Books like The Anthropocene Reviewed — picked by fans

Jonas is our youngest protagonist on the list. He is destined to be the receiver of memories in a futuristic utopian society. Those memories are to be passed down to him by an old man, the Giver.

Jonas lives in a society where people are innocent—innocent of emotion, pain, and suffering. He must lose his innocence to experience the joys and pains of humane experience. 

That’s a heavy responsibility. And it’s Jonas’ thoughtfulness and curiosity that draws me to him. He faces difficult ethical choices. His awakening is unique to the fictional world he inhabits, but it is universal in theme. His quest to gain knowledge, his willingness to question authority to get to the truth, and his ability to make tough choices to experience the depth of what it means to be human make him someone I would want in my corner. 

Friendly tip: I do not recommend reading this novel while isolated from your family due to travel and illness, because this book hits hard in all the right ways.

It invites both the protagonist and the reader to explore the deepest wells of regret and the branching infinities that our life choices produce. In doing so, the novel beautifully confronts the seductive lure of “what could have been” while reminding us of the quiet beauty in what is.

As someone whose mind is often lost in the past or gazing into the future, this ultimate lesson of the book provided a much-needed sense of clarity.

Prepare yourself for a future where death no longer exists. In the world of Scythe, humanity is now governed by a computer system so advanced that poverty, illness, and mortality no longer plague the human race. Instead, a group of people known as Scythes decides who lives and who dies in an attempt at population control. 

Enter Citra…a young woman with a good head on her shoulders. She boldly accepts the opportunity to be trained as a scythe. Citra must decide just what kind of executioner she wants to be and if she has what it takes to judge the value of human life. 

Since Capsule was actually written by a teenager, anyone from Generation Z will be able to relate to this gut-wrenching tale about friendships and memories better left forgotten. Each character is both unique and human, and the writing makes you stare into space in awe. This novel throws difficult-to-swallow truths at the reader, and leaves them without oxygen with a fantastic ending. For anyone who has struggled, this book is for you.

I've read a lot of anthropology and had my own experience in the Field.

I was impressed that Mead had the courage to share these letters that were intimate and which resonated with me as very real experiences. I appreciate how vividly she captures the blend of intellectual curiosity, persistence, and personal growth that comes from living in another culture.

The book reinforced that science is not only about data—it is also about the people, experiences, and relationships that shape our understanding of the world and bring nuance to science. Mead’s letters paved the road for me to share my letters and the courage to show my vulnerability and naiveté.

This collection of essays by one of the greatest anthropologists of the last century inspired a whole generation of historians—for example, Joan Scott and William Sewell, Jr. as well as myself. The essays also should appeal to the general reader because of their well-wrought style and wit. Drawing on Max Weber, Geertz treats cultures as symbolic systems and shows how they helped ordinary people make sense of the world. Far from wandering off into abstractions, he offers fine-grained descriptions of actual events, notably a Balinese cockfight in an essay that has been cited and debated endlessly among social scientists.

Richard Nisbett is one of the most influential social psychologists in the world, and we collaborated on the 1987 book Induction. His book on intelligence gives a good introduction to the psychology of intelligence and an incisive critique of attempts to use dubious research on a genetic basis for intelligence to explain racial inequality.

Know your audience? I’m kidding—never condescend; there’s nothing to be gained. Leave the smug cleverness to the Gladwells and Pinkers; we’re seeking higher ground here. What is culture? Don’t act like you don’t want to talk about it – or the stakes. This is THE TALK we actually need to have.

We have an affinity for our own habits, and Bourdieu walks us through them using the socially innocent language of likes and dislikes. His is a very straightforward discussion of experiences and social conditions that you didn’t know you needed. How do tastes vary, and why? Hmmmm.

Drawing on contemporary cultural politics from Western Europe, Canada, and the United States, Benhabib understands cultures as continually creating, re-creating, and renegotiating the imagined boundaries between "us" and "them." She defends the creation and expansion of deliberative discursive multicultural spaces in liberal democracies, arguing that a legal pluralist model can be a good complement to deliberative and discursive democratic multiculturalism. In her insightful study, Benhabib contends that the Rawlsian model of public reason and the deliberative model of democracy share certain fundamental premises. Both view the legitimation of political power in the examination of the justice of institutions to be a public process, open to all citizens. The idea that justice should be in the public eye, open to scrutiny, examination, and reflection is fundamental.

I was extremely lucky to conduct my PhD research on Tokaido road in the 1990s. Books by scholars of Japanese Studies like Marily Ivy were extremely influential and opened my eyes to aspects that would not have been visible to me otherwise. 

The Discourses of the Vanishing was one such book that dispelled deeply rooted myths of Japan, especially the belief that Japan is a fully modernized country, that Japanese society is monolithic, and that Japan’s most noteworthy locales are its highly urbanized areas. What brought me to the book was Ivy’s examination of the Exotic Japan campaign of Japan’s railways in the late 1980s. This campaign was woven with powerful notions of furusato (nostalgia for one’s native place), neo-Japonesque exoticism, and other imaginary references of post-bubble Japan meant to appeal to women as new targets of Japan’s consumption campaigns.

Across the book’s six chapters, Ivy also takes us to… show more.