Books like Orfeo — picked by fans

I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael. 

I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael. 

I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael. 

I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael. 

I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.

I was always a bookworm, even reading the encyclopedia as a child. I was equally drawn to the sciences and literature and ended up getting a PhD in Chemistry. I visited Asia often for my chemistry work and gradually became interested in the philosophy and religion of Asian cultures. Today, I'm more likely to brag about what I’ve written or read about Chinese culture than I am to mention my technical patents.

I am an author of history books as well as children’s fiction. My books for Pen and Sword Publishing tell the stories of the places associated with Henry VIII, and with the Princes in the Tower, the boys who mysteriously disappeared from the Tower of London during the reign of King Richard III. So it was obvious that I should use my passion for late medieval and Tudor history when it came to deciding on a setting for my first children’s book; The Secret in the Tower is set during Henry Tudor’s invasion and his assumption of the English throne. I hope readers enjoy reading it as much as I enjoyed researching and writing it!

I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy. 

I’ve always looked at the world with a sense of wonder. As a child, I was drawn to the magical and the fantastical, but a budding fascination with the scientific method eventually led me to discover the beauty and wonder of the natural world. I assumed science fiction would scratch that itch, but too many genre novels left me feeling empty, like they were missing something essential—what it feels like to be human. Novels that combine a wonder of the world with an intimate concern for character hit just the right spot for me. Maybe they will for you as well.

I am a lifelong fan of science fiction, and especially all things time travel. However, I do get annoyed by time travel stories where the time travel is never really explained or it’s just reduced to a magical vehicle for the story setting. I want my science fiction to ask the big questions of humanity. I have a PhD in history and theology, and in my research for my book From Star Wars to Superman, I combined a lifetime of enjoying science fiction and time travel with a career studying those big philosophical questions, and I’ve come to the conclusion that true sci-fi has to be thought-provoking.