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I have been a journalist for over a decade, most frequently writing on the subjects of spirits, cocktails, and drinking culture for such publications as the New York Times, Wall Street Journal, Esquire, Playboy, and VinePair. I have written 12 booksâ6 of them on boozeâmy latest of which is Dusty Booze: In Search of Vintage Spirits.
I had always believed that a great booze book didnât need to just be pages of pretty pictures and cocktail recipesâI knew there were booze stories that could make for compelling, novel-like narratives as well. Thad Voglerâs 2017 work was the first to actually prove my theories correct, however.
His journey to both visit the sourcesâCuba! Oaxaca! Cognac!âand meet the producers of such vaunted spirits as rum, mezcal, and cognac, all while philosophizing about what artisan spirits production actually means, resonated with me like no other booze before.
Voglerâs humor and bawdy tone also showed me a drinks-related book need not be a dry readâbooze is fun, after all!
Spirits expert Thad Vogler, owner of the James Beard Awardâwinning Bar Agricole, takes readers around the world, celebrating the vivid characters who produce hand-made spirits like rum, scotch, cognac, and mezcal. From the mountains of Mexico and the forbidden distilleries of Havana, to the wilds of Scotland and the pastoral corners of France and beyond, this adventure will change how you think about your drink.
Thad Vogler is one of the most important people in the beverage industry today. Heâs a man on a mission to bring âgrower spiritsââspirits with provenance, made in the traditional way by individuals rather thanâŚ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŚ
I have visited all the major wine regions since I developed my passion for wine as a Sommelier and Beverage Director in luxury hotels in London and around the world. To learn more about wine, I studied to become a French, Italian, and Spanish Wine Scholar, joined the Champagne Academy in France, and recently completed a two-year Diploma in Wine at the WSET School in London. Iâve also worked two harvests as a winemaker at Mission Hill Winery in British Columbia in 2020 and Trius Winery in Niagara, Ontario in 2021. My novels are inspired by my studies, work experience, and travels through the worldâs best wine regions.
I loved this book and couldnât recommend it highly enough. It reads like a modern-day thriller, made all the better as it's based on true-events. Itâs a well-told story involving Thomas Jefferson, Chateau Lafite Wine, Christie's Auction House, Masters of Wine, and Billionaires that had me turning the pages as fast as possible. I loved all the historical details and the well-researched nature of this gripping tale.
What I enjoyed most about the book was its exploration of the perceived value we place on wine and how we reconcile that perceived value with how far we would go to obtain such items at any cost. As this recounting demonstrates, there are at least two sides to every story and sometimes many more. I hope to read more by this author and hope he explores other famous stories of theft, fraud, and betrayal in the world of wine.
The rivetingly strange story of the world's most expensive bottle of wine, and the even stranger characters whose lives have intersected with it.
The New York Times bestseller, updated with a new epilogue, that tells the true story of a 1787 Château Lafite Bordeauxâsupposedly owned by Thomas Jeffersonâthat sold for $156,000 at auction and of the eccentrics whose lives intersected with it.
Was it truly entombed in a Paris cellar for two hundred years? Or did it come from a secret Nazi bunker? Or from the moldy basement of a devilishly brilliant con artist? As Benjamin Wallace unravels the mystery,âŚ
I have been a journalist for over a decade, most frequently writing on the subjects of spirits, cocktails, and drinking culture for such publications as the New York Times, Wall Street Journal, Esquire, Playboy, and VinePair. I have written 12 booksâ6 of them on boozeâmy latest of which is Dusty Booze: In Search of Vintage Spirits.
So often, booze history has not been carefully written down, and Simonson wanted to ensure that would not be the case when it came to the cocktail renaissance that kicked off in the early 21st century.
Chapter by chapter, he introduces us to the playersâbartenders, bar owners, producers, and repsâalong with the bars that reinvigorated a nearly-dead American tradition of Martinis, Manhattans, Margaritas, and many more drinks that are now, thanks to them, ubiquitous everywhere on the globe.
