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Antic Hay.
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I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
I first read this book about twenty years ago and still find it heartbreaking to think it was written by someone who experienced first-hand the horror of the First World War and with it so much pain and grief brought about not only from her experiences as a V.A.D. but also from her own personal losses.
It is a book that helped me understand as much as anything possibly could living in the twenty-first century, how much of a struggle it must have been for ordinary people to keep going and survive that dark time in history.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.
Chris, a shell-shocked soldier who suffers from amnesia, returns from the front expecting life to be as he remembered. But he’s lost fifteen years of his memory and doesn’t recognise his wife Kitty, is horrified by how his cousin Jenny has aged, and longs only for Margaret, the girl he loved all those years ago. Despairing for his sanity, Kitty and Jenny summon Margaret, sure he’ll come to his senses when he sees her, only to find that he still adores her, dowdy, careworn, and poor as she is. The war is only glancingly mentioned here but its loss and damage aches between the lines. Told by Jenny, who loves Chris but starts to see Kitty in a new light, the dreadful snobbishness of the times is laid clear. The Return of the Soldier is a brief novel, romantic and witty, moving and bitter – I devoured it in one…
A shell-shocked officer returns from the chaos of World War I to the tranquility of his stately English home — leaving his memory of the preceding 15 years amid the muddy trenches at the front lines. Anxiously awaiting the soldier's return are the three women who love him best: the perceptive cousin who narrates his story, the beautiful wife he fails to recognize, and the tender first love of his youth. This remarkable war novel, Rebecca West's first work of fiction, depicts neither battles nor battlefields. Originally published in 1918, it takes a searching look at the far-reaching effects of…
I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.
Immediately after the war, a bereaved woman returns alone to her family’s summer home in the Swiss Alps. It is a beautiful place, but she’s terrified of the memories it stirs, and haunted by the ghosts of those she’s lost. When a couple of lost English widows happen upon her house, she seizes eagerly on their company and the distraction they provide. She invites them to stay, and quickly forms an intense and rather desperate attachment to them. This novel gives a fine evocation of a time when so many felt displaced, when it was as if the tectonic plates of civilised existence had shifted the safe ground from beneath their feet. We see the journey of (eventually) a quartet of bereaved and war-shattered people towards a sort of healing, wholeness, and peace – as well as a new tolerance towards the differences of others.
In the Mountains is a book by Elizabeth von Arnim. An English woman eludes confusing personal troubles in London and seeks shelter at her lodge amongst the Swiss Alps.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.
Enormously useful to me while researching for Blasted Things, was The Great Silence: 1918-1920 Living in the Shadow of the Great War. Taking us through chapters entitled feelingly with nouns: from Wound and Shock, through Resignation, and finally to Hope, Trust and Acceptance, Nicolson provides a chronological account of the period between the 1918 Armistice and the burial of the Unknown Soldier in 1920. It’s addictively readable, the history enriched by the recounted experiences of ordinary people from all walks of life, giving a rounded sense of the time, filled with detail about culture, music, the movies, fashion, class and so much more. This book provides a marvellously concrete and detailed account of the sensibility of a short and fascinatingly complex period.
Armistice Day 1918 dawns with great joy for victorious Britain, but the nation must confront the carnage war has left in its wake. In The Great Silence, Juliet Nicolson looks through the prism of daily life to narrate the rich but unknown history of the slow healing Britain undergoes in the two years following that day.
The two-year anniversary of the Armistice brings some closure at last: the remains of a nameless soldier, dug up from a French battlefield and escorted to London in a homecoming befitting a king, are laid to rest in glory in the Tomb of the…
As a history buff I am also fascinated by folklore and magic, and how it has influenced society during various time periods. I love discovering writers who seamlessly manage to present a parallel magical universe grounded in actual history or who manage to incorporate fantastical or magical elements into a historical novel. Over the last few years I’ve been increasingly drawn to exploring the philosophical, magical, and spiritual underpinnings of society as part of my historical research. Although my own published works to date have been straight historical fiction, my current work in progress is definitely veering into the speculative, alternative history realm.
Set in 1917, during an era that I have always been particularly drawn to, The Toymakers is one of those rare books that manages to capture magic in a way that feels both whimsical as well as deeply poignant – it truly reads like a fairy tale for adults set against the tragic backdrop of the First World War. Reading this book was like reading the first Harry Potter book – I was totally captivated and transported back in time to London and the Emporium (a wonderful magical toy shop). This book had me spellbound – both in terms of the enchanting forms of magic employed by the toy-makers as well as the darker aspects of their lives and the secrets uncovered.
An enchanting, magical novel set in a mysterious toyshop - perfect for fans of Erin Morgenstern's The Night Circus and Stephanie Garber's Caraval by way of Jessie Burton's The Miniaturist
It is 1917, and while war wages across Europe, in the heart of London, there is a place of hope and enchantment.
