Here are 95 books that The Leftovers fans have personally recommended if you like
The Leftovers.
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In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
I was always a bookworm, even reading the encyclopedia as a child. I was equally drawn to the sciences and literature and ended up getting a PhD in Chemistry. I visited Asia often for my chemistry work and gradually became interested in the philosophy and religion of Asian cultures. Today, I'm more likely to brag about what I’ve written or read about Chinese culture than I am to mention my technical patents.
I first read the Canticle forty years ago, and yet, when asked to recommend five books, this was the first one that came to mind. It threw me into an insane world, yet one that seemed only too possible.
My favorite character is Abraham, a tent-dwelling timeless man who lives through the several generations that the book follows. I am not a fan of dystopia, but this is an exception. Now that I’ve recommended it- I’m going to go read it again.
In the depths of the Utah desert, long after the Flame Deluge has scoured the earth clean, a monk of the Order of Saint Leibowitz has made a miraculous discovery: holy relics from the life of the great saint himself, including the blessed blueprint, the sacred shopping list, and the hallowed shrine of the Fallout Shelter.
In a terrifying age of darkness and decay, these artifacts could be the keys to mankind's salvation. But as the mystery at the core of this groundbreaking novel unfolds, it is the search itself—for meaning, for truth, for love—that offers hope for humanity's rebirth…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
The roots of my debut novel Charlesgate Confidentialare in the time I spent in Boston, most notably the three years I lived in the Charlesgate building when it was an Emerson College dormitory. I always wanted to find a way to write about that time, but it wasn’t until I immersed myself in the world of Boston crime—not only the novels of Higgins, Lehane, and company but nonfiction works like Black Massand movies like The Departedand The Town—that I hit on the way to tell my story. I’ll always be excited for new Boston-based crime fiction, and I’m happy to share these recommendations with you.
After Robert B. Parker, Lehane is the most successful and skilled descendant of Eddie Coyle (a debt he acknowledges in his introduction to a reissue of the Higgins book). While you can’t go wrong with any of the entries in his Kenzie/Gennaro detective series (or his later historically-based trilogy), this stand-alone novel about three childhood friends brought back together by a crime one of them may have committed is his most powerful work, as well as the novel that first spurred my interest in trying my hand at Boston-based crime fiction.
This New York Times bestseller from Dennis Lehane is a gripping, unnerving psychological thriller about the effects of a savage killing on three former friends in a tightly knit, blue-collar Boston neighborhood.
When they were children, Sean Devine, Jimmy Marcus, and Dave Boyle were friends. But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened—something that ended their friendship and changed all three boys forever.
Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con who owns a corner store. And Dave is trying to…
I’m struck by the narrative elegance of a premise-based novel. Here’s the premise, now what happens? These stories succeed when the premise catches your attention and leads plausibly and compellingly to what the characters think, feel, and do next. Apocalyptic novels are premise-based (apocalypse!) but not all premise-based novels are apocalyptic, e.g., Elevation, Mystic River, and own Ghosts on the Red Line. My experience writing Ghosts on the Red Line has provided me with a good sense of how authors Perrotta, King, Lehane, Miller, and St. John Mandel went about building on their inspired premises to create their unforgettable stories.
Elevation grabbed me from its starting premise until its last memorable scene. A flabby protagonist reveals to a doctor friend that his weight, as shown on his scale, is steadily dropping despite his unchanged appearance. In effect, he is less and less affected by gravity. Because his muscles have adapted to manage his large size, as his gravitational weight decreases he gains disproportionate agility and stamina, to the extent that he becomes a formidable marathon runner which amazes everyone who sees him. He develops close bonds with two women with whom he previously conflicted and they and his doctor friend help him to deal with his situation which becomes perilous as his weight approaches zero.
From legendary master storyteller Stephen King, a riveting story about “an ordinary man in an extraordinary condition rising above hatred” (The Washington Post) and bringing the fictional town of Castle Rock, Maine together—a “joyful, uplifting” (Entertainment Weekly) tale about finding common ground despite deep-rooted differences, “the sign of a master elevating his own legendary game yet again” (USA TODAY).
Although Scott Carey doesn’t look any different, he’s been steadily losing weight. There are a couple of other odd things, too. He weighs the same in his clothes and out of them, no matter how heavy they are. Scott doesn’t want…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
This is one of the best collections I’ve ever read, and I’ve read it a few times now. These are emotionally intimate stories, bleak but beautiful. Dines really knows how to write convincing, troubled characters, people you will care about and suffer with as they struggle with the losses life forces upon them, and while each of the stories stands alone, there are connections between many of them which serves to build on your relationship with these characters. This is a debut collection, but every story has clearly been written by someone who has mastered their craft. Dines knows exactly what he’s doing, and what he’s doing is making you care, making you feel, and making you realise you are not alone. I love this book.
The past is never far behind. If we do not leave it, if we insist on carrying it with us to the end...that end is a monster.
This stunning debut collection of dark, literary fiction drowns the reader in its themes of grief, regret, love, and hope.