A narrative history of the craft cocktail renaissance, written by a New York Times cocktail writer and one of the foremost experts on the subject.
A Proper Drink is the first-ever book to tell the full, unflinching story of the contemporary craft cocktail revival. Award-winning writer Robert Simonson interviewed more than 200 key players from around the world, and the result is a rollicking (if slightly tipsy) story of the charactersâbars, bartenders, patrons, and visionariesâwho in the last 25 years have changed the course of modern drink-making. The book also features a curated list of about 40 cocktailsâ25 modern classics,âŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
I have been a journalist for over a decade, most frequently writing on the subjects of spirits, cocktails, and drinking culture for such publications as the New York Times, Wall Street Journal, Esquire, Playboy, and VinePair. I have written 12 booksâ6 of them on boozeâmy latest of which is Dusty Booze: In Search of Vintage Spirits.
Booze books can too often be overly positive, cheerleading for the industry at large; itâs rare you see one so incisive and damning.
Once nothing more than a headache-inducing frat house shooter, today tequila (and mezcal) has become the trendy spirit of those in the knowâŚor those who want to seem like they are. But as Martineau details, the rapid expansion of this agricultural spirit into all bars, retailers, and marketplacesâmuch of it driven by, yes, gringos, some of them bold-faced namesâhas inherently ruined this beautiful spirit in many ways that may never be recovered.
Once little more than party fuel, tequila has graduated to the status of fine sipping spirit. How the Gringos Stole Tequila traces the spirit's evolution in America from frat-house firewater to luxury good. But there's more to the story than tequila as upmarket drinking trend. Chantal Martineau spent several years immersing herself in the world of tequila--traveling to visit distillers and agave farmers in Mexico, meeting and tasting with leading experts and mixologists around the United States, and interviewing academics on either side of the border who have studied the spirit.
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth gradeâif not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
Christopher Rowe's prose is beautiful, vivid, and engrossing. His vision of a future mid-South dominated by rogue artificial intelligence conceals amid its wild phantasmagoria a surprisingly perceptive tenderness for the ways people cling together as they struggle to adapt and make space for each other in a complex and massively changed world. These stories also communicate an engrossing, evangelical love for bikes and cycling like nothing else I've read.
There are ten stories here including one readers have waited ten long years for: in new novel-la The Border State Rowe revisits the world of his much-lauded story The Voluntary State. Competitive cyclists twins Michael and Maggie have trained all their lives to race internationally. One thing holds them back: their mother who years before crossed the border into Tennessee.
Praise for Christopher Rowe:
"Rowe's stories are the kind of thing you want on a cold, winter's night when the fire starts burning low. Terrific." Justina Robson (Glorious Angels)
"As good as he is now, he'll keep getting better. ReadâŚ
1995 - âWrite what you know,â Mark Twain advised. Iâd been married three times. I wrote romances. 2012 - âWrite what you know.â Iâd been divorced three times and fantasized about murdering my ex. Only massive doses of chocolate kept my finger off the trigger. HenceâŚDeath by Chocolate.
Death by a HoneyBee is humorous and suspenseful, and I love the heroine.
Josiah Reynolds is a snarky, fifty-year-old beekeeper in the southern town of Lexington, Kentucky. The story is intriguing and the quirky characters fascinating. The author inserts interesting details of beekeeping without interrupting the story. I later learned that the author is a beekeeper and hence was able to provide authentic details.
When Josiah finds her rival beekeeper dead with his head in one of her bee hives, she is thrown into a world of suspense and mysteryâŚand humor! Josiah is a strong southern woman who greets problems with southern wit and wisdom!Â
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŚ
When students ask me if I am from Kentucky, I say âno, but I got here as quickly as I could.â I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentuckyâs story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nationâs history.
Ever since John Filson wrote the first history of the state in 1784, the Kentucky frontier has captured the publicâs imagination. Aron goes beyond heroic accounts and stories of triumph to understand how egalitarian aims and the sense that the West could become a âgood poor manâs countryâ failed to pan out for so many. The west did not become the land of opportunity for Native Americans or slaves, nor did it provide a fresh start for many poor white men and women. Two iconic figures, Boone and Clay, serve as familiar bookends, neatly framing Aronâs story and tying their worlds to the one we recognize today.