The Emporium sells toys that capture the imagination of children and adults alike: patchwork dogs that seem alive, toy boxes that are bigger on the inside, soldiers that can fight battles of their own. Into this family business comes young…
Cynthia Harrod-Eagles is the author of the internationally acclaimed Morland Dynasty books. Five volumes of this comprehensive historical series focus on WW1, covering the military campaigns and the politics behind them. With the approach of the WW1 centennials, she was asked to write about the period again, this time from the point of view of the people who stayed at home. The result was the six-volume series, War At Home, which views the war from a more personal perspective, through the eyes of the fictional Hunter family, their servants, and friends.
Having grown up in London in the aftermath of WW2, and playing on its bomb sites, I was well aware of the WW2 Blitz. But like most people, I had no idea that London was heavily bombed during the first war as well. This book is detailed and fascinating, and as well as the raids themselves, it goes into a lot of related topics, such as the black-out, prostitution, munitions factories, pub closing hours and the drive for teetotalism, refugees, women’s work, and the aftermath. Well-written and illustrated with photographs, it’s an excellent look at how London fared through the darkest days of its history.
'Zeppelin Nights is social history at its best... White creates a vivid picture of a city changed forever by war' The Times
2018 marks the centenary of the end of the First World War. In those four decisive years, London was irrevocably changed. Soldiers passed through the capital on their way to the front and wounded men were brought back to be treated in London's hospitals. At night, London plunged into darkness for fear of Zeppelins that raided the city. Meanwhile, women escaped the drudgery of domestic service to work as munitionettes. Full employment put money into the pockets of…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.
Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.
Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.
"Weaves a spell of darkness that’s mysterious and magical, and binds it with a knot of deathless love." —New York Times bestselling author Susanna Kearsley on A Lullaby for Witches
In post–World War I England, a young woman inherits a mysterious library and must untangle its powerful secrets…
With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War,…
I’m the author of 24 twisty psychological thrillers, many of which are Amazon bestsellers. Most of them are set in southern England where I live. My life was tipped upside down in 2015 when I was diagnosed with Ewing’s Sarcoma, a rare bone cancer. Although I have a masters in writing and was traditionally published for non-fiction, I hadn’t been brave enough to put my fiction out in the world. Cancer changed that. I’m now a full-time author, writing about scary things that happen to ordinary people. I’m also an avid reader of thrillers and enjoy nothing more than reading a book with an ending that makes me gasp!
Not only is this a great story but I think it’s beautifully written, even more exceptional because this is Stevens’ debut. Quite often, psychological thrillers are such page-turners, the reader doesn’t properly appreciate the words. I think that Elliot Stevens achieves both literary finesse and fast-paced action in this book. Set in London and the south of England, it’s tightly woven with an original premise, and as a bonus, has a fabulous twist at the end. Mark and Cecilia seem to have the perfect life, until he meets Alice. But he can’t leave Cecilia because she knows too much…
At last, Mark has found the perfect woman. There’s just one small problem – his wife.
Married couple Mark and Cecilia seem to have it all – looks, wealth, love. But behind closed doors, things are very different – they live in silent resentment, their marriage broken by the shattering loss of the child they so desperately wanted.
Enter Alice – Mark’s idea of the perfect woman. She appears from nowhere and offers Mark the chance of a new life filled with love, passion, and – finally – the joys of parenthood. Everything he’s ever dreamed of.
I have loved the Malvern Hills my whole life, first living on a sheep farm at their foot and then in my great-grandparents’ old house at the very top. As a teenager I fell for a farmer’s son (now my husband) and spent all my time on his Herefordshire farm. My upbringing firmly engrained a deep love of rural life into me, so it was natural it became integral to my writing. To write with authenticity about a way of life I am so passionate about, I immerse myself in farming research and keep my hand in on a local farm when it comes to busy times such as lambing.
This book was published in 2018 and yet it already feels like a true classic.
It is the beautiful, poignant, and often poetic story of a rural community as one world war ends but the threat of an unsettled nation still lies heavily in the air.
Told through the eyes of a child on the brink of adulthood, there are moments of such naïve tenderness it pulled hard at my maternal senses.
The early part of the twentieth century saw so much change in the lives of small communities and I found this investigation of how the shifting world affected the way farmers lived and worked deeply fascinating. This resonated with me and the research I’ve done into the current issues of change farmers are facing now.
'A masterpiece' JON MCGREGOR 'Impossible to forget' THE TIMES 'Astonishing' GUARDIAN 'Startling' FINANCIAL TIMES
WINNER OF THE EU PRIZE FOR LITERATURE
'BOOK OF THE YEAR' NEW STATESMAN, OBSERVER, IRISH TIMES, BBC HISTORY MAGAZINE
The fields were eternal, our life the only way of things, and I would do whatever was required of me to protect it.
The autumn of 1933 is the most beautiful Edie Mather can remember, though the Great War still casts a shadow over the cornfields of her beloved home, Wych Farm.
When charismatic, outspoken Constance FitzAllen arrives from London to write about fading rural traditions, she…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
Jewel thieves, undercover investigation, and - a fake engagement? I seriously could not predict the twists and turns aplenty in this book from Erin Swann which made me gasp several times, and then frantically keep reading.
I adored the clever descriptions that Erin crafted, and it became impossible not to fall in love with her characters. Grab it now.