A family is torn apart by tragedy and misadventure, their future creaking under the weight of judgment. Old men play at being ghosts while a young boy sees real ones wherever he turns. A wandering immortal desperately seeks an end to his pain.
Intimate, unflinching, and poignant, these eleven tales of the broken…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I’m chronically ill. Whether I’m swept up, terrified, swooning, or trying to solve a mystery, I love my fiction to take me elsewhere. The dichotomy of wanting to share my experiences, discuss disability, open up the conversation around the topic, and have others lose themselves in story has been a fine line I’ve walked with all of my work. With Joyce, I wanted to bring grief and disability to life in a more resonate way. The words pain and fatigue mean drastically different things to different people. When magic is involved, it transcends your definition or mine, allowing us to focus on the experience with less personal context.
Some say this book is horror. I recommend it not as a horror book, but as a glimpse into illness, grief, and uncertainty through the lens of magical realism.
I see the moments along the way that are scary, but for me, those are just jump pads to the action of living, of existing, of the complicated state of being unwell, and how love will allow you to accept more than you thought you were capable of.
Does Julia know she showcased the slow decline of a chronically ill person in the way she did? I do not know. But as a chronically ill person myself, I saw poignant vignettes of tenderness around the topic.
Though the dual storylines, the unknown, the fear, are interesting and creative, it’s the quiet moments between two women who love each other, just wondering what’s next, that will stay with you.
Named as book to look out for in 2022 by Guardian, i-D, Autostraddle, Bustle, Good Housekeeping, Stylist and DAZED.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
There’s so much to love about this book. Every story here is brilliant, and while sadness is the thread running through all of them, I’d say they also deal with issues of loss or the pain of losing, and the things we do to cope. I’ve loved Mauro’s writing from day one, and this collection gathers her best into a powerful volume that does indeed sing. It filled and then broke my heart. The book is worth buying for the award-winning story "Looking for Laika" alone, but there really isn’t a single story here that isn’t a masterclass in writing, and not a single one that doesn’t move the reader to feel the sadness and feel it deeply. I can’t wait for whatever Laura Mauro does next.
British Fantasy Award-winning author, and Shirley Jackson Award finalist Laura Mauro, a leading voice in contemporary dark fiction, delivers a remarkable debut collection of startling short fiction. Human and humane tales of beauty, strangeness, and transformation told in prose as precise and sparing as a surgeon’s knife. A major new talent!
Featuring "Looking for Laika," winner of the British Fantasy Award, and "Sun Dogs," a finalist for the Shirley Jackson Award.
I’ve been reading and writing horror for more than forty years and am prolific in both aspects. Show me a book with a tentacle and I’ll show you my newest purchase.
Release the Kraken! While the tentacles might be more subtle on newer editions of this fine book, the title alone is enough to get it added to my list. This is a classic and the twists and turns in it are stupendous. What hooked me from the beginning was the characters and the story arc, although the plot, setting, and everything else make this a book you cannot miss. A must-read.
Winner of the Locus Award for Best Science Fiction Novel, Kraken is a darkly comic, wildly absurd adventure by author of Perdido Street Station, China Mieville.
Deep in the research wing of the Natural History Museum is a prize specimen, something that comes along much less often than once in a lifetime: a perfect, and perfectly preserved, giant squid. But what does it mean when the creature suddenly and impossibly disappears?
For curator Billy Harrow it's the start of a headlong pitch into a London of warring cults, surreal magic, apostates and assassins. It might just be that the creature…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Locked room thrillers are what I like to read and write best. Out of my four published novels, two include locked rooms. Gatedtakes place in a community with an apocalyptic bunker and Flight 171 takes place on a plane. The characters must face their antagonists head-on because there is no escape. I love that these settings challenge me to dig deep into character and plot inventively. Exposing my characters’ darkest secrets as they face their foes becomes part of the fun. The books I chose for this list all have excellent “locked rooms” and speak to the girl in me who gobbled up Murder on the Orient Expressand became instantly obsessed.
Anyone who knows me well or has read my first two books knows I’m a sucker for a thriller about a cult.Blood and Salt by Kim Liggett is my young adult Midsommardream novel. The main character, Ash Larkin, goes looking for the commune her mother escaped only to find herself physically trapped there by the cornfield (and cult) from hell. As a child I used to play hide and seek in cornfields. This book brought me back to those moments spent listening for my friends, worrying that they wouldn’t find me. Kim’s writing is beautiful and lyrical. I will literally read anything she writes. Besides, she has the coolest author bio ever. She spent the eighties singing backup for rock bands.
Determined to find her mother when she disappears, Ash follows her to Quivara, Kansas, the spiritual commune she escaped long ago. But something sinister and ancient waits among the rustling cornstalks of this village lost to time.
Her mother is nowhere to be found, but Ash is plagued by memories of her ancestor, Katia, which harken back to the town's history of unrequited love, murder, alchemy, and immortality. Charming traditions give way to a string of deaths. And Ash feels herself drawn to Dane, a mysterious, forbidden boy with secrets of his own.