Eighteenth-century Kentucky was a place where Indian and European cultures collided-and, surprisingly, coincided. But this mixed world did not last, and it eventually gave way to nineteenth-century commercial and industrial development. How the West Was Lost tracks the overlapping conquest, colonization, and consolidation of the trans-Appalachian frontier. Not a story of paradise lost, this is a book about possibilities lost. It focuses on the common ground between Indians and backcountry settlers which was not found, the frontier customs that were not perpetuated, the lands that were not distributed equally, the slaves who were not emancipated, the agrarian democracy that wasâŚ
When students ask me if I am from Kentucky, I say âno, but I got here as quickly as I could.â I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentuckyâs story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nationâs history.
Following in the footsteps of scholars, such as Kristen Hoganson, who have put a new gender spin on well-chronicled events, Sachs takes a familiar storyâthe story of Americaâs first frontierâand tells it in a fresh and compelling way by emphasizing how manliness and mastery shaped public policy and household relationships. Life in the west was risky and chaotic. Settlers coped by celebrating domestic order and by demanding the right for men to rule their own households. This patriarchal ideal, however, often led to violence, both outside the home and within. The individuals Sachs spotlights like, widow and powerful businesswomen Annie Christian, and outcast criminal and murderer Bartholomew Fenton, provide a totally new perspective on frontier life.Â
On America's western frontier, myths of prosperity concealed the brutal conditions endured by women, slaves, orphans, and the poor. As poverty and unrest took root in eighteenth-century Kentucky, western lawmakers championed ideas about whiteness, manhood, and patriarchal authority to help stabilize a politically fractious frontier. Honor Sachs combines rigorous scholarship with an engaging narrative to examine how conditions in Kentucky facilitated the expansion of rights for white men in ways that would become a model for citizenship in the country as a whole. Endorsed by many prominent western historians, this groundbreaking work is a major contribution to frontier scholarship.
When students ask me if I am from Kentucky, I say âno, but I got here as quickly as I could.â I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentuckyâs story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nationâs history.
As a journalist, Wall reported on horse racing in Kentucky for many years before becoming a serious student of history, which makes her writing really readable. Today, most people classify Kentucky as a southern state, but before and immediately following the Civil War it was considered the west. This book explains the switch, giving horsemen credit for rehabbing the Bluegrass Stateâs tarnished image, albeit to serve their own financial interests. Besides introducing readers to the post-war history of Kentucky, it provides a useful introduction to horse culture. After reading it, you will understand why the Kentucky Derby is so steeped in tradition and why black jockeys, once so plentiful in the sport, are rare.
The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today. In her debut book, How Kentucky Became Southern: A Tale ofâŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
When students ask me if I am from Kentucky, I say âno, but I got here as quickly as I could.â I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentuckyâs story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nationâs history.
Jim Klotter, Kentuckyâs preeminent historian, takes an obscure nineteenth-century Kentucky Superior Court Judge, Richard Reid, and uses his life and death to understand the tragic ways southern honor forced men to prove themselves. John Jay Cornelison attacked Reid at his law Mount Sterling law office in 1884, setting off an unexpected series of events. Reidâs story reveals the conflicts between old, traditional southern ways, and the new urban, industrial order, and Klotter tells it masterfully. The book is filled with suspense and sharp analysis, but it is also a quick read.
When attorney John Jay Cornelison severely beat Kentucky Superior Court judge Richard Reid in public on April 16, 1884, for allegedly injuring his< honor, the event became front-page news. Would Reid react as a Christian gentleman, a man of the law, and let the legal system take its course, or would he follow the manly dictates of the code of honor and challenge his assailant?
James C. Klotter crafts a detective story, using historical, medical, legal, and psychological clues to piece together answers to the tragedy that followed.
""This book is a gem. . . . Klotter's astute organisation andâŚ
