings unparalleled clarity to the contemporary debate over this question. Maintaining that cultures are themselves torn by conflicts about their own boundaries, Seyla Benhabib challenges the assumption shared by many theorists and activists that cultures are clearly defined wholes. She argues that much debate - including that of "strong" multiculturalism, which sees cultures as distinct pieces of a mosaic - is dominated by this faulty belief, one with grave consequences for how we think injustices…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
Know your audience? I’m kidding—never condescend; there’s nothing to be gained. Leave the smug cleverness to the Gladwells and Pinkers; we’re seeking higher ground here. What is culture? Don’t act like you don’t want to talk about it – or the stakes. This is THE TALK we actually need to have.
We have an affinity for our own habits, and Bourdieu walks us through them using the socially innocent language of likes and dislikes. His is a very straightforward discussion of experiences and social conditions that you didn’t know you needed. How do tastes vary, and why? Hmmmm.
No judgment of taste is innocent. In a word, we are all snobs. Pierre Bourdieu brilliantly illuminates this situation of the middle class in the modern world. France's leading sociologist focuses here on the French bourgeoisie, its tastes and preferences. Distinction is at once a vast ethnography of contemporary France and a dissection of the bourgeois mind.
In the course of everyday life people constantly choose between what they find aesthetically pleasing and what they consider tacky, merely trendy, or ugly. Bourdieu bases his study on surveys that took into account the multitude of social factors that play a part…