100 Books Like Orthodoxy

My final choice is slightly different from the others on my list, in that it is not an anthology or an exposition of different viewpoints.

It is a short book (just 60 pages) that simply argues that there is no meaning of life but that that does not matter in the least.

In this respect, the book is a good antidote to Schopenhauer’s view – discussed or excerpted in all of the above – that there is no meaning of life and that that matters a great deal.

Whether you agree with Tartaglia and Llanera or not, you are likely to find their views a useful foil against which to formulate your own.

Nausea does not rely on the extreme or outlandish scenarios of science fiction to explore philosophical themes. Rather, this novel is about a person’s growing malaise over his conscious relationship to objects, people, and ultimately himself. It reaches into some very fundamental aspects of our relationship to the world, and asks you to look at the mere structure of existence after all particularities (names, shapes, colors, history, etc.) are wiped away, and then asks you how you feel about it. Through an existentialist lens, it also explores certain political questions. And for those more technically interested in philosophy, the novel does a better job of showing existentialism’s relationship to phenomenology than many academic papers. 

Simenon is a master storyteller and father of the noir genre. He quit school as a teenager and never attended a writing program. Dirty Snow is filled with psychological insight and hard facts about life. The main character, Frank Friedmaier, is a brawny young man who lives in his mother’s brothel in France under German occupation. A horrible crime, along with heinous acts, are committed because he cares about nothing and does things without reason. His life is deprived of a father and that void quickly becomes occupied by whores that facilitate a man without optimism. Simenon vividly takes us on a trip into the mind of a creature that can be uncomfortable for a lot of people. This is yet another dark classic about an anti-hero challenged by the notion that he is a man like any other.

Nietzsche was the master diagnostician of the challenge of living in a secular world, once God was dead. The Birth of Tragedy develops a powerful theory of culture, its necessity for human wellbeing, and how it works.

The basic assumption is that human life is lived on the surface, driven by a substratum of demonic instincts, nightmare fears, and a barbaric will to lust and sadism. Culture’s task is to transform these unconscious drives into harmonious and beautiful images that capture the mind and give an orderly direction to how humans conduct their lives.

But for culture to have that commanding power it needs to be founded on a fixed and primordial sacred site. Without that, the modern problems rise: nihilism, rancour, and depression.

Released in the early ‘90s, Frisk was adapted into a film in the mid-90s by Todd Verow. Both received mixed reviews due its transgressive content about madness and bizarre sexual aesthetic. Frisk leaves little to the imagination as the narrator explores taboo photography and sexual deviance while traveling through Holland. Critics and fans found this breakthrough novel deeply polarizing because it involves a gay character obsessed with annihilation. Nevertheless, the overall theme is about victimization, and a culture obsessed with objectification. Despite the novel’s punk prose and hypnotic pacing, there’s something to be said when humanity has a tendency to destroy what society deems perfect. Cooper definitely explores how human desire can become just as fanatical as a religious zealot. A must read for fans of cinematic gore.

In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.

Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.

I speak Russian and spent several years working in the former USSR on cultural exchange exhibitions. I majored in Russian Language and Literature at Brown and have a Master’s in those subjects, also from Brown, and I love Turgenev even more than I love his great contemporaries, Tolstoy and Dostoevsky.

In this short novel, Turgenev speaks to political differences across generations, something pertinent to the American political scene now and to the tension between activism and domestic life. 

As a novelist, I’m also blown away by his ability to put so much into a very short piece of fiction. It’s helpful, but not essential, to have a bit of knowledge about pre-Revolutionary Russia, but like his masterful Sportsman’s Sketches, he is a genius at bringing characters, both real and imagined, to life.

This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less… show more.

Set in London in the early 1920s, Huxley’s Antic Hay follows a cast of young bohemian and artistic characters, all affected in various ways by the Great War, as they search for SOMETHING to give meaning to their lives. London has changed, the world has changed, and they are lost. Cripplingly shy Theodore Gumbril, the main character, (inventor of Gumbril's Patent Small-Clothes, trousers which contain an inflatable cushion in the seat) searches for love, and meaning, in the shattered society following the end of the war. His search for love – including the donning of a false, confidence-boosting beard, makes for an absurd kind of comedy. Antic Hay is a savage satire, a switchback of emotions, swooping between humour and despair – though the slight plot does sometimes get rather side-lined by intellectual discussions and I admit to skipping the odd page. However, it gives an excellent flavour of the… show more.

Janine Di Giovanni is a daring foreign correspondent with decades of experience covering the Middle East. Her reporting from the trenches is riveting.

She takes you inside the massacres, as she waits in halls, tunnels, and burned-out buildings with those whose stories she came to tell. If it wasn’t true, this book would be read alongside the best thriller writers.